The Seekers 1968 Farewell Show

I post this with some trepidation. Either you, dear reader, will have some appreciation–or at least tolerance–for the music of the 60’s folk movement…or you will not.

If so, you’ll find the Seekers’ 1968 farewell show a treat, dubious attempts at humor aside.

The Seekers formed in Melbourne, Australia in 1962. After immigrating to England in ’64 a string of worldwide hits followed. Their music was a somewhat sugar-sprinkled hybrid, perhaps too close to pop for some folk purists, but it was a winning sound that earned them the distinction of being the first Australian act to land in the top 5 in England and the U.S. as well as their home country.

Just four years later, though, lead singer Judith Durham announced her intention to leave the Seekers for a solo career, and the group called it quits.

Their final performance together was shown live by the BBC in the form of this special, called Farewell the Seekers. It drew an estimated 10 million viewers, a testament to just how well-loved the group were in England and elsewhere.

The mode of music they specialized in is as out of fashion as Durham’s dress. But there’s no denying the talent on display here, or the timelessness of some of these songs.

Fans of singing competition TV shows like The X Factor and American Idol have been brainwashed, frankly, into thinking that a great singer is measured by the level of histrionics in a performance, or the number of notes, other than the ones on the page, that a song is adorned with. Judith Durham’s purity of voice and seemingly effortless performance–the way she gets out of the way of a great song instead of imposing herself on it–is a lesson in how it once was done, and still is by the best ones. Celine Dion is gifted. Durham is a great singer.

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See also: https://edcyphers.com/2017/06/27/video-of-the-week-silver-threads-and-golden-anniversaries-the-seekers-celebrate-50-years/

 

Songs You May Have Missed #200

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Steeleye Span: “Marigold/Harvest Home” (1980)

My two favorite songs of the Autumn season happen to fall (yes, fall) at numbers 100 and 200 in this series of posts. And in fact, they are two of my favorite songs, period. British folk rock legends Steeleye Span and the great Maddy Prior evoked the melancholy of the season beautifully in this medley from their 1980 reunion album, Sails of Silver.

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If you want the mood to last, listen to it along with #100 “Autumn” by Strawbs:

You’ll be ready to go outside and…harvest something. Or just cozy up with some warm cider by the fire and watch the Yankees get knocked out of the playoffs. God our maker doth provide indeed.

When the marigold no longer blooms
When summer sun is turned to gloom
See the forecast winter snow
See the evergreen that lonely grows
Move close to the fire place
Neglect the garden
See the ground harden
At a ghostly pace

The golden summer sun is silver now
The fruit has fallen from the bough
The season moves to chestnut time
Toffee apples, treacle and mulled wine
Quilts and furs and woolens gay
You wrap around you
But the cold confounds you
On an autumn day

Stout and strong the walls of home and hearth
The curtains drawn against the draft
The rake has reaped, the blade has mown
Nights draw in to call the harvest home
The quiet of a heart at rest
In peace abounded
By love surrounded
Here the home is blessed

Come, ye thankful people, come
Raise the song of harvest home
All be safely gathered in
‘Ere the winter storms begin
God, our maker doth provide
For our wants to be supplied
Come, ye thankful people, come
Raise the song of harvest home
Raise the song of harvest home

See also: https://edcyphers.com/2013/05/08/recommended-albums-47/

See also: https://edcyphers.com/2021/11/28/songs-you-may-have-missed-718/

See also: https://edcyphers.com/2025/07/04/songs-you-may-have-missed-785/

See also: https://edcyphers.com/2026/04/03/songs-you-may-have-missed-835/

“Giving Her Away”: One of the Best Student-Produced Short Films You’ll Ever Watch

This blog will rarely stray from music-related topics, but I consider this a must watch. “Giving Her Away” is a student-produced 9-minute film that won awards in multiple film festivals in 2006. Enjoy, and have a tissue or two nearby.

Video

Take the Pop Music Quiz

Think you know your pop music? Want to learn a little music trivia? Enjoy cussing out your PC? Put your knowledge of pop to the test at popkwiz.com.

You can pick any specific decade, or just test your all-around knowledge. When I know you better I’ll tell you exactly how badly I did.

http://www.popkwiz.com/

Let me know how you did!

