Works Progress Administration: “Already Gone” (2009)
Former Toad the Wet Sprocket singer/guitarist Glen Phillips here fronts an LA supergroup featuring Nickel Creek members Sean and Sara Watkins, Benmont Tench of the Heartbreakers, drummer Pete Thomas (Elvis Costello & The Attractions) and fiddle player Luke Bulla, among others.
Named, for some reason, after FDR’s 1930’s Depression-era work program, the band bring a rootsy blend and nice harmonies to this one.
Manfred Mann’s nursery rhyme-ish 1968 single (#8 UK, #104 US) was one of the more often-played 45’s in my proud collection as a four-year-old, and more recently became a favorite of my granddaughter at about the same age.
But the more you learn about the song’s origins, the less like a nursery rhyme it all seems.
The Greta Garbo Home for Wayward Boys and Girls was a real place. San Francisco’s Kirkland Hotel, a Victorian-style hostel located not far from the Fillmore, got its nickname from a Greta Garbo poster on its wall.
The characters in the song–written by American John Simon and featured in the 1968 counterculture documentary You Are What You Eat–were also real.
“Superman” (originally “Superspade” but altered for the song’s American release) was a drug dealer.
Some reminiscences of former residents:
I remember it well. The guys who opened it were enamored of the beats and want to recreate that era. When they were first opened (with very little in the way of renovation) some of the residents found a cache of old but never worn high button shoes in the basement and soon hippie chicks all over the bay area were wearing them. The last time I was there, I went to see Betsy, a skinny southern girl and a quy I owed 20 bills to and had lost track of for 2 years. Someone told me Betsy knew where he was and, indeed, he was living on the same floor as she. By then the building was overrun with hippies and the lobby was full of runaways just hanging out (must have been 50 or 60 young kids there). There were two SFPD detectives walking around with a poster board covered with photos asking: “Have you seen any of these people”. People were freely smoking weed in front of these cops. I was told the floors of the building had been informally divided up by drug of choice with potheads on the first floor, acidheads on the second and ending up with the Meth Monsters on the 5th. As you walked the hallway you could see that every door had been kicked in at least once (management? cops? thieves?) and had hasps and padlocks on them.
And…
We got one of the rooms with a bay window – on which we painted a picture of HULK. We were scared to death that heavy dopers would crash through the thin wooden door – but the Hulk seemed to scare them away.
Our room overlooked a little deli that sold tiny loaves of bread for like a nickel. I think we lived on those. We drove a VW bus of course.
And…
Super Spade, featured prominently in the film was a friend of my older brother, who lived at 408 Ashbury, a block-&-a-half north of Haight. Bro told me Super got into dealing drugs, and got himself killed in an unsolved crime.
The Kirkland was eventually demolished, and a church was opened on the site in 1975.
It’s odd that an English band would record a song extolling the rather unremarkable real-life residents of a seedy San Francisco hotel.
It’s odder still that it would be a top 20 hit in the UK, Ireland, Austria, Germany, Australia, New Zealand, South Africa and the Netherlands but not the U.S.
But oddest of all is that this nursery rhyme of a pop song (in reality an ode to flower power gone to seed) washing back onto American shores as an obscurity, would find the eager ears of a four-year-old on the east coast in 1968, and do the same once more in the 2020’s.
Gentle Giant is like Frank Zappa for people who’ve outgrown fart and pee jokes and humor based on cultural stereotyping.
“On Reflection” showcases the creativity, the complexity, and the willingness to mash up styles that made their music so revolutionary and essential. It’s progressive rock that truly deserves the name.
Give this one a listen with headphones if possible.
NovaMenco are five brothers who began their recording career after moving to San Diego in 1995. They created a fusion of flamenco guitar styles of Europe and North America, riding the so-called New Flamenco wave that crested in the 1990’s with acts like the Gipsy Kings and Ottmar Liebert.
Unfortunately, I’ve come across no video of NovaMenco performing this particular tune.
I did, however, find videos of numerous cover versions, including this one by a man named Leon Eduardo:
There’s a reason collectors will pay steep prices for reissues of now-obscure British folk from the late ’60’s and early ’70’s. And there’s a reason specialty labels strive to keep it in print.
Seldom does contemporary pop offer a whiff of this rustic, pastoral style of music of bygone days. There haven’t been enough Belle & Sebastians to scratch this particular itch.
But if the frantic pace, economic uncertainty and political chaos of the 21st century have you seeking respite in the sound of simpler times and greener, quieter places, then this trio of John Stannard, Lyndon Green and Ann Steuart may offer the antidote you need.
Evoking early Strawbs, Heron, The Sallyangie, or Donovan, circa 1967–and continuing in some form well into the current century like most of those acts–Tudor Lodge sing songs that evoke idyllic summer scenes from other centuries.
While the American folkies were protesting war, their English counterparts simply escaped into the past.
Tudor Lodge welcomes you, road-weary guest. And this blog offers many other ancient winding paths to explore: