Having had their first regional tour interrupted by the COVID pandemic, Carolina sextet Pluto Gang convened in a cabin in the Carolina mountains to create their genre-blurred Better Out Here LP,
Their sound is something the band calls “high energy jam soul”. Works for me.
Humblebums: “Her Father Didn’t Like Me Anyway” (1969)
From the second release by the mostly low-key British folk rockers and the first with Gerry Rafferty.
Rafferty’s addition coincided with an advent of brass and woodwind arrangements which, along with Rafferty’s subdued, reflective songwriting, gave the group an enhanced emotional richness. But it was a short-lived collaboration.
Rafferty and Billy Connolly would embark on solo careers one album later.
From Maná’s Grammy-winning seventh studio album Amar es Combatir (“To Love Is To Fight” in English). The album shared the distinction with Shakira’s Fijación Oral Vol. 1 (2005) as the highest debut of a Spanish language album in the history of Billboard until surpassed by Bad Bunny in 2020.
“El Rey Tiburón” (“The Shark King”) is a warning to the, uh, “mermaids” to beware the one who will “eat you with his kisses”. Or something:
I’m the king of the seas, the shark
The one who smothers you with kisses
But I’m the king of the sea, the shark
The one who eats you up, my love
Ay Ay Ay Bom Bom My mermaid of my love
Beware of the kiss
Oh, this is excess of love, that the shark has arrived
Compositionally, the song catches the ear by resolving minor-chord verses with a major, then ending the major-chord chorus by returning to a minor.