The honey-voiced English singer-songwriter Dido Florian Cloud de Bounevialle O’Malley Armstrong makes a welcome return in 2013 with Girl Who Got Away, and its standout lead track, “No Freedom”.
Another anthem of cynicism from one the foremost practitioners of the subgenre, Steven Page. I’ll say it again: no one since ABBA makes romantic dysfunction sound so damn catchy.
From the Scottish band’s sixth LP, 2013’s Opposites, which was released in both single and double-album versions. There’s something to like about this band whether your taste leans toward nerd rock of Weezer, the blustery neo prog of Muse, or straight-up melodic pop rock (formerly more common in this country before folk, noise pop and chamber pop influences recently became predominant strains in indie pop).
“Opposite” is an atypically mellow moment for a band whose metal influences are commonly in evidence.
The problem with coming in late on an artwork lauded as “influential” is that you’ve probably encountered the work it influenced first, so its truly innovative qualities are lost. Thus, if you are hearing Big Star’s debut album for the first time decades after its release (as, inevitably, most people must), you may be reminded of Tom Petty & the Heartbreakers or R.E.M., who came after — that is, if you don’t think of the Byrds and the Beatles, circa 1965. What was remarkable about #1 Record in 1972 was that nobody except Big Star (and maybe Badfinger and the Raspberries) wanted to sound like this — simple, light pop with sweet harmonies and jangly guitars. Since then, dozens of bands have rediscovered those pleasures. But in a way, that’s an advantage because, whatever freshness is lost across the years, Big Star’s craft is only confirmed. These are sturdy songs, feelingly performed, and once you get beyond the style to the content, you’ll still be impressed.
(Reprinted from Allmusic Guide‘s review of Big Star’s #1 Record album)