Songs You May Have Missed #368

stay with meLorraine Ellison: “Stay With Me” (1966)

“Stay With Me” was one of the great soul hits of the 60’s that wasn’t, like Ike & Tina Turner’s “River Deep-Mountain High”, the commercial flop which Phil Spector believed to be his masterpiece.

Lorraine Ellison recorded for the Loma record label, a small, cash poor sublabel of Warner Bros. and home for a time to such artists as the aforementioned Ike and Tina, The Three Degrees, J.J. Jackson, and Linda Jones, who died between matinee and evening shows at the Apollo Theater. For the background story on “Stay With Me”, which peaked at #64 on the pop chart, I quote Leo Sacks in his liner notes from the Best of Loma Records compilation:

“There is a popular wisdom that you have to suffer to really sing,” (songwriter and producer Jerry) Ragovoy says. “I don’t buy it.” But “Stay With Me” came from deep inside Lorraine Ellison’s being. An unlikely chain of events preceded that memorable performance. Frank Sinatra was supposed to record with a 45-piece orchestra. But the Chairman of the Board backed out of the session, so Warners, obligated to the musicians’ union, asked Ragovoy to fill the time. Forty-eight hours later he walked into A&R Studios with string and horn charts that were downright supernatural. The room was packed wall-to-wall with ready-to-wail musicians; Ragovoy can still feel the joy and the awe unleashed as Ellison torched “Stay With Me” in one take: “Our engineer, Phil Ramone, kept saying, ‘Oh my God, oh my God…'”

But God wasn’t on her side after that night. “Stay With Me” was a crushing flop. Ellison was devastated…

ellisonLorraine Ellison (March 17, 1931 – January 31, 1983)

Songs You May Have Missed #367

awol

AWOLNATION: “Wake Up” (2011)

Aaron Bruno’s AWOLNATION is a project marked by ambition and eclecticism. Throughout the 50+ minute debut album Bruno takes a bold, kitchen sink approach that ensures there’s something on the record for almost everybody.

“Wake Up” stands out for me, combining the urgently delivered message of the verses with an irresistible hook in the chorus.

Songs You May Have Missed #366

new porn

The New Pornographers: “The Bleeding Heart Show” (2005)

There are certain so-called indie rock bands whose stuff will better justify the “classic” label years down the road. The Shins, certainly. And, for similar reasons I think, the New Pornographers. The combination of A.C. Newman and Dan Bejar’s smart and hooky songwriting, Neko Case’s contributions as vocalist, and the always-tasteful referencing of classic pop and rock of the past are the strengths that put them near the top of their class.

“The Bleeding Heart Show” eschews typical alternating verse-and-chorus structure for an arrangement that gradually builds momentum from beginning to end, a trademark writing style of Roy Orbison and…few others, actually.

The song was featured in the 2007 Morgan Freeman movie Feast of Love, as well as TV ads for the University of Phoenix and eMusic.

And just one more thing: I’ve never understood why the band didn’t sequence this as track one. If ever a song was suited to open an album this is it.

See also: https://edcyphers.com/2012/03/14/songs-you-may-have-missed-52/

See also: https://edcyphers.com/2025/08/31/songs-you-may-have-missed-788/

Songs You May Have Missed #365

caitlynCaitlin Rose: “No One to Call” (2013)

I’m fascinated by songs that straddle genres, defying you to neatly categorize them. Nashville singer-songwriter Caitlin Rose’s voice draws comparisons to country legends like Loretta Lynn, but despite some pedal steel in the arrangements, this is music that doesn’t want to be wrangled into the country category. Of course, any young singer whose musical heroes include Gram Parsons and Linda Ronstadt is (as that initial guitar blast makes clear) unlikely to end up sounding like a Nashville traditionalist.

On “No One to Call” Rose’s voice is awash in a wall-of-sound arrangement similar to some of Dwight Yoakam’s early 90’s stuff. In other words, it’s country music that a pop fan can get behind.

Songs You May Have Missed #364

guster

Guster: “Every Moment” (2011)

Guster, whose B-sides sound like another pop band’s career highlights, do their best mid-’70’s America impression in the chorus of “Every Moment” from the On the Water EP, a follow-up to their amazing Easy Wonderful album.

See also: https://edcyphers.com/2015/01/31/songs-you-may-have-missed-521/

See also: https://edcyphers.com/2019/03/23/songs-you-may-have-missed-633/

See also: https://edcyphers.com/2012/03/01/recommended-albums-9/

Songs You May Have Missed #363

rooneyRooney: “Blueside” (2003)

Boosted by an appearance on The O.C. in 2004, Rooney’s bright, vintage-pop influenced debut helped to keep power pop at least marginally relevant (along with bands like Weezer and Superdrag). At the height of rap music’s chart dominance, Rooney was the rare new artist that fans of ELO and the Beach Boys could get behind.

See also: https://edcyphers.com/2012/11/01/songs-you-may-have-missed-211/

See also: https://edcyphers.com/2013/06/30/songs-you-may-have-missed-436/

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