Songs You May Have Missed #770

Shoukichi Kina: “Haisai Ojisan (Hey Man!)” (1972)

If there’s one song that instantly puts me in a good mood, this is it.

Admittedly it’s pretty far afield from my usual fare and I think that’s the point. If music can be thought of as a drug, sometimes one develops a tolerance for the lower dose and seeks something that delivers a bigger kick.

I get a kick out of “Haisai Ojisan”

Shoukichi Kina and his band Champloose (the band name is derived from a traditional Okinawan stir-fry dish) were part of the Okinawan folk-rock movement of the 1970’s and 80’s. “Haisai Ojisan”, Kina’s first big hit, was a song he’d written in high school.

Kina and Champloose adding bass, guitars and drums to traditional sanshin music was the Okinawan equivalent to Dylan going electric in America, or Fairport Convention electrifying British folk.

Fittingly, Fairport alumnus Richard Thompson covered “Haisai Ojisan” in 1987 on the same French, Frith, Kaiser, Thompson Live Love, Larf & Loaf album that contains a cover of “Surfin’ U.S.A.” and an assortment of other strange musical bedfellows. Thompson and company’s “Haisai Ojisan” is a remarkably reverent take on the original:

The song has also spawned a group folk dance, or more accurately a variety of group folk dances, none of which seem to resemble the others much:

Shoukichi Kina is probably equally well known as a peace activist and politician, and was elected to the House of Councillors in 2004.

English translation:

Hey, man! Hey, man!
If there’s a drop of sake left in last night’s little bottle
Won’t you give me some?
Hey, boy! Hey, boy!
You think I’m satisfied with a little bottle?
Don’t say there’s none left!
Ok, man! If the little bottle’s not enough, give me a big one

Hi, man! Hi, man!
I wanna marry, I’m not a kid anymore
Can I marry your daughter?
Hey, boy! Hey boy!
Marry? No kidding!
You’re still too young to talk about such things
Ok, man! I’ll wait till my hair turns white

Hi, man! Hi, man!
What a big bald spot you have!
Hey, boy! Hey, boy!
Bald men are excellent
My forefathers were really excellent
Ok, man! I’m gonna have cosmetic surgery to add bald spots

Hi, man! Hi, man!
Your beard is funny, like the whiskers of an attic mouse
Hey, boy! Hey, boy!
Laugh at my beard, but women love bearded men
Ok, man! I don’t wanna be outdone by you,
Starting tomorrow, I’ll grow a beard that looks like the whiskers of a mouse

Hi, man! Hi, man!
Last night’s hooker was really pretty, you should go there, too
Hey, boy! Hey, boy!
In Chiji, Nakajima and Watanji,* I’m a big shot
Okay, man! Going around here and there, I’m wasting my money
You’re wasting your money

Songs You May Have Missed #769

Bekon: “17” (2018)

From the to-date only solo album release by producer Bekon, who’s collaborated with Kendrick Lamar, Eminem, Snoop Dogg and others.

The release of Get With the Times was so low-key, Lamar and not Bekon was the one who broke the news of its release on Twitter.

The tender ballad “17” is a thing of understated beauty with a Nilssonesque arrangement.

Songs You May Have Missed #768

Matthew Sweet: “If Time Permits” (1999)

It’s all big reverb, big drums and big emotion as Matthew Sweet closes out the 1990’s by acting like they never happened.

Sweet’s 1999 In Reverse album is an homage to all the things that made 60’s pop great: wall of sound production, backward guitars, psychedelia, overwrought lyrical sensibilities and most of all melody.

Oh, and Carol Kaye, the badass Wrecking Crew ace of bass herself, who’s part of that glorious wall of sound here.

It’s clear Sweet finds inspiration from Brian Wilson, the Beatles, Electric Light Orchestra and other purveyors of pop brilliance. But he also has the chops to make something new of it, something his own.

If more talented songwriters thought in reverse, we could all forget the 90’s happened.

