The Five Best Music Videos Of 2017, Ranked

(via Uproxx) by

Music is an audio-based medium (duh), but the associated visual elements also form a big piece of how we understand it. Album covers are very often our first look at an record, so they better at least start to tell the story of the album, or give listeners some inkling of what they’re in for. Otherwise, what’s the point?

Similarly, songs try to tell a story or express a feeling, so if you’re going to forever tie it to an accompanying video, the audio and the visual better mesh in a way that makes both profoundly and undeniably better. Credit where it’s due: There were plenty of videos that accomplished that in 2017, which led to a long list of candidates for this list, which, in case the headline wasn’t descriptive enough, breaks down the five strongest music videos that came out this year. There were a few that stood out among the others, though, and these are them…

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The Five Best Music Videos Of 2017, Ranked

Video of the Week: Score Your Next Horror Film with the Apprehension Engine

Songs You May Have Missed #623

Todd Snider: “Beer Run” (2003)

Todd Snider’s live albums, with their combination of stoner-fied storytelling and folk songwriting chops, call to mind Arlo Guthrie. This version of “Beer Run”, recorded on the Bob and Tom show, is good inebriated fun.

See also: https://edcyphers.com/2012/03/05/songs-you-may-have-missed-39/

Songs You May Have Missed #622

Supergrass: “Seen the Light” (2002)

3-chord punk pop was a thing in both Britain and America in the 90’s. The difference is that, whereas bands like the Clash, the Jam and the Sex Pistols may have influenced bands on both sides of the big pond, British pop punks of the 90’s additionally had a strain of Madness in their DNA…along with some Kinks and Small Faces. And Supergrass is the result. Sort of the English Green Day. Sort of.

Songs You May Have Missed #621

Moby Grape: “8:05” (1967)

 

1960’s San Francisco band Moby Grape were the epitome of a perfect democracy–or perhaps a hippie commune. Every member sang. Every member contributed material. And that material was more diverse than their pigeonholing as a psychedelic band would suggest.

moby

Their catalogue shows off a variety of influences: blues, folk, country and straight-ahead three-guitar rock, often ornamented by four-part harmonies. “8:05”, from their much-hyped 1967 debut, shows their acoustic country rock side.

The band were short-lived due to personal issues and poor management. Like the innocence of hippie 60’s San Francisco, they basically washed out by the end of the decade; their chapter in rock history is perhaps a perfect microcosm of the story of the summer/bummer of love.

Has music streaming killed the instrumental intro?

(via the Ohio State University website) By: Misti Crane

COLUMBUS, Ohio – Remember those drawn-out, dramatic intros into the pop power ballads of the 80s? They’re all but gone in today’s chart toppers, according to new research, and listeners’ short attention spans may be to blame.

Intros that averaged more than 20 seconds in the mid-80s are now only about 5 seconds long, the study found.

Depending on what rocks your musical world, the popularity of streaming services might be to thank or to curse for a move away from the instrumental intro, said Hubert Léveillé Gauvin, a doctoral student in music theory at The Ohio State University. His study appears in the journal Musicae Scientiae…

Read more:

https://news.osu.edu/news/2017/04/04/streaming-attention/

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