Songs You May Have Missed #200

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Steeleye Span: “Marigold/Harvest Home” (1980)

My two favorite songs of the Autumn season happen to fall (yes, fall) at numbers 100 and 200 in this series of posts. And in fact, they are two of my favorite songs, period. British folk rock legends Steeleye Span and the great Maddy Prior evoked the melancholy of the season beautifully in this medley from their 1980 reunion album, Sails of Silver.

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If you want the mood to last, listen to it along with #100 “Autumn” by Strawbs:

You’ll be ready to go outside and…harvest something. Or just cozy up with some warm cider by the fire and watch the Yankees get knocked out of the playoffs. God our maker doth provide indeed.

When the marigold no longer blooms
When summer sun is turned to gloom
See the forecast winter snow
See the evergreen that lonely grows
Move close to the fire place
Neglect the garden
See the ground harden
At a ghostly pace

The golden summer sun is silver now
The fruit has fallen from the bough
The season moves to chestnut time
Toffee apples, treacle and mulled wine
Quilts and furs and woolens gay
You wrap around you
But the cold confounds you
On an autumn day

Stout and strong the walls of home and hearth
The curtains drawn against the draft
The rake has reaped, the blade has mown
Nights draw in to call the harvest home
The quiet of a heart at rest
In peace abounded
By love surrounded
Here the home is blessed

Come, ye thankful people, come
Raise the song of harvest home
All be safely gathered in
‘Ere the winter storms begin
God, our maker doth provide
For our wants to be supplied
Come, ye thankful people, come
Raise the song of harvest home
Raise the song of harvest home

See also: https://edcyphers.com/2013/05/08/recommended-albums-47/

See also: https://edcyphers.com/2021/11/28/songs-you-may-have-missed-718/

See also: https://edcyphers.com/2025/07/04/songs-you-may-have-missed-785/

“Giving Her Away”: One of the Best Student-Produced Short Films You’ll Ever Watch

This blog will rarely stray from music-related topics, but I consider this a must watch. “Giving Her Away” is a student-produced 9-minute film that won awards in multiple film festivals in 2006. Enjoy, and have a tissue or two nearby.

Video

Take the Pop Music Quiz

Think you know your pop music? Want to learn a little music trivia? Enjoy cussing out your PC? Put your knowledge of pop to the test at popkwiz.com.

You can pick any specific decade, or just test your all-around knowledge. When I know you better I’ll tell you exactly how badly I did.

http://www.popkwiz.com/

Let me know how you did!

Mumford & Sons “In a League With the Beatles”? Um, No.

Image of Mumford & Sons beatles

Fact: Mumford & Sons have six songs on Billboard’s Hot 100 singles chart this week.

Wild, misleading hyperbole, courtesy of Paste magazine:

Mumford & Sons Tie The Beatles for Most Hot 100 Hits in a Week

…The quartet is now in a league with The Beatles as the band with the most Hot 100 hits in a week. Lead single “I Will Wait” moves up to No. 57, and joining it are the debuts of five others including the title track (No. 60), “Lover’s Eyes” (No. 85), “Whispers in the Dark” (No. 86), “Holland Road” (No. 92) and “Ghosts That We Knew” (No. 94). (http://www.pastemagazine.com/articles/2012/10/mumford-sons-beat-the-beatles-for-most-hot-100-hit.html )

Reality check:

During the week of April 4, 1964 the Beatles not only occupied the top five slots on the Billboard Hot 100 chart (#1 “Can’t Buy Me Love”, #2 “Twist and Shout”, #3 “She Loves You”, #4 “I Want to Hold Your Hand” and #5 “Please Please Me”) but held twelve positions overall. Twelve. Twice as many as six.

Oh, and of the twelve songs the Beatles charted simultaneously, three topped the chart at some point. And others didn’t only because they were crowded out of the number one slot by other Beatles songs. (“Twist and Shout” and “Do You Want to Know a Secret” were #2’s and “Please Please Me” peaked at #3)

Oh, and that same week’s chart also included two singles that were tributes to the Beatles (“We Love You Beatles” by the Carefrees and “A Letter to the Beatles” by the Four Preps). Oh, and two more Beatle tribute songs charted just two weeks previous (“My Boyfriend Got a Beatle Haircut” by Donna Lynn and “The Boy With the Beatle Hair” by the Swans).

Oh, and the following week another Beatles number 1 , “Love Me Do” would debut on the American charts.

Also beginning the same month Billy J. Kramer and the Dakotas would chart three hits written and given to them by the Beatles, including top ten “Bad to Me”. Then starting in May a string of three Beatle-penned top twenty hits came from Peter & Gordon, including number 1 “A World Without Love”.

You see, the Beatles weren’t a flavor-of-the-month iTunes wonder–you know, like Kings of Leon, the last Next Big Thing? They were, and are, a cultural phenomenon. They owned not only the decade of the sixties but (let’s be honest) every decade since. In the less than seven years between their first chart hit and their breakup they established a record for most number 1 singles (20) that still stands. The great Rolling Stones, who made their chart debut within nine months of the Beatles and are still at it, remain at number fourteen on that list with 8.

The Beatles had 15 American million-selling records in 1964 alone. Their total worldwide record sales are in excess of 1 billion units.

Every conversation about the greatest rock and roll album of all time starts with one or another of their LPs.

The Beatles’ drummer has had seven more top ten singles as a solo artist than Mumford & Sons. In fact, Mumford & Sons have never had a top ten single. Or a top twenty single.

I could go on. The point is that calling a band like Mumford & Sons “in a league with the Beatles” is irresponsible hype. And saying they’ve tied them for the most chart hits in one week is factually incorrect. Correct your post, Paste. Post haste.

Songs You May Have Missed #187

heart

Richard & Linda Thompson: “A Heart Needs a Home” (1975)

If you like folk-inflected British rock and intelligient songwriting, and aren’t yet familiar with the work of Richard Thompson, he’s like a treasure waiting your discovery.

Not only is the man among rock’s great lesser-known (especially in America) songwriters, but he’s also an absolute god of guitar, equally adept and captivating on electric or acoustic. (Don’t look for him to show off on this song, though)

Here’s a duet with then-wife Linda, who herself was on the “Queen of British Folk” short list, among the likes of Shirley Collins, Sandy Denny and Maddy Prior. Linda’s plaintive unadorned, everywoman voice suited the mournful quality of much of the material Richard wrote for her to sing.

Fans of modern-day boy-girl folk duos like The Swell Season and The Weepies, take note: you’re looking at one of the templates here.

See also: https://edcyphers.com/2013/03/09/songs-you-may-have-missed-355/

See also: https://edcyphers.com/2013/10/15/songs-you-may-have-missed-489/

Songs You May Have Missed #185

Earth

Jefferson Starship: “Love Too Good” (1978)

When I was a lad my dad’s living room stereo was generally off-limits to us kids. The sounds of the Tijuana Brass or Bert Kaempfert or Olivia Newton-John would play from this, our home’s “main stage” music source, while if I wanted to listen to my Steely Dan and Elvis Costello albums I usually had to–and preferred tolistenfrom the “second stage” of my bedroom record player.

But the day in ’78 when I came home with Jefferson Starship’s Earth LP, I felt that I was holding a record that deserved main stage status. Maybe the lush, classy, textured cover art made it feel living room-worthy. Or possibly I knew the music (I’d already heard the rich harmonies of “Count On Me” and “Runaway” on the radio) might actually appeal to my dad’s almost-AOR sensibilities. Or maybe I just knew the lyrics wouldn’t offend him (My Aim is True was the previous album I’d brought home–it went straight second stage, closed bedroom door).

But for whatever reason, for the first time I asked my dad if he’d mind me playing my latest music purchase on his prized 4-speaker system, and to my mild surprise he consented.

Grace Slick, Marty Balin, Paul Kantner and company didn’t let me down. The first notes out of those speakers were every bit as classy as the album art had hinted. Track one was “Love Too Good”.

Some songs were just perfectly suited to be an album’s lead track. This song’s unhurried one-minute instrumental intro made it just such a track. (Original vinyl copies of the Jefferson Starship Gold compilation trimmed this intro, effectively robbing the song of its laid-back groove.) Slick’s vocals literally fade in at almost precisely the one minute mark. To this day I listen every time to note the exact moment her voice becomes audible–it’s too smooth to discern.

Sadly for me, this was the last album by my favorite lineup of the band; Slick and Balin would be gone for the next year’s Freedom At Point Zero, and the Mickey Thomas era (shudder) began. Soon they’d be making music completely bereft of subtelty under the one-word Starship moniker. Grace Slick returned to the band in ’82 but Kantner left in ’84, etc. etc. You know how these things always go.

Earth, and “Love Too Good” mark a place in time that couldn’t last. When the keyboards take the song into quasi-jazz territory, especially in the outro, I can’t help but think: This is the sound of a confident band standing atop more than a decade’s worth of accomplishments and acclaim. They had nothing to prove in terms of rock credibility. At the height of punk rock’s influence, they’d make jazzy living room AOR if they felt like it. And apparently they did.

And my dad never complained about the music on that day. And that was the highest compliment he could give.

See also: https://edcyphers.com/2024/07/21/songs-you-may-have-missed-747/

See also: https://edcyphers.com/2012/06/08/recommended-albums-19/

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