Works Progress Administration: “Already Gone” (2009)
Former Toad the Wet Sprocket singer/guitarist Glen Phillips here fronts an LA supergroup featuring Nickel Creek members Sean and Sara Watkins, Benmont Tench of the Heartbreakers, drummer Pete Thomas (Elvis Costello & The Attractions) and fiddle player Luke Bulla, among others.
Named, for some reason, after FDR’s 1930’s Depression-era work program, the band bring a rootsy blend and nice harmonies to this one.
Whether they turned a good song into a great song or just reinvigorated an old classic, these 20 acts secured the biggest hit of their career (so far) with a cover song.
Elvis Presley’s most successful song was a cover of Big Mama Thornton. The crown jewel of Elvis’ untouchable body of work, “Hound Dog,” sold over 10 million copies globally and topped the U.S. pop chart for 11 weeks, cementing a record that stood for a staggering 36 years.
Fellow Rock and Roll Hall of Famer Joan Jett created one of music’s most illustrious solo careers after leaving the Runaways. However, her only No. 1 hit is “I Love Rock ’n’ Roll,” a cover of an Arrows song from the ‘70s. Most people don’t even know Jett’s mega-hit is a cover, proving how synonymous the song is with rock’s leather-clad queen.
Tesla’s “Signs” is instantly recognizable, but it was the second time the song was a huge hit. Five Man Electrical Band popularized the cut in 1971, selling half a million copies of the single. When Tesla made their version of “Signs,” it peaked all the way at No. 8, besting the original, which only hit No. 24. Thanks to “Signs,” Tesla sold a million copies of their 1990 album, Five Man Acoustical Jam.
Just your typical Los Angeles punk band named after a borough of New York City playing music in a traditional Mexican style.
Actually, that is pretty punk.
The Bronx have been recording since 2002. After three eponymous releases under that band name they released the first of (at this writing) three albums of mariachi originals.
Not what you’d expect from a punk band, but said singer Matt Caughthran, “[Mariachi El Bronx] was something that was a part of us that we didn’t really realize. I mean, being from Los Angeles and, you know, growing up and surrounded by Mexican culture, it just kind of happened […] We were writing two or three songs a day for that record, and the lyrics and everything just kind of shit out of all of us […] it was the funnest and easiest record we’ve ever made.”
UFOs, violins and killer songs – this the epic story of Electric Light Orchestra
Way back in the 60s, The Move were part of a peculiar pop dynasty, huge and respected in the UK while never having quite made it in the USA. By the mid-70s this most English of bands had morphed into one of the few genuinely huge bands in the world – the Electric Light Orchestra.
By 1978 ELO were selling out eight nights on the trot at Wembley Arena during a memorable global tour. When their star shone it was with a dazzling brilliance. I was lucky enough to be hanging onto their coat-tails through the 70s as they went into overdrive and into orbit, knocking out a string of exceptional hit singles and albums.
Back to The Move. Led by eccentric pop genius Roy Wood, their single Flowers In The Rain was the first ever track played on Radio 1 when the station was launched at 7am on September 30, 1967. They were Birmingham’s Beatles.
At that time, Wood was The Move: a massively inventive pop writer, a great singer and a consummate showman. He came to dislike the limitations The Move imposed upon his creative ambitions. His canvas was bigger, more colourful, a grand, kaleidoscopic, wide-screen pop-o-rama.