‘I Had the Stroke, and It Was All Over’: Matthew Sweet’s Road to Recovery

(via msn) by David Browne

When one of his eyes doesn’t feel as if it’s wobbling up and down, or he doesn’t feel so depleted that he has to nap, Matthew Sweet still has moments of hope. Until last fall, one of the downstairs rooms in his Omaha, Nebraska, home was his music room, filled with guitars, a recording console, and assorted gear. But since he can no longer climb stairs for the foreseeable future, he now spends a good deal of his time in that room on a newly installed king-sized bed. What remains of his musical setup is still visible, reminders of a life and career on pause.

I guess I have a feeling that I will make music with all of it,” Sweet says, in his first interview eight months after he was rushed to a hospital. “In that way, it’s positive. It’s a vision of the time when I’ll be able to use everything. I don’t feel like it’s that far away. I don’t feel like it will be an impossible thing for me to write songs. Then again, I don’t really feel a burning desire to figure that out, because there’s just so much stuff making it difficult right now.”

For Sweet, 2024 was shaping up to be a reset. After several years off the road after the pandemic, the man who almost single-handedly kept power-pop alive had put together a new band and played shows in the spring. He was in the early stages of prepping his first album since 2021. In the fall, he started another round of gigs, this time opening for Hanson, whom he’s known and worked with for more than 20 years, and doing his own separate shows. “I really felt very positive about it,” he says. “I was doing two-hour-long acoustic shows playing songs from all during my career.”

Then, last Oct. 12, Sweet and his crew – his small acoustic band, his road manager – arrived at their hotel in Toronto. His tour with Hanson was into its second week, and Sweet had just driven up from the previous stop in Baltimore. As they were checking in, the singer, who had turned 60 a week before, felt a sensation he’d never experienced before. “The first thing I felt was really cool, like cold sweat,” he says. “And I remember saying to one of my band members, ‘Feel my arm. It’s freezing cold.’ Something wasn’t right.”

Slumping into a chair behind the front desk, Sweet began hearing what he calls “this kind of tinnitus, more like white noise, and that became really, really, really loud, in both my ears. And that’s the last thing I remember until I was in an ambulance and I heard a guy say, ‘Sir, you’ve had a stroke.'”

Read more: https://www.msn.com/en-us/music/news/i-had-the-stroke-and-it-was-all-over-matthew-sweet-s-road-to-recovery/ar-AA1GgSsD?ocid=entnewsntp&pc=DCTS&cvid=72d8308180d04407912e7af623b65a13&ei=58

See also: https://edcyphers.com/2025/03/17/songs-you-may-have-missed-768/

See also: https://edcyphers.com/2013/10/11/songs-you-may-have-missed-488/

See also: https://edcyphers.com/2013/06/20/songs-you-may-have-missed-430/

Connie Francis Says ‘Pretty Little Baby’ Going Viral ‘Gives Me a New Lease on Life’

(via Billboard and People) by Steve Knopper/Rachel DeSantis

Connie Francis is having a moment six decades in the making.

If not for TikTok, Connie Francis‘ 1962 tinkly organ bop “Pretty Little Baby” may have been forever obscure. It was never a hit, and Francis, reached by phone at her Parkland, Fla., home, barely remembers recording it. “I had to listen to it to identify it,” admits the 87-year-old pop legend, who became the first woman to top the Billboard Hot 100 as a solo act in July 1960 with “Everybody’s Somebody’s Fool,” one of her three Hot 100 No. 1s.

“Then, of course, I recognized the fact that I had done it in seven languages.”

A friend recently informed Francis that “Pretty Little Baby” had turned up on TikTok as a “viral hit,” an upbeat soundtrack for people (including Kylie Jenner and Kim Kardashian) showing off babies, puppies, kittens and – befitting the lyric “you can ask the flowers” – flowers. Francis responded: “What’s that?” In a sense, TikTok is just a technological update of American Bandstand in the ’60s, when Dick Clark’s TV countdown regularly drew 8 million viewers and automatically turned songs into hits. “Without Dick Clark, there would have been no Connie Francis,” Francis says.

Connie Francis, circa 1960.Archive Photos/Getty Images

“Pretty Little Baby” was one of 40 songs Francis recorded during several recording sessions over four days in August 1961, according to her 2017 autobiography Among My Souvenirs: The Real Story Vol. 1. The track landed on her Connie Francis Sings Second Hand Love & Other Hits album.

Francis was 23 years old when the song came out as a B-side to the single “I’m Gonna Be Warm This Winter.”

