Songs You May Have Missed #831

Percy Thrillington: “Uncle Albert/Admiral Halsey” (1977)

What is it with Paul McCartney and hoaxes?

Between the release of Wings at the Speed of Sound in 1976 and 1978’s London Town, the strangest of all McCartney’s solo work was released under the pseudonym of Percy “Thrills” Thrillington.

Getty images

The Thrillington album, as the cover slyly suggests, was an orchestral instrumental version of Paul and Linda’s Ram LP, recorded in 1971 and shelved for six years as attention shifted to Wings band projects.

There are more recent analogues: James Mercer’s “flipped” version of the Shins’ 2017 Heartworms LP (titled The Worm’s Heart) reinterpreted the album and reversed its running order. Pretty cool.

But Thrillington, which has never officially been credited to Paul McCartney, is truly outside the box.

With arrangements scored by Richard Anthony Hewson and recorded over three days of sessions in June of ’71, the record is truly a fresh, fun spin on a legendary album.

On its release it had some critics mystified as to whether McCartney himself was involved or not, making for some interesting album reviews.

As for the hoax, McCartney publicized the album’s release by taking out enigmatic ads in UK music papers–mentioning the character of Percy Thrillington but never associating himself in any way.

He and Linda even found an obscure Irish farmer–a guy they knew couldn’t be traced for verification–to model as Percy for photo ads perpetuating the deception.

Because Thrillington was believed by most to be a McCartney work, it became a collector’s item, but remains the least-heard of his albums.

Paul finally officially came clean in a 1989 interview, saying, “It was me and Linda–and we kept it secret for a long time”.

Lily Allen’s West End Girl portrait goes on show at National Portrait Gallery

David Parry/ National Portrait Gallery

(via BBC)

The portrait of Lily Allen from the cover of her recent hit album West End Girl has gone on display at the National Portrait Gallery in London.

The painting, by Spanish artist Nieves Gonzalez and owned by Allen, was unveiled on Thursday and will be on show for the next year.

It shows the singer sitting on a stool wearing a polka dot puffer jacket and boots revealing a tattoo on her left leg.

Allen, who also begins her three-night run of gigs at the London Palladium theatre on Friday, said: “I’m so pleased to make this special painting available for everyone to see.”

Read more: Lily Allen’s West End Girl portrait goes on show at National Portrait Gallery

Lily Allen’s ‘West End Girl’ Is Now On Display At The National Portrait Gallery

See also: Recommended Albums #111 | Every Moment Has A Song

Pitchblack Playback: The World’s Biggest Deep Listening Session

Didn’t know it was possible to fall even more in love with an album”

Pitchblack Playback offers dark room deep listening events in cities around the world.

Bucking the trend of low-quality audio consumed through cheap earbuds, they invite serious listeners to experience classic albums and pre-release premiers at ticked events in dedicated spaces on the best equipment possible.

Check out their website: Pitchblack Playback | immersive album listening sessions in the dark

Pitchblack Playback FAQ:

Why don’t I just listen in the dark at home?

Because unless you’re very lucky, we’re guessing you don’t own a massive cinema sound system. And if you do, we imagine your neighbours probably don’t like you much.

Why ever go to the cinema if you can just download or stream the film to watch at home? Why go to a pub if you can drink at home? Besides, how often do you really put aside the time to just listen without any distractions?

There’s something incredibly special about feeling the bass moving through your body, hearing the sound fill the space around you, and experiencing your favourite music in comfort, silently sharing the experience alongside other people. The combination of volume, the physicality of the low end and the darkness brings about a sort of meditative state.

Basically, don’t knock it until you’ve tried it.

Are your events really held in complete darkness?

We’ve allowed ourselves a tiny bit of poetic license here (we love alliteration). We turn out all the house lights at our events to get the room as dark as possible, but fire safety regulations mean we have to keep fire exit lights on. So, at most of our events, you’ll also receive a Pitchblack Playback eye mask in case you want to completely immerse yourself.

What happens at your events?

You grab a drink if you want one (although a few of our venues do not have bars), take your seat, kick back and relax. Before we start, we ask everyone to turn their phones to silent, to keep their phones in their pockets at all times, and to refrain from talking, whispering or singing.

We turn the lights out, play the album loud, in full, in the dark. And that’s it. Food is  available at some of our venues before and after the playback.

How do you play your music?

We play 16-bit or 24-bit uncompressed files. We NEVER play compressed lossy formats or streams (basically, we play the highest definition files we can find which give the most detailed and full sound). We use 24-bit files wherever possible at the highest available sample rate.

Aside from events where the album is available in a Dolby Atmos or 5.1 version (which we advertise as such), we ‘upmix’ stereo files to surround sound to make full use of the venue’s sound system and to create an immersive sound field. We love the effect that this creates as it means the music is coming from all around you rather than just from the front. It’s a different way to listen to music.

Songs You May Have Missed #830

No Te Va Gustar and Julieta Venegas: “Chau” (Live) (2019)

No Te Va Gustar (“You Won’t Like It”) might be the best band name of all time.

On the occasion of the Uruguayan band’s 25th anniversary they released Otras Canciones, an intimate, acoustic-leaning live performance album remixing their past material with help from plenty of guest stars.

“Chau”, featuring Latin pop legend Julieta Venegas, was a single that preceded the album’s release.

Don’t pass up the video. These guys are tight, the arrangement is punchy, and it’s a joy to watch pros like them and Venegas nail this live performance.

You will like it.

Lyric translation:

We were both looking at the sea
When the afternoon died
How our thing died I swear I didn’t know

I looked to my right
I saw you disappear
I screamed with all my might
And I noticed you couldn’t hear me

I stayed all night in the sand
I tried to make something worthwhile
I can’t get, change, or correct
What runs in my veins

Heart
Today don’t stop beating
You walked away one day
Now, you decided to come

It’s been more than a year and you’re not there
I would have given my life and so much more
Just to see you again

I couldn’t afford
to give in to your crying
I’m not going to open the wounds
Of having loved you so much

I listened, but I let it go
I remembered, how free I was
I can’t get, change, or correct
What runs in my veins

Heart
Today don’t stop beating
You walked away one day
Now, you decided to come

Heart
Today don’t stop beating
You walked away one day
And now, you decided to come

Heart
You walked away one day
Heart
You walked away one day
Heart

Bye

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