Recommended Albums #121

The Proclaimers: Sunshine On Leith (1988)

Perhaps no album has gone from being so ignored on its release to ultimately meaning so much to so many.

Sunshine On Leith was the Proclaimers’ second album and first to incorporate a full-band sound. Although their debut LP This is the Story had a quirky folk-punk charm, fleshing out the arrangements of twin brothers Craig and Charlie Reid’s ardent pop anthems only deepened their emotional resonance.

Also, the tunes were straight bangers.

It’s been said the brothers Reid felt something special happening during the recording of Leith. The album, named after the town of their birth, is bursting with odes to home, family, new love, fatherhood and national pride. Its joys and sorrows are as contagious as its melodies.

“I’m Gonna Be (500 Miles)” was, of course, the song that put the duo on the map, becoming a fluke hit five years after its first release thanks to its inclusion in the Johnny Depp movie Benny and Joon.

Unfortunately, it pegged them as a one-hit wonder in the States and likely did their reputation as much damage as good.

“Cap in Hand” sees Craig and Charlie proclaiming support for Scottish independence, while couplets like “I can tell the difference ‘tween margarine and butter/I can say ‘Saskatchewan’ without starting to stutter” pull off the trick of taking a political stance while keeping the mood light.

“Then I Met You” boasts a couple scorching guitar solos that make it a highlight of live performances.

Ballad “My Old Friend the Blues”, a cover of a song from Steve Earle’s 1986 debut, showcases the harmonies that had people comparing the Proclaimers to the Everly Brothers–fitting since the album’s producer Pete Wingfield had actually previously worked with the Everlys.

Four songs in, having already delivered a greater variety of moods and messages than some artists ever manage, Sunshine On Leith is just getting started.

“Sean”, written about Charlie’s newborn son, contains some moving ruminations on fatherhood:

From parents smart and strong to both of us passed on/From kings is where you come, through daughters and through sons…

And: Though fear and hurt and care can lead me to despair/I saw why I’m here the morning you appeared…

And: Sean, I sat a while on clouds to ask God if he’s living/I should have spent some time on knees in thanks for what He’s given…

Indeed.

The gorgeous “Sunshine On Leith” has become part of the Scottish cultural tapestry. People play it at funerals. The Hibernian football club has adopted it as their unofficial anthem. It’s a heart-tugging tribute to Craig and Charlie Reid’s hometown, but Leith has had to share the song because there’s so much love in those few short verses that everyone wants a share:

While I’m worth my room on this earth, I will be with you/While the Chief puts sunshine on Leith/I’ll thank Him for His work/And your birth, and my birth…

It’s incredibly moving–almost surreal–to hear a stadium full of people singing those words.

The bouncy “I’m On My Way” may be familiar due to its inclusion in Disney’s Shrek. It’s as contagious as “I’m Gonna Be…” but not as tired.

“What Do You Do”, like “Cap in Hand”, explores feelings of Scottish nationalism, but with a decidedly more somber tone–no chucklesome couplets here:

I spent too long on this road/Looking for the answers/But poverty and failure/Aren’t what I’m after/I painted “Fight” on factories/But they closed the factory down pal/Gonna find out where their heart’s gone/Gonna find out where their nerve’s gone…

What do you do when democracy’s all through/What do you do when minority means you…

With a new album coming out in 2026, the Proclaimers have never gone away. While over the years this album or that has been hailed as a “resurgence” or “return to form”, the truth is they’ve never stopped writing, recording and performing great songs.

Still, Sunshine On Leith is their most perfect moment.

You can probably skip: “I’m Gonna Be (500 Miles”

Listen to: “Cap in Hand”

Listen to: “Then I Met You”

Listen to: “My Old Friend the Blues”

Listen to: “Sean”

Listen to: “Sunshine On Leith”

Listen to: “I’m On My Way”

Listen to: “What Do You Do”

See also: Songs You May Have Missed #600 | Every Moment Has A Song

See also: Songs You May Have Missed #750 | Every Moment Has A Song

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Songs You May Have Missed #861

Genesis: “Ripples” (1976)

Gesesis’ first album without front man Peter Gabriel accomplished two things: First, it proved to critics that the band could still produce quality music without Gabriel seemingly at the helm. (I say “seemingly” because the band had always been more of a songwriting democracy than Gabriel’s front man status would lead one to believe.)

Second, the album was a bit of a re-set after The Lamb Lies Down On Broadway, which had told a modern-day tale with America as its backdrop.

Although Genesis would of course soon take a more modernistic, straight-ahead approach in the Collins era, A Trick of the Tail was at least a temporary return to the more fanciful, pastoral, and English-sounding progressive rock of the band’s first half-decade.

The audio file of the 8-minute Rutherford-Banks composition “Ripples” is just what you’d expect 70’s long-form prog to “look” like: two dynamic peaks (choruses) within the first half of the song, then several minutes of progging about, gradually building to a climactic final chorus. The tried-and-true formula of 70’s Classical-influenced prog.

One thing that separated the great prog rock bands from the lesser ones was the quality of the ensemble playing during those “progging about” bits. And with Steve Hackett and Mike Rutherford on guitar, Tony Banks on keyboards and Collins on drums, this was just what Genesis excelled at.

The reason Genesis didn’t miss a beat with the departure of Gabriel is that they were never about their individual parts. They were about being a great band.

See also: Songs You May Have Missed #55 | Every Moment Has A Song

See also: Recommended Albums #91 | Every Moment Has A Song

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