On April 10, “Pretty Little Baby” was streaming 17,000 times per week in the U.S.; a month later, it was streaming 2.4 million times, an increase of more than 7,000%. The track has 10 billion TikTok views, hitting No. 1 on the app’s Viral 50 and Top 50 charts, and recently crossed over to streaming success, with 14 million global streams, landing at No. 67 on Spotify’s Global Top 100. Francis’ label, Universal Music, recently reissued the versions Francis had sung in Swedish, Japanese and other languages in 1962, when her label, MGM, hoped to score hits in regions outside the U.S.

Of her newfound virality, she tells Billboard: “I’m getting calls from everywhere: ‘You’re a TikTok phenomenon.'”

Editor’s note: This story parallels that of a tune called “Ladyfingers”, from Herb Alpert & the Tijuana Brass’ 1965 Whipped Cream & Other Delights album, which the 90-year-old Alpert reports has generated over two billion views on TikTok. And like Connie Francis’ “Pretty Little Baby”, “Ladyfingers” wasn’t a hit, or even a single.

And to put Connie Francis’ 10 billion TikTok views for “Pretty Little Baby” into perspective, the number is roughly 3 times the world’s population in the year the song came out.

Connie on recording her first hit, “Who’s Sorry Now”:

I didn’t want to record the song. My father insisted that I record “Who’s Sorry Now.” I did three other songs at the session first, in the hopes of not being able to get to “Who’s Sorry Now” in the four-hour time allotted to me. I had 16 minutes left in the session and I said, “That’s a wrap, fellas, there’s no time for ‘Who’s Sorry Now.'” My father said, “If I have to nail you to that microphone, you’re going to do at least one take of ‘Who’s Sorry Now.'” So that’s what I did – one take of “Who’s Sorry Now.” And I didn’t try to imitate anybody else, as I always had on my recordings. By the time I was 14, I did demonstration records, and a publisher would say, “Connie, give us some of that great Patti Page sound, give me some of that great Kay Starr sound, give me some of that great Teresa Brewer sound.” I didn’t have a style of my own yet. But on “Who’s Sorry Now,” I was so turned off on the song that I didn’t try to imitate anybody else. I just sounded like myself for the first time. And it was a hit.

The New Jersey native dealt with a number of tragedies over the years, including mental health struggles. She is now retired and lives in Florida, where she regularly posts photos of her day-to-day life.

Read more: https://www.msn.com/en-us/music/news/connie-francis-says-pretty-little-baby-going-viral-gives-me-a-new-lease-on-life/ar-AA1F9v6G?ocid=BingNewsSerp

Read more: https://people.com/connie-francis-reacts-pretty-little-baby-being-tiktok-hit-11737737

Read more: https://www.billboard.com/music/chart-beat/connie-francis-pretty-little-baby-viral-hit-tiktok-1235971745/?fbclid=IwY2xjawKZ-pBleHRuA2FlbQIxMQBicmlkETFRNTNxemtzc1lDejBZSUNsAR4oLap_2YVSdGXXtQ-YKaC8yUbQ5dYWXaaIDyEtIgbVIY-vv3R0zCpW-CZXuQ_aem_fsEUIqAQLW6ybLfzSnePrg

Ian Anderson: Jethro Tull’s one-legged hammy past and their potential stripped-down future

(via Louder) by James McNair

Not ones for living in the past, Jethro Tull are back with their 24th album – and third in three years – Curious Ruminant. It finds frontman Ian Anderson embracing his love of sci-fi and issuing a warning about climate change. He tells Prog about building on the band’s legacy, hamming it up for the crowd and making sure all the semiquavers are in the right place.


Twenty minutes into his scheduled 9am Zoom interview with Prog, Ian Anderson has yet to appear. This is very unlike him and there is speculation about his whereabouts. Is he feeding his chickens? His pigs? Has he become absorbed in some music at his home studio? It’s a safe bet Jethro’s Tull’s venerable leader is up and doing something, because even now – or maybe especially now, given time’s year-stealing march – indolence is not this driven, 77-year-old flautist’s way.

Suddenly Anderson appears on screen, apologising that he has only just learned of a Google spreadsheet apprising him of the day’s many tasks. It turns out he’s been up since 6.30am (“A late start”) and has already replied to Derek Shulman of Gentle Giant’s email requesting a quote of endorsement for an upcoming memoir.

“I thought, ‘Okay, another end-of-life story,’” says Tull’s frontman, “but it’s what we do when we get older, right? You want to leave a legacy that isn’t just carved on your tombstone, but also carved in your own memory before it’s too late.”

After 24 studio albums and almost 60 years with Jethro Tull, Anderson’s legacy looks safe even before you factor in his not inconsiderable solo output. The band’s latest LP Curious Ruminant fulfils the contractual stipulations of their three-album deal with German prog label InsideOutMusic – but unlike 2022’s The Zealot Gene and 2023’s RökFlöte, it’s not a concept album; and it feels weightier, closer to home…

Read more: https://www.yahoo.com/entertainment/articles/ian-anderson-jethro-tull-one-060300357.html

Alice Cooper Announces Reunion and New Album with Original Band — the First in Over 50 Years

Matthew Baker/Getty Alice Cooper in London in October 2024

(via People) Story by Marina Watts

Alice Cooper is getting the band back together.