Mumford & Sons “In a League With the Beatles”? Um, No.

Image of Mumford & Sons beatles

Fact: Mumford & Sons have six songs on Billboard’s Hot 100 singles chart this week.

Wild, misleading hyperbole, courtesy of Paste magazine:

Mumford & Sons Tie The Beatles for Most Hot 100 Hits in a Week

…The quartet is now in a league with The Beatles as the band with the most Hot 100 hits in a week. Lead single “I Will Wait” moves up to No. 57, and joining it are the debuts of five others including the title track (No. 60), “Lover’s Eyes” (No. 85), “Whispers in the Dark” (No. 86), “Holland Road” (No. 92) and “Ghosts That We Knew” (No. 94). (http://www.pastemagazine.com/articles/2012/10/mumford-sons-beat-the-beatles-for-most-hot-100-hit.html )

Reality check:

During the week of April 4, 1964 the Beatles not only occupied the top five slots on the Billboard Hot 100 chart (#1 “Can’t Buy Me Love”, #2 “Twist and Shout”, #3 “She Loves You”, #4 “I Want to Hold Your Hand” and #5 “Please Please Me”) but held twelve positions overall. Twelve. Twice as many as six.

Oh, and of the twelve songs the Beatles charted simultaneously, three topped the chart at some point. And others didn’t only because they were crowded out of the number one slot by other Beatles songs. (“Twist and Shout” and “Do You Want to Know a Secret” were #2’s and “Please Please Me” peaked at #3)

Oh, and that same week’s chart also included two singles that were tributes to the Beatles (“We Love You Beatles” by the Carefrees and “A Letter to the Beatles” by the Four Preps). Oh, and two more Beatle tribute songs charted just two weeks previous (“My Boyfriend Got a Beatle Haircut” by Donna Lynn and “The Boy With the Beatle Hair” by the Swans).

Oh, and the following week another Beatles number 1 , “Love Me Do” would debut on the American charts.

Also beginning the same month Billy J. Kramer and the Dakotas would chart three hits written and given to them by the Beatles, including top ten “Bad to Me”. Then starting in May a string of three Beatle-penned top twenty hits came from Peter & Gordon, including number 1 “A World Without Love”.

You see, the Beatles weren’t a flavor-of-the-month iTunes wonder–you know, like Kings of Leon, the last Next Big Thing? They were, and are, a cultural phenomenon. They owned not only the decade of the sixties but (let’s be honest) every decade since. In the less than seven years between their first chart hit and their breakup they established a record for most number 1 singles (20) that still stands. The great Rolling Stones, who made their chart debut within nine months of the Beatles and are still at it, remain at number fourteen on that list with 8.

The Beatles had 15 American million-selling records in 1964 alone. Their total worldwide record sales are in excess of 1 billion units.

Every conversation about the greatest rock and roll album of all time starts with one or another of their LPs.

The Beatles’ drummer has had seven more top ten singles as a solo artist than Mumford & Sons. In fact, Mumford & Sons have never had a top ten single. Or a top twenty single.

I could go on. The point is that calling a band like Mumford & Sons “in a league with the Beatles” is irresponsible hype. And saying they’ve tied them for the most chart hits in one week is factually incorrect. Correct your post, Paste. Post haste.

Songs You May Have Missed #187

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Richard & Linda Thompson: “A Heart Needs a Home” (1975)

If you like folk-inflected British rock and intelligient songwriting, and aren’t yet familiar with the work of Richard Thompson, he’s like a treasure waiting your discovery.

Not only is the man among rock’s great lesser-known (especially in America) songwriters, but he’s also an absolute god of guitar, equally adept and captivating on electric or acoustic. (Don’t look for him to show off on this song, though)

Here’s a duet with then-wife Linda, who herself was on the “Queen of British Folk” short list, among the likes of Shirley Collins, Sandy Denny and Maddy Prior. Linda’s plaintive unadorned, everywoman voice suited the mournful quality of much of the material Richard wrote for her to sing.

Fans of modern-day boy-girl folk duos like The Swell Season and The Weepies, take note: you’re looking at one of the templates here.

See also: https://edcyphers.com/2013/03/09/songs-you-may-have-missed-355/

See also: https://edcyphers.com/2013/10/15/songs-you-may-have-missed-489/

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