Lost Art of Album Covers

album 9 album 4

Having posted here the lamentable news that 2014 will go down as the first year with zero platinum-selling albums since the inception of platinum certification, I think it worth pointing out that as the album’s importance diminishes, something else is lost: the emphasis on great cover art.

6 album 1

Since the era of the Beatles, when the LP first gained preeminence, iconic album art has played a major role. It grabbed your attention on the record store shelf. It summed up a record’s message, style or attitude. It could convey one more layer of meaning, beyond music and lyric. Great album covers became emblematic of the great works within.

album 5 album 8

Album covers were routinely perused, often while the music played, as fans gazed at images of their heroes, or searched for additional clues as to the music’s meaning, or simply lost themselves in a fanciful alternate reality.

album 7 album 3

Here are a few contemporary examples of striking album artwork:

prog 1 prog 4

prog 5 prog 2

prog 3 presto_ballet-invisible_places

On a Lighter Note…



2014 is First Year Ever with ZERO Platinum-certified Records


(via deathandtaxes)

by Joel Freimark

While there were certainly a number of great albums you need to have from this year, 2014 will mark the first year since its inception in 1976 that no artist’s album will be certified as platinum from sales. The award is given by the RIAA to mark one million units sold, and with only a few weeks remaining in the year, no album is even remotely close to making the threshold.

The two records nearest the magic number are Beyonce’s self-titled album and Lorde’s “Pure Heroine,” but neither have even crossed the 800,000 mark, with sales of both having tapered off months ago. There is one caveat, and that is the fact that the soundtrack to the animated film Frozen has moved well over three million units; but it being a soundtrack and not a single-artist release places it into a slightly different category.

Read more: http://www.deathandtaxesmag.com/229695/2014-is-first-year-ever-with-zero-platinum-certified-records/

The Sonic Differences Between the Beatles’ Mono and Stereo Recordings


If you think the only difference between the mono and stereo recordings of the Beatles’ music is in the number of channels, these videos will be an ear-opener. Even if you’ve heard these songs hundreds of times (as many of us have) you may never have noticed that such marked differences exist between mono and stereo versions–differences in mixing, use of effects and even vocal performances.

Which do you consider to be the definitive versions?

They Might Be Giants’ “Birdhouse in Your Soul” and the revolution it signified.


(via Slate)

By and

This essay is adapted from They Might Be Giants’ Flood, published as part of the 33 1/3 series and out now from Bloomsbury.

They Might Be Giants’ 1990 song “Birdhouse in Your Soul” hardly sounds like a chart-topper—which makes sense, given that it only ever reached No. 3. (On the Modern Rock chart, thank you very much.) But what makes a bona fide classic, Billboard stats aside, is a song’s ability to communicate across decades, reconciling our past and present selves with one another. (In the case of “Birdhouse,” those selves are awkward teenage geeks trying to navigate their own identity—and thirtysomethings who live in a world rather more respectful of geekiness than our high schools were.) This is exactly what “Birdhouse in Your Soul” does, though in a way that the band’s John Linnell and John Flansburgh couldn’t have imagined when they wrote it 25 years ago.

Read more: http://www.slate.com/articles/arts/culturebox/2014/02/a_history_of_the_they_might_be_giants_song_birdhouse_in_your_soul.html

Video of the Week: God Only Knows – BBC Music

Short Film: Wish 143


2011 Academy Award nominee Wish 143:


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