Dr. John: Call Him Mr. Hands

If I were a piano player maybe I could adequately describe how amazing and unorthodox Dr. John’s piano style is, as shown here. Some of the comments below the video offer clues, though, and even a non-musician can tell his hands are doing things you don’t see others do on the keys.
That’s my expert analysis.

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Christian Rock For People Who Hate Christian Rock

Take this test: watch the following video:

…and note your response. I happen to believe “I Can Only Imagine” by MercyMe, a massive Christian pop hit by the way, is one of the most polarizing songs ever in the history of polarizing songs. Some feel it is a beautiful, inspiring, thought-provoking piece of praise music, worthy even of inclusion in Christian liturgy.

I think listening to this song is what death by stoning must feel like.

Musically, it’s more mantra than melody. Lyrically, well…I have a problem with being bludgeoned by one four-word phrase twenty (count ’em yourself) times in four minutes. This song feels like an indecent assault on my musical sensibilities, and assault isn’t a very Christian thing to do.

So is there so-called “Christian Rock” out there that is of significantly higher quality than pap like this? Beats me–I don’t listen. But there’s a little chicken-and-egg caveat to that statement: I don’t know if there’s better because I don’t listen to “Christian Rock”. But I don’t listen to “Christian Rock” because what little I have heard is, musically, an insult to someone who demands a little creativity and imagination in whatever music they listen to.

And I’m not willing to sacrifice that for weak songs with a Christian message. In other words: being a Christian, I’m willing to give any sacred music the same chance as any other kind of music. But–I’m sorry–it has to meet me on my terms. If it’s truly creative–if it truly inspires me somehow, I’m in.

If it’s MercyMe, I feel like I’m looking at the stained-glass windows from the wrong side.

I’m not going to go in the direction here of saying there’s more religion in a Marvin Gaye song than any church hymn or whatever. That’s BS and we both know it; besides, the truth is I’m a churchgoer who wishes he could find more music that truly does inspire and bring me closer to my creator.

On the other hand, any extraordinarily beautiful music, or voice, or performance…and any song which shows wondrous talent or insight into the nature of life and isn’t needlessly depraved or cynical can inspire me, can bring me to see a little more of my God.

Yes, I know about Creed. They sound like the Nickelback of Christian Rock to me. Not buying it. I share the opinion of the reviewer on Amazon.com who commented: “Warning!! If you listen to this CD backward, you’ll hear Satanic messages. Even worse, if you play it forward, you’ll hear Creed.”

No, I don’t think there’s much good “Christian Rock” out there, or at least I haven’t heard evidence of it. But what I do occasionally discover is openly Christian artists who make rock and pop that isn’t insulting to someone of reasonably discerning musical taste (not a catchy genre name, I realize). So I’ll name some names, just in the interest of evangelization…

LeftovertureKansas. Yeah, midwest America Prog rock, “Dust in the Wind” Kansas. I realize I’m talking about oldies here, but if you only listen to “praise music” go back to Leftoverture and Point of Know Return and it’ll be new to you as you listen like the deaf man whose ears have been touched by…Kerry Livgren.

Kerry actually left Kansas to make Christian rock. But he had already been doing so within the band, only in clever, covert fashion.

When you’re in a platinum-selling arena rock outfit and you feel the need to write about your search for Christian truth, you have to make platinum-selling Christian rock–you just can’t call it that. Kerry Livgren was a great songwriter who happened to be a devout Christian, not a devout Christian who happened to be a songwriter. “Stealth Christian rock”, Kansas-style, sounds like this:

“The Wall”:

“Carry On Wayward Son”:

“Hold On”:

Much of Livgren’s writing with Kansas was artful and ambiguous enough to fool the part of his audience who would have preferred not to think they were listening to rock with a Christian message. “Hold On”, for example, sounds like a common power ballad, but was actually written by Livgren to his wife “as a plea for her to come to Christ”. It was also a Top 40 single. And if I may say so, one big difference between “Hold On” and “I Can Only Imagine” is a monster arena rock hook for a chorus–the kind that can make you shout along in your car, and maybe even bring you to tears.

