Ohio Slayers: Does “Love Rollercoaster” Contain a Murdered Woman’s Scream?

honey(Reprinted from Snopes,com)

Claim: The Ohio Players’ recording of the song “Love Rollercoaster” includes the scream of a murdered woman.

Status: False

Examples:

Collected on the internet, 1996:

The cover of the album Honey by the Ohio Players depicts a nude model kneeling atop what appears to be a sheet of glass, dripping honey all over herself from a ladle suspended above her head. The original UL was that the glass was actually Fiberglass (or some other synthetic), which reacted chemically with the honey, bonding her skin, like Superglue, to the Fiberglass. Freeing her ripped the skin off her legs, and her career as a model was ruined. Soooo…she just happens to burst into the recording studio while the Ohio Players are recording “Love Rollercoaster” and starts to threaten to sue the band for everything they’re worth. The band’s manager stabs her to death right there in the control booth, and that’s the scream you hear in the song.

Collected on the internet, 1996:

Remember the classic song “Love Rollercoaster” by the Ohio Players? Well the rumor going around the Passaic, NJ YWCA was that one of the screams in the song was that of a real woman being murdered. Apparently, the song was recorded in the band’s apartment, and a woman was being killed by an intruder.

Collected on the internet, 1996:

Someone brought up something to me yesterday regarding a 70’s song called “Rollercoaster”. I don’t remember a thing about the song, but I do remember my brother telling me (I was about eight or younger at the time), that a scream in the background of the song was recorded inadvertently, and was actually a cleaning woman screaming as she was stabbed during the recording of the song.

Variations:

  • The site of the murder varies: an apartment (adjacent to the one in which the band is recording), just outside the studio, in an adjacent studio, inside the control room, and within the studio itself.
  • The identity of the dead woman also varies: an unknown victim, a cleaning woman, the girlfriend of one of the group members, or the model who posed for the album cover.
  • Some versions of this legend claim that the scream is a real but pre-recorded one (taken from tapes of inmates undergoing shock therapy at a local institution or s 911 emergency call).

Origins: It’s a metaphor: love as a rollercoaster ride. Both involve their fair share of screaming, so when the Ohio Players recorded their 1975 hit, they naturally incorporated a real scream into the track. In the 1970’s you couldn’t just do something like that simply because it made sense, though, so it wasn’t long before wildly improbable stories about the origin of the scream began to circulate by word of mouth, aided by an army of disk jockeys eager to pass along a juicy (if apocryphal) anecdote.

The rumors that postulated the scream was a real one taken from an external source (a psychiatric hospital or 911 tape) were the most plausible ones. Other explanations had the band recording in an apartment building (where a woman was conveniently murdered next door), microphones picking up the scream from a violent crime committed outside the recording studio (so much for that “soundproof studio” idea), or a band member stabbing his girlfriend (or a cleaning woman) to death in the studio as the tape rolled (presumably hoping to be the first person to simultaneously hit #1 on both the Billboard singles chart and the FBI’s Most Wanted list).

The most outrageous rumor had to do with the cover of the album on which “Love Rollercoaster” appeared. Entitled Honey, the album’s daring (for its time) outer cover featured a nude Playboy model lapping honey from a jar with a clear plastic spoon, while the inner gatefold sleeve pictured her covered with the sticky golden liquid.

ohioAccording to legend, the model was horribly burned by the honey (because it was heated to make it flow more freely) or suffered excruciating pain when it was removed (because it was actually a form of liquid plastic that took huge chunks out of her skin with it when it was removed), and her screams of agony are what is heard on the finished product. (Apparently the Ohio Players were experimenting with rush record production techniques that had the recording of the album’s music occurring in the studio simultaneous with the creation of the album’s cover art.) A related version had the badly scarred model show up that the studio to demand compensation for her injuries just as the band was recording “Love Rollercoaster” and their manager deftly handled the situation by killing her on the spot.

In truth, the scream does seem a bit out of place: it’s a feminine voice amidst a group of male singers, it’s buried low in the mix, and it does sound like the cry of a woman in terror rather than that of a “thrilled-to-be-scared” amusement park customer. It’s not hard to imagine how easily people receptive to rumor could be convinced that this sound didn’t belong on the track, but had inadvertently slipped in.

