Songs You May Have Missed #731

Kings of Convenience: “I Don’t Know What I Can Save You From” (2001)

From Kevin Maidment’s album review:

Although Kings of Convenience are keen to play down any blatantly self-evident similarities to Nick Drake, Simon and Garfunkel, and Belle and Sebastian, the winsome and placidity-favoring Norwegian duo of Erlend Oye and Eirik Glambek Boe have probably already got the subway buskers of tomorrow lining up to lend an ear. Studentlike in appearance (one of them has a duffel coat and John Major specs) and unashamed to softly impart such nonrock lyrics as “put the kettle on” and “using The Guardian as a shield to cover my thighs against the rain,” the weightless and airy acoustic guitar muse of Quiet Is the New Loud isn’t a million miles from Radiohead’s “Nice Dream” or Pink Floyd’s “If” with a subliminal swish of bossa-nova rhythm. A contentedly purring cello, a plaintive touch of piano, and the muffled sound of a trumpet add necessary sonic depth, and the results are as pleasant and civilized as a little light conversation over tea in the drawing room. But what a shame they chose to name themselves after a lavatory.

See also:

See also:

See also:

Songs You May Have Missed #730

Modest Midget: “Troubles in Heaven” (2010)

From the Dutch progressive/pop fusion band Modest Midget’s 2010 debut, The Great Prophecy of a Small Man.

“Troubles in Heaven” is mostly built around a single infectious motif, but with enough key modulations to keep it fresh and enough stylistic pivots to make you wish you could have a look at songwriter/vocalist Lionel Ziblet’s record collection.

The instrumental break is a swerving musical rollercoaster ride: Zappa-esque for a moment…timpani fills…then country fiddle. Then synth. Then a bit of straight-ahead rock and roll guitar. Then a second, middle eastern-sounding breakdown–klezmer music? (Ziblet grew up in Israel).

I guarantee you’ve heard nothing like it.

Decide for yourself if it’s Gentle Giant or XTC or something else this band brings to mind over the course of a frolicsome 3-minute ride.

Modest Midget is a little eccentric, a little schizophrenic, and a lot of fun.

Songs You May Have Missed #729

Pacha Massive: “Don’t Let Go” (2006)

The Bronx duo of Dominican-born Nova (on keys and guitar) and Columbian-born Maya (on vocals and bass) stir up a melting pot of musical flavors on their 2006 debut.

Their music is equally at home on a dancefloor, in a laid-back lounge, wafting across your living room or pulsing from your car.

Songs You May Have Missed #728

Herman’s Hermits: “No Milk Today” (1966)

No milk today, my love has gone away
The bottle stands forlorn, a symbol of the dawn
No milk today, it seems a common sight
But people passing by, don’t know the reason why

How could they know just what this message means?
The end of my hopes, the end of all my dreams
How could they know a palace there had been
Behind the door where my love reigned as queen?

No milk today, it wasn’t always so
The company was gay, we’d turn night into day

But all that’s left is a place dark and lonely
A terraced house in a mean street back of town
Becomes a shrine when I think of you only
Just two up two down

No milk today, it wasn’t always so
The company was gay, we’d turn night into day
As music played the faster did we dance
We felt it both at once, the start of our romance

Graham Gouldman wrote hits for the Hollies (“Bus Stop”, “Look Through Any Window”) the Yardbirds (“For Your Love”, “Heart Full of Soul”) Herman’s Hermits (“Listen People”, “No Milk Today”) and the band of which he was a member, 10cc (“I’m Not in Love”, “The Things We Do For Love”, Dreadlock Holiday”).

He says his father, who regularly proposed song titles and helped him with his songwriting, suggested he write a song with the title “No Milk Today”. Graham says his first reaction was negative until his dad explained the milk bottle on the porch–from the days of the milk man, of course–was a metaphor for a relationship that had ended.

Gouldman proceeded to write a poignant lyric and set in in an alternating minor- and major key setting. Then John Paul Jones (yes, that John Paul Jones) created an inspired baroque pop arrangement with strings and bell chimes, and when Peter Noone added his crisp, sympathetically plaintive lead vocals, a minor pop classic was born.

Except producer Mickie Most didn’t hear it. The record company wanted to release it as a single, but Most, who hadn’t even wanted to record the song, resisted.

Only Jones’ lobbying for the song caused Most to relent. Mickie Most is legendary for the ability to hear a single, but somehow missed completely on “No Milk Today”. Noone swears it was John Paul Jones’ enthusiasm for the song that saved it.

However, despite going to number 7 in England, the song was released only as the flipside to “There’s a Kind of Hush” in America. Yet it received enough airplay even as a B-side to make it to #35.

Hard to say if it would have been top ten if promoted as an A-side. With lyric lines like “just two up, two down” (a reference to a modest home with only two rooms upstairs and two downstairs) it has a peculiarly British feel.

But then, songs like “Mrs. Brown, You’ve Got a Lovely Daughter” and “I’m Henry the VIII, I Am”, which sound as British as can be, were huge hits in America, while they weren’t even released as singles in England.

The analysis video below, by the excellent Phil from Wings of Pegasus, helps one fully appreciate both song and performance.

