Recommended Albums #64

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Arlo Guthrie: Last of the Brooklyn Cowboys (1973)

Arlo Guthrie’s follow-up to 1972’s Hobo’s Lullaby didn’t produce a hit single to follow his sole top 20 “City of New Orleans” but it’s as fine a collection of covers and originals as he ever released.

arloFortunately his somewhat fluky 1972 hit didn’t convince Arlo to steer his career toward a more contemporary and chart-friendly style, or even the prevailing James Taylor singer-songwriter sound of the time. Woody Guthrie’s son was far too steeped in authentic folk, cowboy ballads and old time Country & Western music.

If the late 60’s/early 70’s British folk movement of Pentangle, Steeleye Span and Fairport Convention revived centuries-old folk songs and murder ballads and introduced them to another generation, Arlo’s work in this era did the same for American folk chestnuts of decades past.

But his great talent was to make these tunes his own. Just as Steve Goodman’s original version of “City of New Orleans” disappoints after hearing Arlo’s masterful cover, so Guthrie’s versions of songs previously recorded by Ernest Tubb (“This Troubled Mind of Mine”) and Hank Williams (“Lovesick Blues”) sound definitive–more so to my ears in fact than the original versions.

And speaking of originals, Arlo sprinkles in his own compositions here too (“Last Train”, “Uncle Jeff”) and they blend seamlessly with the standards to form the tapestry of one of the 70’s strongest folk albums.

Incidentally, do you think Arlo’s “Uncle Jeff” may have inspired a certain John Denver hit of two years later?

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Listen to: “This Troubled Mind of Mind”

 

Listen to: “Lovesick Blues”

 

Listen to: “Last Train”

 

Listen to: “Uncle Jeff”

 

See also: https://edcyphers.com/2013/11/13/songs-you-may-have-missed-502/

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Songs You May Have Missed #554

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Lost Frequencies feat. Janieck Devy: “Reality” (2015)

Lost Frequencies is Belgian music producer and DJ Felix Safran De Laet, whose previous single, “Are You With Me” went to number one in seven countries in 2014.

“Reality” also topped the charts in his native country, as well as Austria and Germany, but like its predecessor looks to miss the U.S. charts entirely.

Maybe if they’d put some nudity in the video…

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20 Weird And Not So Weird Facts About “Weird Al” Yankovic and His Songs

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(via mental floss)

by Roger Cormier

Starting with his first professional recordings and appearances on the Dr. Demento radio show almost 35 years ago, “Weird Al” Yankovic has managed to stay on the pop culture map and change with the times, even while so many of the bands and artists he has parodied lost the spotlight. Here are some facts about “Weird Al” Yankovic and his songs.

1. WEIRD AL’S PARENTS CHOSE THE ACCORDION FOR HIM

The legend—verified by Al Yankovic in the liner notes of his 1994 box set Permanent Record: Al in the Box—reads that on the day before Al turned 7, a door-to-door salesman came through Lynwood, California, to solicit business for a local music school, which offered its pupils a choice between guitar or accordion lessons. Because Frankie Yankovic shared the family’s surname and was known as “America’s Polka King,” Al’s parents chose the squeezebox for their son. Al would gradually learn how to play rock n’ roll on the instrument, mostly from Elton John’s Goodbye Yellow Brick Road album, playing it “over and over” and trying to play along with it. Frankie and Al weren’t actually related, but the two would eventually collaborate, with Al playing on “Who Stole the Kishka?” on Frankie’s Songs of the Polka King, Vol. 1, and Frankie’s “The Tick Tock Polka” played by Al as a lead-in to Ke$ha’s “Tik Tok” on the Alpocalypse track “Polka Face.”

Read more: http://mentalfloss.com/article/57901/20-weird-and-not-so-weird-facts-about-weird-al-yankovic-and-his-songs

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