Cooper will be joined by Michael Bruce on guitar, bassist Dennis Dunaway and Neil Smith for the forthcoming album ‘The Revenge of Alice Cooper’

On Monday, April 21, the “School’s Out” rocker told Billboard that he and the original bandmembers Cooper, 77, Michael Bruce on guitar, bassist Dennis Dunaway and Neil Smith on drums would reunite for their first album together in over 50 years to release this July…

Read more: https://www.msn.com/en-us/music/news/alice-cooper-announces-reunion-and-new-album-with-original-band-the-first-in-over-50-years/ar-AA1DlhAa?ocid=BingNewsVerp

Tracklist:

1. “Black Mamba” (first single)

2. “Wild Ones”

3. “Up All Night”

4. “Kill The Flies”

5. “One Night Stand”

6. “Blood On The Sun”

7. “Crap That Gets In The Way Of Your Dreams”

8. “Famous Face”

9. “Money Screams”

10. “What A Syd”

11. “Inter Galactic Vagabond Blues”

12. “What Happened To You”

13. “I Ain’t Done Wrong”

14. “See You On The Other Side”

Christopher Cross Covering for a Sick Ritchie Blackmore on Deep Purple’s First U.S. Show

Ultimate Classic Rock

(via Guitar Player) by Joe Matera

When Christopher Cross came out of nowhere to score big time with his 1979 self-titled debut album, many assumed he was an overnight sensation. At the 23rd Annual Grammy Awards held in February 1981, Cross would take home five Grammys for the disc including, for the first time ever, four of the most prestigious awards: Record of the Year and Song of the Year (both for the single “Sailing”), Album of the Year and Best New Artist.

Despite his status as an overnight sensation, Cross had journeyed 10 years to reach that night — from his early days as an up-and-coming electric guitar player with killer chops to his sudden ascension to the top of the 1980s’ soft-rock genre… or as it’s known today, yacht rock.

Remarkably, Cross’s underrated guitar playing talents have always taken a back seat to his songwriting. Yet upon closer inspection, his output occasionally reveals his proficiency on the instrument. While the dulcet tones of “Sailing” might make listeners overlook his guitar skills, it’s hard to miss the face-melting guitar solo on the outro to Cross’s 1980 hit “Ride Like the Wind” (although you may wish they’d mixed it a tad louder).

Remarkably, there’s one guitarist who was aware of Cross’s talents long before nearly everyone else: Ritchie Blackmore.

In August 1970, Blackmore and his then-current group Deep Purple arrived in the U.S. on a tour that launched at the Jam Factory in San Antonio, Texas, Cross’s hometown. Cross, then working under his birth name, Chris Geppert, was one of the hottest guitarists on the local scene, a long-haired, heavy-music loving axeman who played in a covers band called Flash…

Read more: https://www.msn.com/en-us/music/news/christopher-cross-covering-for-a-sick-ritchie-blackmore-on-deep-purple-s-first-u-s-show/ar-AA1CKYGG?ocid=entnewsntp&pc=DCTS&cvid=ea1bb90cc01243c2b2e493f01399c9d2&ei=43

Liv Tyler was 12 when she found out her dad was Steven Tyler — at an Aerosmith concert

photo thelist.com

(via The Independent) by Kaleigh Werner

Liv Tyler has reflected on the moment she learned her birth father was Aerosmith frontman Steven Tyler.

Speaking on Kate and Oliver Hudson’s Sibling Revelry podcast, the 47-year-old said she was only “11 or 12” at the time.

Up until that moment, Liv believed that musician Todd Rundgren, whom her mother dated between 1972 and 1978, was her father.

It wasn’t until her mother, Bebe Buell, brought her to an Aerosmith concert that the truth was revealed. She said she knew something was off when her mother started crying.

“I looked at my mom, and I was like, ‘Mom?’ And she just started crying. My mom just, like, balled. And I was like, ‘Is Steven my dad?’ And she just burst [into tears],” Liv recalled. “And then she took me to a bench and we sat on a bench at this outdoor amphitheater and she told me the whole story in the most sincere, beautiful way.”

Read more: https://www.msn.com/en-us/health/medical/liv-tyler-was-12-when-she-found-out-her-dad-was-steven-tyler-at-an-aerosmith-concert/ar-AA1D3vw5?ocid=msedgdhp&pc=U531&cvid=c017db9efec44810b6969141d36e5420&ei=23

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