20 Fascinating Facts About The Launch Of MTV

BRAT_PIKACHU/ISTOCK VIA GETTY IMAGES; MTV NETWORKS, PUBLIC DOMAIN // WIKIMEDIA COMMONS

(via Menttal Floss) by Jon O’Brien

Now that almost every single music promo is just a finger click away, it’s easy to forget that at the dawn of the music video age, schedule-hopping specialist TV shows like USA’s Video Concert Hall and Nickelodeon’s PopClips were largely the only way audiences could access music videos. That all changed with the launch of MTV at 12:01 a.m. on August 1, 1981.

Although the channel has since become synonymous with trashy reality series and cheap clip shows, there was a time when MTV truly did live up to its name. And the idea of seeing the cream of new wave, post-punk, and AOR musicians performing 24/7 was treated by the network with as much reverence as the moon landing. Forty years later, here are 20 little-known facts about MTV’s monumental launch…

Read more: https://www.mentalfloss.com/article/648999/mtv-music-video-tv-network-facts?a_aid=45307

Did You Ever Realize…

On Music…

Songs You May Have Missed #709

Marisa Monte: “A Primeira Pedra (Ao Vivo)” (2016)

Brazilian singer, songwriter and multi-instrumentalist Marisa Monte’s legendary status in her native country hasn’t exactly made her a household name in the US–at least not yet. But then again, she doesn’t pander to American audiences with English-language records a la Selena, Shakira or even Juan Luis Guerra.

But her divine, operatically-trained voice does translate. And the melodies of her compositions, inspired by classical, Brazilian soul and bossa nova music, certainly can touch the heart even if the words of the song (in this case “The First Stone”) are a mystery.

One of the great singers, one of the great talents of her generation.

Video of the Week: John Stewart on Writing “Daydream Believer”

Songs You May Have Missed #708

Ghost: “Life Eternal” (2018)

Sweden’s Ghost inhabit–haunt, really–a world of their own on the musical landscape. Inspired by Alice Cooper’s sense of the theatrical, Opeth’s dark vibe, Dio and BOC’s riffs, and ABBA’s songwriting, Ghost create their own uniquely creepy stew of something I want to call Halloween Rock.

The final track of 2018’s Prequelle LP is a ballad, and stands alone as such, even if a listen to what precedes it–a bombastic metal conceptual album revolving around Europe’s black plague–lends it some dark undertones.

The bell tolls and pipe organ don’t hurt, either.

Ghost’s best work is dark, twisted and creepy. But also beautiful, inspired and thrilling.

See also: https://edcyphers.com/2019/11/23/songs-you-may-have-missed-644/

See also: https://edcyphers.com/2025/12/24/songs-you-may-have-missed-809/

Previous Older Entries Next Newer Entries