The Beatles: Rooftop Concert

On a cold day in January 1969, The Beatles, who hadn’t played live since 1965, took to the rooftop of the headquarters of Apple Records, located at 3 Savile Row, in central London. And there they played an impromptu last gig, much to the delight of Londoners on nearby rooftops … and to the chagrin of the police.

At the time, The Beatles were recording their final album, Let It Be, and the rooftop show let them run through various tracks from that last effort. Above, we have them playing “Get Back,” accompanied by Billy Preston on the keyboards. This longer clip shows them segueing from “Get Back” to “Don’t Let Me Down.” Next you can watch them jam through “I’ve Got A Feeling,” “One After 909,” and “Danny Boy.” And finally “Dig A Pony” and another version of “Get Back.”

Famously, The Beatles’ live legacy ends with the police shutting down the show (it was a noise violation, you know?) and John Lennon uttering the immortal words, “I’d like to say thank you on behalf of the group and ourselves, and I hope we passed the audition.” That’s going out in style…

Footnote: It’s not clear which band played the first rooftop concert, but one thing is for sure. Jefferson Airplane played their own rooftop gig on December 7, 1968, and Jean-Luc Godard filmed it. Once again, the police pay a friendly visit.

(Reprinted from: Open Culture)

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Songs You May Have Missed #64

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David Ryan Harris: “Six Feet Off the Ground” (1997)

Los Angeles singer-songwriter’s punchy three-and-a-half minute nugget about love overturning cynicism. As if.

Songs You May Have Missed #63

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Spinners: “How Could I Let You Get Away” (1972)

The Spinners’ first million-selling single, the now-classic “I’ll Be Around”, was originally the B-side to “How Could I Let You Get Away” until “I’ll Be Around” began getting so much radio airplay itself that the record was flipped and this gorgeous R&B ballad became a footnote in pop history.

how couldThe album that spawned both songs, 1972’s self-titled Spinners LP, was bursting with hit singles: in addition to  #3 pop hit “I’ll Be Around” it included “Could it Be I’m Falling in Love” (#4), “One of a Kind (Love Affair)” (#11) and “Ghetto Child” (#29). “How Could I Let You Get Away” made it to #77 itself, but is seldom heard now. It would probably be a lot more familiar had it not been pressed with an all-time great song on its flipside.

“How could I Let You Get Away” was actually brought to the office door of producer Thom Bell by a woman named Yvette Davis, who told Bell, “I have some songs. I don’t have no husband. I don’t have no boyfriend. I hardly have a house. All I’ve got are some songs.”

Bell invited her in and she sang her songs without accompaniment. Bell liked “How Could I Let You Get Away” and worked up an arrangement for it.

Rolling Stone called the song “a graceful meditation on loss, growing up and the sense of the past-in-the-present”.

Songs You May Have Missed #62

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The Essex Green: “Penny & Jack” (2006)

Indie pop (whatever that is) band from Brooklyn, who might call to mind contemporaries like Camera Obscura or New Pornographers. But the cleanly arranged, Fender Rhodes-centered folk-pop sound also has a late 60’s/early 70’s feel. Emphasizing melody and harmony, Essex Green make an irresistible brand of pop.

See also: https://edcyphers.com/2020/02/22/recommended-albums-77/

Songs You May Have Missed #61

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Fiction Factory: “(Feels Like) Heaven” (1984)

 

“(Feels like) Heaven” was Scottish band Fiction Factory’s classic contribution to 80’s new wave, but it never actually charted in America–which is why you may have missed it. It was Top 10 in England, however, and was featured in a Reese’s Peanut Butter Cups TV commercial. The band never followed up with another hit and became one of the many new wave one-hit (or no-hit) wonders.

I’ve always thought it was just bad business to start a song title with parenthetical words…wonder if that’s part of the reason this song wasn’t more successful.

Songs You May Have Missed #60

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The Little Ones: “Like a Spoke On a Wheel” (2008)

Bright, tuneful, celebratory indie pop that will resonate with fans of the Shins. This is a standout track from the California band’s 2008 Morning Tide album. This band hasn’t found it easy to keep a label deal. I hope we get a chance to hear a follow-up someday.

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