Songs You May Have Missed #834

Rosalia: “La Perla” (2025)

Spanish singer Rosalía’s momentous fourth album Lux is a trove of bold sounds and bold themes, with lyrics in 14 languages.

“La Perla” (“The Pearl”), featuring a collaboration with Mexican trio Yahritza y su Esencia, was a chart-topping single in Spain.

The song is presumed to be about the singer’s ex-fiancé Rauw Alejandro. Its title refers to a historic neighborhood of old San Juan, Puerto Rico, but also is a term used derisively to mock a sexually promiscuous person.

Classy instrumentation. Blunt message. Weren’t we just expressing out admiration for Lily Allen for a bold, confessional breakup record?

Thank God for men who suck at relationships and the women who keep making great art from it.

Lyric translation:

Hello, thief of peace
minefield
for my sensitivity
Playboy
a champion
spends the money he has and also the money he doesn’t

He’s so charming
star of unreason
a mirage
Olympic gold medal to the bastard
you have the podium
of great disappointment
Local disappointment national

heartbreaker an emotional
terrorist the world’s biggest disaster

It’s a pearl,
no one trusts
it, it’s a pearl

one of great care

The king of the 13, 14
does not know what it is to contribute
he is the center of the world
and then what else will matter?

You finally go to therapy
you go to the psychologist and also a psychiatrist,
but what good is
it if you always lie more than you talk,
they will make you a monument
to dishonesty.

I don’t feel sorry for
you who stays with you drains
himself always invites
himself if he can lives in someone else’s house
Red flag walking
tremendous disaster
he will say that it was not him
who was his doppelgänger

Well, of course
not referring to him as an icon
would be a reductionist narrative for him, you know what I mean?
Never lend him anything, he won’t return
it Being a loose
cannon It’s
his specialty

Loyalty
and fidelity
is a language
that will
never understand

His masterpiece
his collection of bras
if you ask him for help
will disappear

Local Disappointment: National
Heartbreaker: An Emotional
Terrorist, The World’s Greatest Disaster

It’s a pearl,
no one trusts
it, it’s a pearl,
one of great care

Songs You May Have Missed #833

Richard Thompson: “Alexander Graham Bell” (Live) (2006)

Richard Thompson is known as a superb songwriter and a dazzling musician. But his secret weapon–his wry wit–is known mainly by those fortunate enough to have seen him live.

His between-song banter is dry, gently mocking–and intelligent. Basically, the polar opposite of Paul Stanley.

When asked by his child’s teacher to come into school and play some Egyptian songs “which is not as easy as it sounds”, he gave them “My Daddy is a Mummy”:

“Stylistically I place this somewhere between the two Memphis'”, he says, and…well damn if it isn’t an accurate description.

“Alexander Graham Bell”, stylistically closer to guitar jazz, is equally fun and actually quite enlightening.

Neither song is the type to be found on one of his studio albums, which are more serious-minded affairs.

It’s too bad this side of Thompson is relegated to concert performance and the “rarities” disc of a box set.

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Songs You May Have Missed #832

Garbage: “Drive You Home” (2001)

While Shirley Manson and company’s third album, 2001’s Beautiful Garbage, may have lacked a smash hit such as “Stupid Girl” from their debut or “Special” from Version 2.0 it may be their best record overall.

Though deep cut “Drive You Home” hasn’t been chosen for even multidisc “best-of” compilations, it says here the brooding, achingly melodic track deserves more love.

Songs You May Have Missed #831

Percy Thrillington: “Uncle Albert/Admiral Halsey” (1977)

What is it with Paul McCartney and hoaxes?

Between the release of Wings at the Speed of Sound in 1976 and 1978’s London Town, the strangest of all McCartney’s solo work was released under the pseudonym of Percy “Thrills” Thrillington.

Getty images

The Thrillington album, as the cover slyly suggests, was an orchestral instrumental version of Paul and Linda’s Ram LP, recorded in 1971 and shelved for six years as attention shifted to Wings band projects.

There are more recent analogues: James Mercer’s “flipped” version of the Shins’ 2017 Heartworms LP (titled The Worm’s Heart) reinterpreted the album and reversed its running order. Pretty cool.

But Thrillington, which has never officially been credited to Paul McCartney, is truly outside the box.

With arrangements scored by Richard Anthony Hewson and recorded over three days of sessions in June of ’71, the record is truly a fresh, fun spin on a legendary album.

On its release it had some critics mystified as to whether McCartney himself was involved or not, making for some interesting album reviews.

As for the hoax, McCartney publicized the album’s release by taking out enigmatic ads in UK music papers–mentioning the character of Percy Thrillington but never associating himself in any way.

He and Linda even found an obscure Irish farmer–a guy they knew couldn’t be traced for verification–to model as Percy for photo ads perpetuating the deception.

Because Thrillington was believed by most to be a McCartney work, it became a collector’s item, but remains the least-heard of his albums.

Paul finally officially came clean in a 1989 interview, saying, “It was me and Linda–and we kept it secret for a long time”.

Songs You May Have Missed #830

No Te Va Gustar and Julieta Venegas: “Chau” (Live) (2019)

No Te Va Gustar (“You Won’t Like It”) might be the best band name of all time.

On the occasion of the Uruguayan band’s 25th anniversary they released Otras Canciones, an intimate, acoustic-leaning live performance album remixing their past material with help from plenty of guest stars.

“Chau”, featuring Latin pop legend Julieta Venegas, was a single that preceded the album’s release.

Don’t pass up the video. These guys are tight, the arrangement is punchy, and it’s a joy to watch pros like them and Venegas nail this live performance.

You will like it.

Lyric translation:

We were both looking at the sea
When the afternoon died
How our thing died I swear I didn’t know

I looked to my right
I saw you disappear
I screamed with all my might
And I noticed you couldn’t hear me

I stayed all night in the sand
I tried to make something worthwhile
I can’t get, change, or correct
What runs in my veins

Heart
Today don’t stop beating
You walked away one day
Now, you decided to come

It’s been more than a year and you’re not there
I would have given my life and so much more
Just to see you again

I couldn’t afford
to give in to your crying
I’m not going to open the wounds
Of having loved you so much

I listened, but I let it go
I remembered, how free I was
I can’t get, change, or correct
What runs in my veins

Heart
Today don’t stop beating
You walked away one day
Now, you decided to come

Heart
Today don’t stop beating
You walked away one day
And now, you decided to come

Heart
You walked away one day
Heart
You walked away one day
Heart

Bye

Songs You May Have Missed #829

Pet Shop Boys: “I Get Along” (2002)

One may speculate that the title of Pet Shop Boys’ 2002 Release album is a reference to letting go of hipness for maturity.

Certainly their electronic disco pop sound–the one that made them seem like trend setters across the two previous decades–is muted here.

And the record’s lyrics generally reflect a more experienced, worldly point of view.

Where their previous album or two had seen them growing a bit stale, Release shows them reinventing themselves a bit for a new decade. And as it turns out, some of their best work was ahead of them.

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