Comfortably Numb recommended listening for operating theatre – while Queen, Dylan and REM songs are to be avoided
Pink Floyd classic Comfortably Numb is one of a handful of songs recommended for surgeons as they lead medical operations.
But a study by Cardiff University Hospital says Queen’s Another One Bites The Dust, Bob Dylan’s Knockin’ On Heaven’s Door and REM’s Everybody Hurts should be avoided.
While the suggestions are light-hearted, they’re backed up by a serious study that’s found four out of five operations are carried out while staff listen to music.
The report in the British Medical Journal says it “improves communication between staff, reduces anxiety and improves efficiency.”
And surgeons who listen regularly say it helps them increase performance and helps them focus.
A group of innovators were asked to imagine what music will be like in 2214. If they’re right, it could be pretty bizarre
(via Smithsonian.com)
by Randy Rieland
Music has gone through some serious changes in the past 200 years. Consider that back in 1814, Beethoven was cutting edge, and the year’s most famous song was not about love, but war, a tune titled “The Star-Spangled Banner.” Yet as much as music has morphed since then, its transformation will seem trifling compared to what will likely happen to it over the next 200 years. The pace of technology guarantees it.
Sponsored by the popular energy drink, the Red Bull Music Academy is a month-long festival of concerts and workshops featuring innovators in music. The event has had a 16-year run and moves to a different city each time. As part of the 2014 event in Tokyo earlier this month, some of the more creative minds in music, art and technology were asked to share their takes on how we’ll make music in 2214.
Inside the very shiny life of a 75-year-old marketing gimmick
(via Smithsonian.com)
by Ann Hodgman
There was his nose, to begin with. In the first version of “Rudolph the Red-Nosed Reindeer,” it glowed “like the eyes of a cat,” and Rudolph’s friends nicknamed him Ruddy because of it. When Santa came in on Christmas Eve, he found Rudolph’s bedroom alight with a rosy glow that Santa pretended was coming from his forehead. (“To call it a big, shiny nose would sound horrid!”)
Rudolph was born 75 years ago this Christmas season, at the Montgomery Ward department store headquarters in Chicago. He was the star of a humble coloring book, written by a copywriter, Robert May, who almost named the protagonist “Reginald.” May, who’d been lonely as a child, based the character on himself. Store executives fretted that shoppers might think Rudolph’s nose was red because he was drunk, but something about Rudolph’s story spoke to people. He was an outcast, down on his luck. When Santa gave him a job (it was the Great Depression, after all)—well, something clicked. That Christmas, the company passed out two and a half million copies of the book…
Think you can tell one of Taylor Swift’s musical declarations of independence from something on the “You Can Do It” shelf at Barnes & Noble? Take the quiz at BuzzFeed:
Raiding my dad’s record collection and sharing some of his favorite songs. Hope you enjoy.
1. “Love Is Kind, Love Is Wine”-The Seekers
The Aussie folkies nailed the kind of upbeat, well-performed tune Dad had an ear for.
This song is more complicated structurally than your average folk song–or pop song, for that matter. Eschewing the typical verse/chorus/verse/chorus/bridge/chorus formula, this one breaks down something like:
That’s only two choruses, bracing the song at either end, with enough tasty filling in between to make you not feel the lack. Genius!
____________________
2. “Less Of Me”-Glen Campbell & Bobby Gentry
Dad thought this was a beautiful tune. An unlikely hit single by a duo of brothers from Brazil who dressed in colorful blankets and feathered headdresses.
____________________
4. “Two Little Boys”-Rolf Harris
Dad’s 45 collection was sprinkled with the type of song some would consider maudlin or overdramatic. Others like myself can appreciate the sentiment. Give it a listen and you may feel the lack of this type of fare–the story song with a message for the heart–on radio today.
____________________
5. “I Can’t Stay Mad At You”-Skeeter Davis
A cute 1960’s Goffin/King composition. Maybe the lyric sentiment doesn’t stand up today, but it’s damn catchy nonetheless. One of the country singer’s two singles to cross over into the pop top ten, the better known of the two being the classic and oft-covered “The End of the World”.
____________________
6. “Feelin'”-Marilyn Maye
Dad mentioned that this would be a nice song to play at his funeral. Its message is worth a listen.
Despite being the most frequently heard singer in the history of the Tonight Show, Maye never once cracked the top 100 singles chart. It mystifies me how my father, in a pre-internet era, discovered so many good songs that never charted.
____________________
7. “Love Is Blue”-Paul Mauriat
“L’amour est bleu”, one of the most sublime instrumental hits of its era and coincidentally the very first 45 that I myself owned.
This song has been covered countless times, including a version by Jeff Beck:
____________________
8. “Sleepy Joe”-Herman’s Hermits
One of two records on this list that I used to beg him to play for me. Very English. Almost Kinks-y.