See also: https://edcyphers.com/2013/10/11/songs-you-may-have-missed-488/

See also: https://edcyphers.com/2013/06/20/songs-you-may-have-missed-430/

Songs You May Have Missed #767

Warren Zevon: “Splendid Isolation” (1989)

Michael Jackson in Disneyland
Don’t have to share it with nobody else
Lock the gates, Goofy, take my hand
And lead me through the world of self

Following 1987’s return to top form with the great Sentimental Hygiene album, the Excitable Boy unleashed the less commercial–and less commercially successful–Transverse City LP.

“Splendid Isolation” was actually one of the more cheerful tunes on a bleak, at times dystopian, rumination on cultural collapse at the end of the Reagan era.

Although I must say I much prefer the more playful, poppier Sentimental Hygiene, Transverse City in retrospect is certainly one of the most ambitious, uncompromising, and ultimately overlooked albums of Zevon’s catalog.

See also: https://edcyphers.com/2013/04/29/recommended-albums-45/

See also: https://edcyphers.com/2012/11/11/songs-you-may-have-missed-224/

Songs You May Have Missed #766

Works Progress Administration: “Already Gone” (2009)

Former Toad the Wet Sprocket singer/guitarist Glen Phillips here fronts an LA supergroup featuring Nickel Creek members Sean and Sara Watkins, Benmont Tench of the Heartbreakers, drummer Pete Thomas (Elvis Costello & The Attractions) and fiddle player Luke Bulla, among others.

Named, for some reason, after FDR’s 1930’s Depression-era work program, the band bring a rootsy blend and nice harmonies to this one.

Songs You May Have Missed #765

Manfred Mann: “My Name is Jack” (1968)

Manfred Mann’s nursery rhyme-ish 1968 single (#8 UK, #104 US) was one of the more often-played 45’s in my proud collection as a four-year-old, and more recently became a favorite of my granddaughter at about the same age.

But the more you learn about the song’s origins, the less like a nursery rhyme it all seems.

The Greta Garbo Home for Wayward Boys and Girls was a real place. San Francisco’s Kirkland Hotel, a Victorian-style hostel located not far from the Fillmore, got its nickname from a Greta Garbo poster on its wall.

The characters in the song–written by American John Simon and featured in the 1968 counterculture documentary You Are What You Eat–were also real.

“Superman” (originally “Superspade” but altered for the song’s American release) was a drug dealer.

Some reminiscences of former residents:

I remember it well. The guys who opened it were enamored of the beats and want to recreate that era. When they were first opened (with very little in the way of renovation) some of the residents found a cache of old but never worn high button shoes in the basement and soon hippie chicks all over the bay area were wearing them. The last time I was there, I went to see Betsy, a skinny southern girl and a quy I owed 20 bills to and had lost track of for 2 years. Someone told me Betsy knew where he was and, indeed, he was living on the same floor as she. By then the building was overrun with hippies and the lobby was full of runaways just hanging out (must have been 50 or 60 young kids there). There were two SFPD detectives walking around with a poster board covered with photos asking: “Have you seen any of these people”. People were freely smoking weed in front of these cops. I was told the floors of the building had been informally divided up by drug of choice with potheads on the first floor, acidheads on the second and ending up with the Meth Monsters on the 5th. As you walked the hallway you could see that every door had been kicked in at least once (management? cops? thieves?) and had hasps and padlocks on them.

And…

We got one of the rooms with a bay window – on which we painted a picture of HULK. We were scared to death that heavy dopers would crash through the thin wooden door – but the Hulk seemed to scare them away.

Our room overlooked a little deli that sold tiny loaves of bread for like a nickel. I think we lived on those. We drove a VW bus of course.

And…

Super Spade, featured prominently in the film was a friend of my older brother, who lived at 408 Ashbury, a block-&-a-half north of Haight. Bro told me Super got into dealing drugs, and got himself killed in an unsolved crime.

The Kirkland was eventually demolished, and a church was opened on the site in 1975.

It’s odd that an English band would record a song extolling the rather unremarkable real-life residents of a seedy San Francisco hotel.

It’s odder still that it would be a top 20 hit in the UK, Ireland, Austria, Germany, Australia, New Zealand, South Africa and the Netherlands but not the U.S.

But oddest of all is that this nursery rhyme of a pop song (in reality an ode to flower power gone to seed) washing back onto American shores as an obscurity, would find the eager ears of a four-year-old on the east coast in 1968, and do the same once more in the 2020’s.

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