Matt Duncan: Soft Times (2013)
Matt Duncan, who calls himself “the Elvis of self-doubt”, is a purveyor of tuneful soft rock that sounds like it ought to be playing from an AM transistor radio.
In a good way.
Though actual 70’s pop spanned a single decade, in the four-plus decades since we’ve been hearing people try to approximate its magic.
And though plenty of contemporary artists catch interest for their retro 70’s musical dialect, seldom does their mere facsimile of sound actually summon the aura of that decade.
Maybe the secret is to not try too hard.
Duncan acknowledges his first LP Beacon lived in the 60’s, and that his sound moved onward one decade for this, his second.
But while he cites Steely Dan and Joni Mitchell among others as influences, his music is never mimicry. Did you hear an Atlanta Rhythm Section groove in “The Keys”? A little Van Morrison in the horns on “Idle Hands”? The influences are hard to pin down because it’s all more evocative than derivative.
Duncan just tastefully employs a variety of elements: soulful violins, sax, scratch guitar, and harmony vocals span the album. He arranges with lots of pauses, breakdowns and tempo changes, ensuring that “mellow” never becomes “dull”. And it’s all done with an impressive overall gloss and sophistication.
Lyrically, Duncan avoids cliche territory completely, and a barbed line here or there is a pleasant surprise.
One might call this lightweight stuff, but so were Hall & Oates after 1980. Not everything has to be “Kashmir”.
Soft Times feels like a pleasant escape back to 1977 and a brief respite from our own hard times.
Listen to: “The Keys”
Listen to: “Rube Goldberg Machine”
Listen to: “Soft Times”
Listen to: “I Don’t Know”
Listen to: “Idle Hands”
Listen to: “Lone Ranger”