____________________
9. “Grover Henson Feels Forgotten”-Bill Cosby
Into melodramatic territory again, and a rare foray into pathos for Cosby. This one’s quite touching I think. Shame about Cos…
____________________
10. “That Happy Feeling”-Bert Kaempfert
This one’s title is too fitting. Hard not to feel a lift listening to it. Even better to watch:
____________________
11. “Singing My Song”-Vikki Carr
Co-written by Tammy Wynette. The similarities to her “Stand By Your Man” are striking, both in the theme and lyrical pattern, and it’s another structurally interesting song. Like “Stand By Your Man”, all the verses are at the beginning of the song, followed by a double dose of rousing chorus for a climax. The only difference: “Singing My Song” has a section between (I’m his song when he feels like singing…) that could be called a “climb”–a linking section between verse and chorus.
Not that Dad was listening for those things…
____________________
12. “Indian Lake”-The Cowsills
A little cheesy maybe–unless you’ve lived it. The same Mike Douglas who hosted the syndicated afternoon TV show recorded an album of similarly sentimental songs, of which this is the title track.
____________________
14. “Daisy A Day”-Jud Strunk
Cool song. But like Marty Robbins’ “El Paso” (another of Dad’s favorites) it had too many less-than-stellar sequels.
____________________
16. “1900 Yesterday”-Liz Damon’s Orient Express
This one proves that there is such thing as good Easy Listening music. Smooth, sleek and classy, this lone hit by Damon’s Hawaii-based band peaked at #4 on the Easy Listening chart. Liz’ work was as easy on the ears as she was on the eyes.
____________________
17. “It’s Getting Better”-Mama Cass
This one’s like audio Prozac.
____________________
18. “Last Date”-Floyd Cramer
Sandie Shaw is too cute. And my dad couldn’t resist a good novelty record.
____________________
20. “Joanne”-Michael Nesmith
Ex-Monkee Nesmith had some very listenable early 70’s singles. “Joanne” is the best of them.
____________________
21. “The Father Of Girls”-Perry Como
Jeez, Perry. Lighten up.
____________________
22. “Flowers On The Wall”-The Statler Brothers
Clever song. Nice harmony with a deep bass singer in the mix. Dad loved this kinda thing.
____________________
23. “Harmony”-Ray Conniff
Conniff’s Harmony album got heavy rotation in our house. This is an indelible couple minutes of the soundtrack of my life.
Unlike the other songs in this post, and hundreds of others of Dad’s favorites I’d collected on CD over the years, this song had fallen through the cracks. This record sits on a dusty shelf somewhere among his once-carefully organized album collection–I remember seeing its cover. But the title song had been floating in and out of my head for literally decades, defying identification. On uncounted mornings I woke with its chorus going through my half-conscious brain. But a non-charting song with a rather generic one-word title can be a difficult item to track down.
Thanks to a recent search on YouTube this gloriously uplifting bit of Easy Listening with its shimmering harmonies is restored in digital form to its place among Dad’s musical family legacy–and no longer the song my subconscious chooses to use as an alarm clock!
____________________
24. “Poor Papa”-The Sugar Shoppe
The Sugar Shoppe were like a poor man’s Mamas and the Papas. This debut was their sole album release. But they gave us one little slice of vaudeville that Dad loved singing along to (Mom not so much).
This is another example of a non-charting record that my dad discovered somehow. There are uncounted songs I love to this day that I’d have never known but for his ability to find good obscure music.
____________________
25. “Today”-New Christy Minstrels
The Christies were probably Dad’s second-favorite 60’s folk act after the Seekers. They made one of the greatest Christmas albums of all time–one we never tired of.
Nowadays it’s the melody that heralds the ice cream truck. In 1979 it was a nicely-arranged #3 hit single.
And it wasn’t the only 1970’s #3 hit-turned ubiquitous ice cream anthem in my dad’s 45 collection either, thanks to Marvin Hamlisch’s recording of the 1902 Scott Joplin composition “The Entertainer”, which featured in the movie The Sting and charted in 1974:
____________________
27. “Watching Scotty Grow”-Bobby Goldsboro
Again, this might be way too cloying for some…ok, for most.
B-R-L-F-Q spells “Mom and Dad”…
But I admit to having a soft spot for this one, as I do for most of these tunes.
____________________
28. “Why Me”-Kris Kristofferson
As I mentioned, Dad liked a good novelty song. Ray Stevens’ “The Streak” was the unofficial anthem of my younger brother’s bath time. But Dad didn’t go for the idiotic “One-Eyed, One-Horned Flying Purple People Eater” stuff, mind you. Clearly this is a cut above that insipid pabulum…right?
This is actually a cover of the version by the Scaffold which was a hit in England. Paul McCartney’s brother was in that band.