The 25-member San Francisco-based Slavyanka Men’s Chorus sings mostly in Russian, although most of them don’t speak Russian.
The rich harmonic textures and unusual tonalities of Russian sacred music can be utterly transporting, and make it a great palette cleanser from your usual. Unless of course this is what you listen to every day, in which case I’d recommend Dying Fetus or Pig Destroyer.
Her sublime singing finds a perfect complement here in a sentimental-but-not-quite-sappy song, all the more meaningful in light of her ongoing battle with Parkinson’s Disease.
Polish neo-prog band Satellite make a tidy, polished-sounding (if you will) brand of reflective rock–contemplation being something a lot of the better prog can induce in its listener.
The band’s first three albums could be seen as a loose trilogy dealing with day, evening and night. They were a little more challenging musically than 2009’s Nostalgia, which seems to aim at a more mainstream, commercial sound. It’s a move in a good direction in my opinion; it doesn’t matter what you have to say or how great the musicianship you display in saying it unless you make your listener want to press the “repeat” button.
“I Want You to Know” touches on the album’s overall theme of nostalgia, the seductive yearnings of “empty rooms left too soon” and things “gone with a tide”, then gives you a few minutes’ instrumental passage to dwell on it before summing up with the sentiment “just have to stop believing in yesterday”. This isn’t life-altering, groundbreaking, mind-blowing prog. Just the competent and very appealing kind.
Sweden’s Trombo Combo issued one album, Swedish Sound Deluxe, a breezy collection of covers with a 50’s-60’s lounge vibe and a smooth bossa nova/easy listening sound. Some of the songs (Bowie’s “Let’s Dance”, Britney’s “…Baby One More Time”, Europe’s “The Final Countdown”) were hits in America. Others, like “Min Mor Sa Till Mig” were covers of Swedish hits.
So, while to a Swedish audience this probably sounds like a cool (or cheesy) re-working in the mode of Max Raabe, to American ears it’s just a cool (or cheesy) easy listening bossa nova.
Matt Brooke split from Band of Horses in 2006 and formed Seattle band Grand Archives. “Orange Juice” is a short, sweet postscript from their first album.
From one of the least talked-about Jethro Tull albums, 1978’s Heavy Horses, comes this little gem. Fresh off the masterpiece that was Songs From the Wood, Ian Anderson brought that album’s folk leanings to another pastoral set of songs with the English countryside as its focus.
“Moths” is both an ode to making love on a May evening and a reminder of the fleeting nature of life’s ecstatic moments.