The second video, featuring Graham Gouldman’s own performance, explains the song’s genesis.

Songs You May Have Missed #727

Walter Martin: “Too Cold to Waterski” (2018)

I look forward to Walter Martin’s vacations almost as much as he does. The man always returns with sweetly skewed descriptions of his adventures.

He’s pop music’s David Sedaris.

Some of his records are children’s records. But all of his records have a childlike nature. This guy stands on his tip-toes to see things in a way most of us have forgotten to look.

See also:

See also:

See also:

Songs You May Have Missed #726

Styx: “I’m O.K.” (1978)

Like contemporaries Kansas, who leaned more toward progressive rock, Styx had a pretty clearly-defined two-album artistic career peak. Both bands released their two finest albums between 1976 and ’78.

Pieces of Eight, which followed platinum breakthrough The Grand Illusion, was a more than worthy follow-up. It combined some of the progressive tendencies of their pre-Tommy Shaw early work with tight, commercial singles like “Blue Collar Man” and “Renegade”.

While all three of the album’s singles were penned by Shaw (the third being the joyous “Sing For the Day”) Dennis DeYoung’s “I’m O.K.” certainly could have been a single.

Perhaps the church organ solo disqualified it.

But this song is like DeYoung’s answer to Shaw’s “Fooling Yourself (The Angry Young Man)” from the previous LP–uplifting pop/rock psychology from an era when so-called “classic rock” was trying to hold its own in a landscape altered by disco and punk.

Songs You May Have Missed #725

Viento de los Andes: “Taquirari De Jaina” (1994)

Led by Jose Arcieniegas, Viento de los Andes are a group of musicians from Ecuador, Bolivia, Chile and, uh, Canada who play music of the Andes region of South America using traditional instruments.

This is the kind of stuff you sprinkle like huacatay on your shuffle playlist for a little international flavor, rather, perhaps, than consume in 40-minute, full album servings.

See also:

Songs You May Have Missed #724

Magna Carta: “Life in the Old Dog” (2015)

British progressive folk rockers Magna Carta released 2015’s Fields of Eden on the actual date of the signing of the Magna Carta 800 years later, and few expected an album of its caliber 40+ years after the release of the band’s most iconic LP, Lord of the Ages.

But you can never write off the man who’s been called “the English Paul Simon”, singer/tunesmith Chris Simpson. Clearly there is life in the old dog yet.

I went out last night with a friend of mine,
I bought eight, and he drank nine
Just a shootin’ the breeze and we were havin’ us a good time too
Talkin’ bout women and days gone by, and the feel of the road and an open sky
And a guitar hummin’ like only a guitar do
But we lied about the times we scored and laughed the night away
It’s all dependin’ on your point of view
They can’t take away you’re memories and I’m happy to raise the bet
So watch out, there’s life in the old dog yet

Time waits for no man and the rest, you’re sometimes cursed and often blessed
And the women all look a little bit older, that’s for sure
Partying nights and truckin’ all day, saints and sinners and easy lays
You just hang on in and take it as it comes along
There are those that say, you’ve had your day, and you’ve come to the end of the line
Well that’s dependin’ on you’re point of view and if you
Sail through heavy weather, chances are you might get wet
So what, there’s life in the old dog yet

There’s a face in the mirror I know so well a few more lines, a touch of frost, I can
Tell it’s me and I’ve sure put on a year or two
And I met this kid out on the street, he said hey old man I got you beat, I said
Raise your glass and we’ll have ourselves a drink or three
As the morning sun came through the door he measured his length on the baroom floor
He never understood my point of view
But he lifted his head as they carried him out, with a look I shalln’t forget
Tough luck son, there’s life in the old dog yet

A good man knows when his time is come and turns his back on the things he’s done
And gets a little worried ’bout the devil who’s a keepin’ score
The hardest part is the sweet regret that comes to haunt us all in the wakin’ hours
And tends to stay right with us, til the dawn
There are things you should remember, there are things you’d best forget
It’s all depending on your point of view
There are fishes in the ocean, but a few have slipped the net
Well thank god I’m one, there’s life in the old dog yet oh yeah yeah
Thank god I’m one, there’s life in the old dog yet

See also:

See also:

Songs You May Have Missed #723

Fool’s Garden: “Million Dollar Baby” (2008)

From the 2008 limited tour edition EP Home, and saved from total obscurity by its appearance on the German band’s 2009 compilation High Times: The Best of Fool’s Garden.

The band hint in that compilation’s liner notes that the song’s title was inspired by the Clint Eastwood movie of the same name–which they, and I, recommend.

Fool’s Garden, fairly or not, are known as a one-hit wonder, that hit being the (nearly) worldwide smash “Lemon Tree”, which charted seemingly everywhere but in the US. If you want to hear their hit, click the link below, but not before checking out the very worthy “Million Dollar Baby”.

See also:

Songs You May Have Missed #722

Badflower: “Promise Me” (2019)

“Promise Me” finds Badflower in a more reflective frame of mind than on the harrowing “Daddy”, which we previously shared.

Both are excellent efforts from a, uh, promising young band.

See also:

Previous Older Entries

%d bloggers like this: