2 elderly men sneak out of nursing home to attend heavy metal festival

(via CBS News) By Christopher Brito

You’re never too old to rock on. Two elderly men managed to slip away from their nursing home in Germany to attend the Wacken Open Air, the largest heavy metal festival in the world, over the weekend, authorities said.

According to Itzehoe police, the pair was eventually found Friday at 3 a.m. local time at the festival after their retirement home in Dithmarscher reported them missing. Police told the Deutsche Welle the men were found “disorientated and dazed.”

Read more:

https://www.cbsnews.com/news/elderly-men-nursing-home-wacken-open-air-festival-itzehoe-heavy-metal/

Five Myths About the Beatles

(via The Washington Post) (AP photo)

by Allan Kozinn

The Beatles produced some of the most enduring music of all time and rose to a level of near-universal adoration that few other musicians have achieved. But as the story of their brisk evolution from a scruffy, hardworking Liverpool dance hall combo to pop gods who reconfigured music and culture has been told, retold, debated and parsed, many myths have sprouted around it — some created by the Beatles themselves. Here are five.

Myth No. 1
The Beatles objected to trading leather outfits for suits and ties.

“In the beginning,” John Lennon told Melody Maker, the British music magazine, in 1970, Brian Epstein, the Beatles’ manager, “. . . put us in neat suits and shirts, and Paul was right behind him. I didn’t dig that, and I used to try to get George to rebel with me.” Lennon later complained to Rolling Stone that by giving up leather for suits, “we sold out.” Soon, the story of the Beatles chafing against Epstein’s directives was part of the lore.

The other Beatles — and sometimes, Lennon himself — remembered things differently. “It was later put around that I betrayed our leather image,” Paul McCartney said in “The Beatles Anthology,” “but, as I recall, I didn’t actually have to drag anyone to the tailors.” George Harrison said that “with black T-shirts, black leather gear and sweaty, we did look like hooligans. . . . We gladly switched into suits to get some more money and some more gigs.” Lennon put it this way to Hit Parader in 1975: “Outside of Liverpool, when we went down South in our leather outfits, the dance hall promoters didn’t really like us. . . . We liked the leather and the jeans but we wanted a good suit, even to wear offstage.” To which he added, “I’ll wear a . . . balloon if somebody’s going to pay me.”

Read more:

https://www.washingtonpost.com/outlook/five-myths/five-myths-about-the-beatles/2018/07/05/2a88109c-7f0a-11e8-b660-4d0f9f0351f1_story.html?noredirect=on&utm_term=.de5f36da4ae9

Elvis Costello Forced to Cancel European Tour Following Surgery to Remove ‘Aggressive’ Cancer

© Larry Busacca/Getty Images for Songwriters Hall Of Fame

(via msn entertainment)

Elvis Costello has been forced to cancel the remaining six dates on his European summer tour on doctor’s orders following surgery to remove what the 63 year-old singer described as a small but “very aggressive cancerous malignancy.” Six weeks after undergoing a procedure — the location of the tumor was not specified — Costello revealed that post-surgery guidelines recommend three to four weeks of recovery.

Read more:

https://www.msn.com/en-us/music/news/elvis-costello-forced-to-cancel-european-tour-following-surgery-to-remove-aggressive-cancer/ar-AAzEVMP?ocid=spartandhp

On Music…

“Track and Hook”: The Death of Creativity in Songwriting?

(via The Pudding)

“Track-and-hook” is Seabrook’s coinage for a music-making method that fundamentally distinguishes today’s music-making from all that came before. What separates track-and-hook from its predecessors is how the music is made. The storied, solitary figure working out musical problems at a piano while filling up an ashtray has been replaced by teams of digital production specialists and subspecialists, each assigned to a snare track, a bass track, and so on, mixed and matched and stuck together like Legos.
“The process doesn’t lend itself very well to art,” Seabrook said. Instead, track-and-hook is far more literally factory-like, a mode of production that emphasizes specialization and volume. As the technology writer Nicholas Carr wrote, “The manufacture of pop songs has been so thoroughly industrialized that it makes the old Motown ‘hit factory’ look like a sewing circle.”
Read more:

https://pudding.cool/2018/05/similarity/

____________________________________________

Our thoughts on this: As Gary Trust writes in Billboard: “A Bacharach melody is not inviting people to get involved with it. But track-and-hook creates a template for a lot of different cooks stirring the broth.”

We think the first part of this statement is key. If you were Bacharach, McCartney or Elvis Costello, you wouldn’t want a lot of cooks stirring your broth. While track-and-hook involves more participants, the potential for Bacharach-like greatness is negated. We live in an era of songwriting homogeneity, but not much music that rises above the artistic mean.

Loreena McKennitt: Why I’m leaving Facebook

(Richard Haughton photo)

The invasion of privacy and erosion of human rights, the weaponizing of our personal data, the destruction of the music and news industries, a platform designed to be addictive — the time has come to act, writes Loreena McKennitt.

By (via the star)

I remember as a rambunctious red-headed tomboy running around the house with my playmates and my mother admonishing me, “Don’t run so fast, you’ll break something!” And sure enough, sometimes we did.

Now, decades later, those words come flooding back as I reflect on the defining motto of Silicon Valley, “move fast and break things.” In particular, I think of Facebook.

In response to the recent revelations of its misuse of personal data, I’ve decided to leave the platform and encourage my half-million-plus followers to instead keep in touch through my website. I’m told this is a path of professional suicide, especially as I’m about to release a new recording.

Times have certainly changed in the music business since I started out busking in the 1980s. Some would argue we were the first industry to be broken…

Read more:

https://www.thestar.com/opinion/contributors/2018/04/19/loreena-mckennitt-why-im-leaving-facebook.html

Previous Older Entries Next Newer Entries