"There's a time in life for Hoagy Carmichael. There's a time in life for Claude Debussy. There's a time in life for Jerry Lee Lewis. There's a time in life for Destiny's Child. All these things have their moment." ~Elvis Costello
Johnny Cash wrote down at least two lists in his lifetime. Let’s start with the big one. In 1973, when his daughter Roseanne turned 18, the legendary musician pulled out a sheet of yellow legal paper and began writing down 100 Essential Country Songs, the songs she needed to know if she wanted to start her own musical career. The list, writes the website FolkWorks, didn’t construe country music narrowly. It was eclectic, taking in old folk songs, Appalachian ballads, and also protest songs, early country classics, and modern folks songs sung by artists like Bob Dylan. This essential list never went public, at least not in full. Roseanne Cash guarded it closely until 2009, when she released an album featuring interpretations of 12 titles from her father’s list. The other 88 songs still remain a mystery.
Now on to that other list: Somewhere along the way (we’re not sure when) The Man in Black jotted down 10 “Things to Do Today!” This list feels almost like something you and I could have written, the stuff of mortals. Heck, in a given day, we all “Cough,” “Eat” and “Pee.” We struggle with will power (not eating too much, perhaps not smoking, maybe not fooling around with anyone but our spouse). And we’re hopefully good to our loved ones. So what sets Johnny Cash apart from us? Just June and that piano.
Oh, and the fact that Johnny’s to-do list sold at auction for $6,250 in 2010.
Paul Revere and the Raiders lip-synch their hit “Indian Reservation”, with a drummer I suspect wasn’t on the original recording–his “performance” seems to show a complete lack of familiarity with the song. Best moment: 1:10.
Do you love polka? Do you love Guns ‘N’ Roses? Do you love antique, pre-war musical instruments? If you answered all three of these questions with a resounding “Yes!,” then you’ll love this rendition of Gus ‘N’ Roses’ “Sweet Child of Mine,” which served as the introduction to an episode of California’s Gold with Huell Howser.
After a brief introduction, Howser sends it over to his colleague, Joe, who busts into a spirited version of the Guns ‘N’ Roses classic on a fotoplayer from 1926. Joe’s hands are in constant motion as he adds whistles, clanks, bells, horns and other polka noises over Axl Rose’s vocals. How the fotoplayer actually works is beyond us, but it sure is entertaining to watch a master like Joe in action.
In November 1973, Scot Halpin, a 19-year-old kid, scalped tickets to The Who concert in San Francisco, California. Little did he know that he’d wind up playing drums for the band that night — that his name would end up etched in the annals of rock ‘n’ roll.
The Who came to California with its album Quadrophenia topping the charts. But despite that, Keith Moon, the band’s drummer, had a case of the nerves. It was, after all, their first show on American soil in two years. When Moon vomited before the concert, he ended up taking some tranquillizers to calm down. The drugs worked all too well, not least because the tranquillizers actually ended up being PCP. During the show, Moon’s drumming became sloppy and slow, writes his biographer Tony Fletcher. Then, halfway through “Won’t Get Fooled Again,” he slumped onto his drums. Moon was out cold. (See it all happen above.) As the roadies tried to bring him back to form, The Who played as a trio. The drummer returned, but only briefly and collapsed again, this time heading off to the hospital to get his stomach pumped.
Scot Halpin watched the action from near the stage. Years later, he told an NPR interviewer, “my friend got real excited when he saw that [Moon was going to pass out again]. And he started telling the security guy, you know, this guy can help out. And all of a sudden, out of nowhere comes Bill Graham,” the great concert promoter. Graham asked Halpin straight up, “Can you do it?,” and Halpin shot back “yes.”
When Pete Townshend asked the crowd, “Can anybody play the drums?” Halpin mounted the stage, settled into Moon’s drum kit, and began confidently playing the blues jam “Smoke Stacked Lighting” that soon segued into “Spoonful.” It was a way of testing the kid out. Then came a nine minute version of “Naked Eye.” By the time it was over, Halpin was physically spent.
The show ended with Roger Daltrey, Pete Townshend, John Entwistle and Scot Halpin taking a bow center stage. And, to thank him for his efforts, The Who gave him a concert jacket that was promptly stolen.
As a sad footnote to an otherwise great story, Halpin died in 2008. The cause, a brain tumor. He was only 54 years old.