The real source of the scream–and the origins of the rumor–were explained by Ohio Player Jimmy “Diamond” Williams:

“There is part of the song where there’s a breakdown. It’s guitars and it’s right before the second verse and Billy Beck does one of those inhaling-type screeches like Minnie Ripperton did to reach her high note or Mariah Carey does to go octaves above. The DJ made this crack and it swept the country. People were asking us, ‘Did you kill this chick in the studio?’ The band took a vow of silence because that makes you sell more records.”

The audio clip below contains the scream in question:

Top Ten Singles 40 Years Ago This Week

Week ending February 10, 1973

  1. Crocodile Rock-Elton John
  2. You’re So Vain-Carly Simon
  3. Why Can’t We Live Together-Timmy Thomas
  4. Oh Babe, What Would You Say?-Hurricane Smith
  5. Superstition-Stevie Wonder
  6. Do it Again-Steely Dan
  7. The World is a Ghetto-War
  8. Trouble Man-Marvin Gaye
  9. Don’t Expect Me to Be Your Friend-Lobo
  10. Could it Be I’m Falling in Love-Spinners

(Source: Billboard Hot 100)

Songs You May Have Missed #319

ambrosiaAmbrosia: “Lover Arrive” (1975)

Ambrosia was a much different band in 1975 than they’d become later in the decade, when they’d honed their sound into the blue-eyed soul exhibited on such singles as “How Much I Feel”, “Biggest Part of Me” and “You’re the Only Woman”.

Their self-titled debut was a sprawling, eclectic, progressive work that saw them trying anything and everything. It also had moments of sheer beauty like “Lover Arrive”, a gentle ballad about the longing for new love and a new beginning.

Songs You May Have Missed #318

shazam

The Shazam: “Squeeze the Day” (2002)

Nashville power pop band The Shazam is led by gifted guitarist/vocalist/songwriter Hans Rotenberry, whose stuff shows a love for classic melodic 70’s and 80’s rock, with a certain element of British-ness in the mix.

Unfortunately, the record sales have never been on the level of the critical acclaim for these guys. Their excellent Godspeed the Shazam and Tomorrow the World records had me waiting for the true classic album I believed they had in them.

With Rotenberry currently working on side projects, I’m wondering if that ship has now sailed.

Nevertheless, they carried the power pop torch as well as any band of their time.

See also: https://edcyphers.com/2012/02/11/songs-you-may-have-missed-10/

See also: https://edcyphers.com/2013/09/19/songs-you-may-have-missed-475/

Songs You May Have Missed #317

donohue

Pat Donohue: “Would You Like to Play the Guitar?” (2011)

One of the world’s great finger picking guitarists relates a cautionary tale for would-be professional guitarists. As with the previous Donohue song I posted, this is a parody of decades-old song (“Swinging On a Star”, popularized by Bing Crosby).

Sadly, many younger listeners don’t know the older source music. In the case of parody, this means they might fail to fully appreciate the art of the parodying artist. In the case of sampling, it means they might fail to appreciate the lack of art in the sampling artist. (Jay-Z and Kanye are counting on it.)

I can’t resist Pat Donohue’s topical novelty songs, but if you want more of a taste of the kind of stuff he plays (and how he does it) check out the video below. It’s the kind of thing Steve Howe likes to do in his mid-Yes concert solo acoustic sets:

See also: https://edcyphers.com/2012/11/08/songs-you-may-have-missed-215/

See also: https://edcyphers.com/2013/08/21/songs-you-may-have-missed-466/

See also: https://edcyphers.com/2026/01/11/recommended-albums-105/

The Most Beautiful Record Stores in the World

(Reprinted from Flavorwire)

Regular Flavorwire readers will know that we’ve had great fun over the last year or so surveying the most beautiful examples of some of our favorite places to spend time — libraries, bookshops, coffee shops, and various others. But now we’re setting ourselves a real challenge, and tracking down some examples of an institution that doesn’t necessarily spring to mind when you use the word “beautiful”: the humble record store. The thought of record shopping more often invokes images of teetering crates of vinyl than it does architectural elegance, but that isn’t always the case. Click on through for some of the most beautiful record stores in the world.

