To James McCartney: Let it Be (Please)

James McCartney

Beatles – the Next Generation a genuine possibility, says McCartney

James McCartney reveals he has discussed possibility of forming a band with other sons of Fab Four

A Beatles reunion might be impossible, but music fans may yet get to see Lennon, McCartney, Harrison and Starkey on stage together, because the Beatles’ sons have mooted the idea of starting a band.

At first, it seemed like a joke. “What would you say to forming the Beatles – the Next Generation,” BBC News’ Ian Youngs asked James McCartney. But the young McCartney gave a surprisingly genuine response, revealing he had already discussed the concept “a little bit” with some of his fellow Fab Four heirs.

“I’d be up for it,” the 34-year-old said. “Sean [Lennon] seemed to be into it, Dhani [Harrison] seemed to be into it … I don’t think it’s something that Zak [Starkey] wants to do. Maybe Jason [Starkey, another drummer] would want to do it … I don’t know, you’d have to wait and see.”

Asked again if the collaboration could really happen, McCartney replied: “Yeah, hopefully … I’d be happy to do it.”

Since 2010, McCartney has released two EPs, co-produced by his father and recorded in part at Abbey Road studios. Sir Paul is “very encouraging”, James said, admitting his surname has been “a help” to his music career. “It can be difficult standing on your own two feet,” James said, “but more than anything it’s a help.”

Although many of the Beatles’ progeny are musical, their commercial fortunes have been uneven. Only Julian Lennon has scored a hit, and that was almost two decades ago. Dhani Harrison currently performs with the band thenewno2, Sean Lennon with the Ghost of a Saber Tooth Tiger, and Zak Starkey plays drums with the Who.

(Article reprinted from The Guardian)

Songs You May Have Missed #70

labor

Three Dog Night: “I’d Be So Happy” (1974)

From 1969-74 Three Dog Night had a string of 18 consecutive Top 20 hits. According to singer Cory Wells, the beautiful ballad “I’d Be So Happy” was supposed to be the next single release, but a decision was made to go with “Play Something Sweet (Brickyard Blues)” instead, which broke the remarkable streak by placing at only #33, and the band only hit the Top 40 once more before disbanding (later to reform essentially as a greatest-hits touring entity).

All but three of the band’s 1969-’75 single releases hit the Top 20, and the band enjoys the distinction of having the highest average chart peak performance among pop acts with 20 or more hits, ahead of even the Madonnas and Mariahs of the world, with an average pop placing of #12.

Chuck Negron, the lead vocalist on “I’d Be So Happy”, relates: “(Producer) Jimmy Ienner knew what I was going through, that my wife had left me and took my baby. He said, ‘Why don’t you just sing this for your daughter, and you’ll be able to show her this some day.’ It’s my daughter’s favorite song. Thank you, Jimmy.”

Songs You May Have Missed #69

don

Don McLean: “Sittin’ On Top of the World” (1973)

Yeah, it’s the “American Pie” guy, doing the old folk-blues chestnut. McLean released a now-impossible-to-find covers album in 1973 called Playin’ Favorites, on which he showed the roots of his music in folk and early rock n roll.

See also: https://edcyphers.com/2013/04/26/songs-you-may-have-missed-399/

See also: Songs You May Have Missed #702 | Every Moment Has A Song (edcyphers.com)

Songs You May Have Missed #68

mars

Roger McGuinn: “May the Road Rise” (1996)

McGuinn puts a melody to the old Irish blessing.

Neil Young Trademarks New Audio Format

It’s just a shame that this kind of thing falls to Neil Young, and no one at Sony or Apple has bothered doing it years ago. Here’s hoping Neil succeeds in helping us reclaim the other 95% of our music!

http://www.rollingstone.com/music/news/neil-young-trademarks-new-audio-format-20120403?utm_source=dailynewsletter&utm_medium=email&utm_campaign=newsletter

Neil Young and the Travesty of mp3 Audio

Any music consumer who cares about the audio quality of what he listens to ought to give half an hour’s time to the interview Neil Young did at The Wall Street Journal’s Dive Into Media conference.

We’re losing the battle for great-sounding music because of the assumption that we must choose between audio quality and convenience of use. In the 21st century there’s no reason we should have to choose between the two. And no reason to settle for digital sound that’s nowhere near that of 1970’s analog. Most of us haven’t heard music the way it’s supposed to sound for decades now. Some of our children never have. Why have we demanded ever larger, higher-resolution TVs but settled for the backward trend in audio reproduction? Because we think we must sacrifice great sound for the portability we want. The truth is: what we demand will be what is produced and sold, even made affordable. We just have to stop settling for a false compromise–we can have both convenience and high-resolution audio.

Neil discusses that issue and touches on a few others too, such as audio piracy, the presumed demise of the album, and how 5.1 Surround failed because women wanted furniture–not five boxes–in their living rooms.

The point Young makes in the very last minute of the interview is key: the larger and higher-quality the sound system, the better it will reveal the difference between a high-quality music file and the skimpy 5% of the music that an mp3 actually contains. And that’s why a DJ should never rely on mp3 audio to entertain wedding guests, unless his goal is to make an early night of it.

An informative and provocative 30 minutes.

http://allthingsd.com/20120207/neil-young-the-donkey-and-digital-music-the-full-dive-into-media-interview-video/?refcat=diveintomedia

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