Songs You May Have Missed #473

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Whinnie Williams: “Break Hearts in Your Sleep” (2013)

Nottingham’s Whinnie Williams cultivates a similar niche of retro girl pop as does Zooey Deschenal in her duo She & Him, but “Break Hearts in Your Sleep” has a lyrical intelligence and a real hook of a chorus that’s a cut above.

Your love is just below the cliff, fall a little bit
The corpses of unlucky girls who thought they knew ya
And every bad relationship that ended in a mess like this
You shook it off, they meant nothing to ya
Hey, when your wicked eyes met mine
In the way I recognize, have you met your match this time?

You break hearts in your sleep
You dream while they weep and wake up to the sound of one more lover leaving
You break hearts in your sleep
So whats wrong with me?
I really want to sleep beside you, I’ve decided

I won’t forget the little words that haunted all those sorry girls who died of love as they hit the ocean
You give me all those Bambi eyes
But I know what they signify, a lonely boy scared of his emotions
Hey, we’re a similar design
You’re a mess and so am I, and you’ve met your match this time

You break hearts in your sleep
You dream while they weep and wake up to the sound of one more lover leaving
You break hearts in your sleep
So what’s wrong with me?
I really want to sleep beside you, I’ve decided

Deciding to post her song was easy; choosing a single pic of this super-photogenic blonde was much more difficult. A few finalists:

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Songs You May Have Missed #472

steel train

Steel Train: “Helplessly Hoping” (2003)

Sometimes it takes a cover version of a song to remind you how great the song was in the first place, when that spark of revelation the original holds has been dimmed somewhat by years of listens.

I was reminded of this when I bought Steel Train’s 1969 EP, which contains five of the band’s favorite songs from that particular year. It would be difficult to select a more diverse five songs: They do the Jackson Five’s “I Want You Back”, Bob Marley’s “Natural Mystic”, David Bowie’s “Space Oddity”, the Beatles’ “I Want You (She’s So Heavy)”, CCR’s “Bad Moon Rising”…and Crosby, Stills & Nash’s Helplessly Hoping.

It may be sacrilegious to suggest that Steel Train’s performance rivals the CSN original, but if it does so it’s because their take does what a great cover song ought to do: find the essence, the core of the song and bring it to the fore. It’s like restoring a painting–one doesn’t create a new image, but shows us that same masterpiece with fresh, vivid colors. Today’s recording technology, in theory, allows a talented band to produce music with an impact or immediacy the original artist may have achieved but for his cruder tools. While the work of the Masters is genius, the finest examples of their students’ homages seem to say, “Look what the master could have done, if he’d had a proper studio and palette!”.

Okay, maybe that metaphor lends itself better to Hendrix’s “All Along the Watchtower” vs Dylan’s humble acoustic original (Dylan admitted he wished he’d recorded it like Jimi’s version in the first place). And there’s no doubt CSN’s voices have a distinctiveness that Steel Train’s vocalists lack. But the cover has a crispness and a richness–and perhaps a bit more of a country rock feel (think: Poco’s “Crazy Love”) which makes it a nice listen. And even if it only serves to recreate that epiphany moment when the song came fresh to your ears, that’s a pretty good reason for any good cover song to exist.

Songs You May Have Missed #471

zombies

The Zombies: “I Love You” (1965)

Unimaginative title. Pretty cool song.

In 1965 the Zombies first releasedI Love You as a B-side to A-side “Whenever You’re Ready” (which peaked at #110 in the UK and not at all in the US, which is why you’ve probably never heard either one).

It was released again, this time as an A-side, in ’68. But it came a little late–the group had already disbanded. That same year a California band called People released a version that, while also intended as a B-side, became their only Top 40 hit when it went to #14.

The Zombies’ version features some cool staccato acoustic guitar strumming and a jazzy Rod Argent keyboard solo very similar to the one on their massive 1964 hit “She’s Not There”. I believe it would have been a hit had they released it as an A-side in the first place. Instead it’s a real lost gem.

People’s version isn’t a bad effort either–it lacks Colin Blunstone’s breathy vocals but does have a similar jazzy break and a long, strange, trippy intro.

Songs You May Have Missed #470

flyte cd

Flyte: “Over and Out” (2013)

Infectious but hard to categorize, Flyte certainly have a bit of 80’s New Wave in them–but the good kind. A little Cars mixed with a little Talking Heads perhaps.

Still unsigned, the London band’s self-released debut EP is due September 16.

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Songs You May Have Missed #469

kinks

The Kinks: “Sitting in the Midday Sun” (1973)

Ray Davies’ charmingly unambitious vignette (taken from Preservation, his most ambitious musical project).

Who needs a job when it’s sunny?

See also: https://edcyphers.com/2015/02/27/songs-you-may-have-missed-524/

Songs You May Have Missed #468

sonoride

Sonoride: “A Little Green Park” (2009)

Stockholm, Sweden’s Sonoride have digested the sounds of ELO and the Beatles circa 1967 and what they’ve regurgitated in the form of the semi-psychedelic Multi Colour Dream mostly sounds like a synthesis of the two.

All except “A Little Green Park”, which is more of a straight-ahead pop song than most of the album, a celebration of the simple joys of a trip to a favorite park–a place where “the sun never seems to be off duty…and some soothing scent is always somehow present.”

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