Rough-Trade

Rough Trade East – London, UK

Rough Trade is a success story for record stores in the 21st century, a shop that shows you can make a go of selling actual physical records so long as you know your niche and your audience. The original Rough Trade is in west London, but it’s their flagship store in Brick Lane — opened in 2007 amongst dire predictions about the death of records and the music industry in general — on the other side of the city that’s a particularly pretty piece of architecture, all glass and open space.

The-Thng

The Thing – Brooklyn, NY

Beauty is a subjective thing, of course, and there’s just as much ramshackle appeal in the dusty crates of Greenpoint icon The Thing as there is in the graceful space of Rough Trade. This place is the archetypal record geek’s paradise, a maze of unlabeled vinyl that has some strange internal logic that makes no sense to anyone who doesn’t work there.

Nova-Audio-Inline

Nova Audio – Mumbai, India

Mumbai is a pretty great city for record shopping — the bustling warrens of Chor Bazaar and the host of street stalls in the city’s Fort district are home to all sorts of esoteric vinyl, and occasionally you’ll stumble across something completely amazing — but you’d rarely describe its record shops as “beautiful.” A notable exception, however, is Nova Audio, where proprietor Sushil Anand sells a variety of LPs and will also clean your old vinyl for you if you ask him nicely.

tower

Tower Records – Tokyo, Japan

A throwback to the days when big record stores ruled the retail roost, the Japanese arm of Tower Records survived the great Tower meltdown of the 2000s and remains Tokyo’s biggest and swankiest place to buy music. Perhaps one day there’ll be a reason for megastores like this to exist again; for now, it’s interesting to visit and step back into the 1990s.

TSite-bookstore-Klein-Dytham-architecture-Daikanyama-04

Tsutaya – Daikanyama, Tokyo, Japan

In the 21st century, though, if there’s a big architectural budget to be spent, it’s most likely to be spent by shops like Tsutaya, which follows the Borders model of selling music, books, magazines, DVDs, etc. under one roof. This beautiful store in Tokyo’s Daikanyama district was designed by architects Klein Dytham and is apparently tailored for over-50 “premier age” customers (which probably makes sense, since they’re the only ones buying physical media anymore.)

spacehall

Spacehall – Berlin, Germany

Or, in fairness, that’s not entirely true — if there’s one demographic who can be counted on to continue investing in vinyl, it’s DJs. And which city in the world has the highest concentration of erudite DJs per capita? Why, Berlin, of course — the city’s electronic music mecca Spacehall is four floors of vinyl that encompasses pretty much every genre you can think of, all housed in a space that’s as coolly elegant as you’d expect.

Bilde-1111

Batucada Records – Oslo, Norway

To be honest, we’re not entirely sure whether this place still exists, but its graceful design and sense of space definitely warrants a place on this list. Its designer describes it as “a conceptual record store… where the customer can take their time and be offered a holistic sense, not just records.”

euclid

Euclid Records – New Orleans, LA

What were we saying a while back about beauty being in the eye of the beholder? Depending on your tolerance for hot pink, Euclid will be either a thing of brazen charm or one hell of an eyesore… but, either way, it’s an iconic, distinctive exterior and one that you’re not going to miss on a trip to the Bayou.

records_21_jpg_crop_display1

Mazeeka Samir Fouad – Cairo, Egypt

One of our few regrets from our Flavorwire expedition to Egypt last year is that we didn’t get the chance to visit this venerable Cairo institution, wherein one can find all manner of rare Arabic vinyl and other exotic treasures. (We’re guessing that Awesome Tapes from Africa would lose their collective shit here.)

2011-11-24-Screenshot20111123at11_29_24PM

Amoeba Records – Los Angeles, CA

And finally, what could be more beautiful than the biggest damn record store you’ve ever seen? No trip to the West Coast is complete without a visit to Amoeba, a shop that seems to prove that rumors of the music industry’s demise have been highly exaggerated. For now, at least.

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