Video of the Week: Luna Lee and Her Gayageum Play Classic Rock, Korean Style

Luna Lee breathes new life into the classic rock of Hendrix, Led Zeppelin, Stevie Ray Vaughan and others by blending the modern with the traditional, and the western with the eastern. The results are dazzling. As she explains on her website:

The gayageum that I play is an ancient, traditional Korean instrument made for the purpose of playing traditional Korean music. My ancestors played the gayageum in a small room, so the sound did not need to be loud. But my music is performed with modern instruments such as the drums, bass and the guitar. So I had to redevelop my gayageum so that the sound would match that of the modern instrument. I had to increase the volume and pressure, develop tone and increase the sustain sound. And hoping to express the sound of gayageum more diversely like that of the guitar, I had to study guitar effectors and amplifiers and test them to see if they would fit to the sound of the gayageum. Playing modern music on a traditional instrument was not an easy process. I have come a long way from the beginning but still have a long way to go!

Most amazing of all is how she does it all without any trace of that ubiquitous rock guitarist painface that I assumed was necessary to hit those high notes…

Website: https://www.patreon.com/lunalee

Songs You May Have Missed #847

Amazing Blondel: “Three Seasons Almaine” (1971)

Amazing Blondel took their unique Classicist Renaissance blend a step further on 1971’s Fantasia Lindum LP than on the previous year’s Evensong.

The album’s title track was a 10-section, 20-minute suite (or fantasia) that comprised the album’s entire first side.

Harpsichord, recorder, lute, harmonium and dulcimer adorned lyrics about leafy lanes, lovers and lasses, woodsmen, ploughboys and verdant countrysides, sung in unapologetically English accents.

The phrase “baroque pop” is thrown around, even in this blog, to describe contemporary pop songs onto which is grafted some antique instrumentation.

Amazing Blondel deserves the description–like no other.

See also: Recommended Albums #98 | Every Moment Has A Song

Video of the Week: ‘So Wrong They’re Right’–Russ Forster’s 1995 Doc About Obsessive 8-Track Collectors

Video of the Week: Tribute, a Documentary Chronicling the Drama and Absurdity of Tribute Bands

List of the Day: Fictitious but Fitting Tribute Band Names

The Weaknd

Imagine Imagine Dragons

Artificial Heart

The Replacements for the Replacements

No Rush

Even Less than Less Than Jake

System of a Downgrade

Off-Whitesnake

Not as Good Charlotte

Adjacent Mraz

List of the Day: 5 Barry Gibb Hooks that “Turned Around on Themselves”

Barry Gibb has said he enjoys writing hooks that “turned around on themselves”, meaning melodic lines that twisted time signatures playfully.

To write a line that defies the ear’s common time expectations is to create an unforgettable hook. It’s just one reason Barry Gibb is in an elite class of songwriter.

Here are five examples of Barry Gibb turning the music around on itself. If it’s difficult to pick up, try counting 1-2-3-4 to the beats and you’ll see Barry’s gift for writing melodies that seem to want to climb out of 4/4 time.

Jive Talkin’

(Love is) Thicker Than Water

Shadow Dancing

An Everlasting Love

If I Can’t Have You

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