When Jethro Tull released The Broadsword And The Beast in 1982, many of their fans breathed a sigh of relief: it seemed their favourite band had returned to their more traditional folk rock roots. Ian Anderson reveals the story behind the recently reissued and expanded album that he reckons contains some of Tull’s best music.
If ever Ian Anderson were to doubt the enduring popularity of Jethro Tull’s 1982 album The Broadsword And The Beast, he gets regular reminders of it when he meets long-time fans of the band. Perhaps not actually written all over their faces, but close enough.
“I’ve been asked to sign many an album-sized tattoo of the album cover on somebody’s back,” he says, “which is embarrassing, but I’ve seen very good likenesses of the album cover in glorious colour on the flesh of human beings. It’s beyond me why people do that sort of thing, but perhaps that’s a reflection of the affinity some fans feel to it.”
They can immerse themselves even more fully in it as the 40th anniversary edition (slightly delayed thanks to that pesky pandemic) has been released, offering an 81-track expanded version of the album replete with Steven Wilson remixes, live renditions, and a handful of previously unreleased tracks…