Big Horizon

David Wilcox. This mostly-acoustic, folk singer-songwriter has a rare lyrical gift, as well as the type of guitar virtuosity that has landed him on the cover of guitarist magazines. His writing has grown more overtly Christian seemingly with each album, but without sacrificing his lyrical edge and a truly superior gift for metaphor:

“Show the Way”:

“Farthest Shore”:

“Metaphorical Reasons”:

Flying Colors (Limited Edition Digipak)

Flying Colors. This band’s brand-new debut album was reviewed on this site just a week ago (see: Recommended Albums #13). Kerry Livgren almost became a member of the band, and he’d have fit perfectly: Flying Colors makes the kind of uplifting, positive-message “stealth Christian rock” Kansas made years ago, with a pinch less of the 70’s Prog grandeur and profundity. This is Christian rock for people who hate Christian rock:

“The Storm”:

“Better Than Walking”:

“Everything Changes”:

Grave New World

Strawbs. This British Folk-Prog band whose popularity peaked in the 70’s can’t be adequately described (or lauded) in a paragraph. But Christian themes certainly permeated their music, and more uncompromisingly so than any of the aforementioned artists. Though the voice of David Cousins may be something of an acquired taste to some (and to others it will remain unacquired), his expressive and compelling songwriting is simply a treasure. Strawbs still attract enough religiously devoted admirers to tour both as an acoustic trio and as a full electric band across several continents. They’re truly one of Prog rock’s (and pseudo-Christian rock’s) best-kept secrets. The anthemic “Lay Down”, based loosely on the 23rd psalm, is the kind of song that would certainly inspire me in a liturgical setting!

“Benedictus”:

“Lay Down”:

“A Glimpse of Heaven”:

Manualist Plays Steely Dan – East St. Louis Toodle – oo

I’m not sure how to feel about this.

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Bands Out of Character: Artists Who Threw Us a Musical Change-Up

I’ve collected a baker’s dozen of examples of bands or artists who inexplicably took on another identity for 3 to 5 minutes. In some cases both song and artist are both well-known enough that time and familiarity have dulled the shock of the sharp break from their usual sound. But a few may induce that “I never knew that was them” type of reaction. The common thread, though, is that for just one song each of these artists sounded more like another artist’s work than their own–sort of like that Star Trek episode where Captain Kirk was really a girl.

Elton John: “Saturday Night’s Alright For Fighting” …sounds like classic-era Rolling Stones–just like Elton intended.

The Doobie Brothers: “Black Water” …The “China Grove” guys did…bluegrass? Who did they think they were, some Jerry Garcia side project?

Robert Palmer: “Every Kinda People” …is pure What’s Going On-era Marvin Gaye.

Chicago: “Flight 602”  …is more Crosby, Stills & Nash than it is Chicago.

Kiss: “Hard Luck Woman” …C’mon, admit it: If you weren’t a Kiss fan in the 70’s you thought it was Rod Stewart.

Santana: “Winning” …came out within months of Steve Winwood’s first solo album. Hmm…

Foreigner: “Starrider” …brings to mind one of Greg Lake’s flights of fancy from his days with King Crimson or ELP. Light years (one might say) removed from “Hot Blooded” or “Double Vision”.

Frank Zappa: “Sexual Harassment in the Workplace” …just isn’t what I think of when I think of Zappa.

The Beach Boys: “Sail On Sailor” …I had no idea who sang this when I was a kid. Probly would’ve guessed Stevie Wonder. Now Jimmy Buffet does it live, making everyone think it’s his song. He does that.

Robert Palmer: “Bad Case of Loving You (Doctor, Doctor)”  …Palmer again. Took him a while to find those backup babes and settle into his tuneless synth-pop niche. He’s trying on an 80’s ZZ Top sound here.

The Who: “The Kids Are Alright” …evokes the Byrds, the Hollies, the Turtles, maybe the Easybeats. This isn’t typical Who material. And Roger seems to know it in this video.

The Guess Who: “Clap For the Wolfman” …The Guess Who had given us so many great singles by 1974 they deserved to foist on us this tribute to Wolfman Jack…I guess. But I don’t suppose many who’d heard “These Eyes”, “No Time” and “American Woman” would have guessed who was singing this one.

Grand Funk: “Bad Time” http://www.youtube.com/watch?v=lsDMxWgPQcg …contains no hint of the “footstompin’ music” of previous Grand Funk Railroad tracks (see what I did there?). This single took them back to the Top 40 for the last time, proving definitively that sweetening their sound was either the right or the wrong move.

Tour of Paul McCartney’s Guitars

Take a backstage tour of Paul McCartney’s guitars with his guitar tech Keith Smith.

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My Guitars–New Video Series Featuring Mike Campbell

http://www.huffingtonpost.com/mike-campbell/the-guitars_b_1406937.html?ref=entertainment

Watch the first video in a new series presented by Tom Petty & The Heartbreakers’ guitarist Mike Campbell. Mike tells the stories behind the guitars he’s collected over the years.

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