Songs You May Have Missed #527

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David Wilcox: “Eye of the Hurricane” (1989)

Never one to be content simply subsisting on what pop radio force-fed me, there was a time when I defiantly asserted my musical independence from lemminghood with statements like: “Steve Earle is MY Bruce Springsteen” and “The Jayhawks are MY Eagles”. Well, singer-songwriter David Wilcox seemed to fit the bill as MY James Taylor. Not meaning to say he’s a dead ringer in terms of singing voice, lyric content or any other particular characteristic. Wilcox just occupied the place for me that the better-known Taylor did for most.

The fact that the studio recording of “Eye of the Hurricane” and indeed the entire How Did You Find Me Here album sound like microphone and artist were placed into a giant tin can notwithstanding, Wilcox was known for thoughtful–at times even haunting–reflections crisply sung and smartly accompanied on acoustic guitar. Had Wilcox come on the scene about twenty years earlier, he might have competed for radio airplay with Taylor, Carly Simon and Cat Stevens. Instead he cultivates a small but loyal cult following and a rare spin on an NPR station.

See also: https://edcyphers.com/2013/11/10/songs-you-may-have-missed-501/

See also: https://edcyphers.com/2013/02/13/songs-you-may-have-missed-330/

Video of the Week: April Smith & the Great Picture Show–Colors

See also: https://edcyphers.com/2012/02/15/songs-you-may-have-missed-15/

What Makes an Electric Guitar Sound Like an Electric Guitar

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(via The Atlantic)

by Robert Jackson

There’s an old joke in the technology industry: If a product has a problem, simply sell it as a feature. The electric-guitar-effects industry is no different. Music has often thrived on transforming faults into influential sound effects. Before professional studio production enabled granular tweaks in sound, standalone guitar effects emerged from deliberately converting hardware faults—often caused by the limitations of amplifiers—into positive features. By the end of the 1970s, it had become impossible to imagine how R&B, blues, and rock could have existed without these fortuitous mistakes.

In fact, the history of guitar-signal modification is one of happy accidents. Any “unmistakable” guitar sound isn’t just the product of a gifted musician, nor is it just the result of cultural context; it’s contingent on the combined work of transistors, speakers, magnets, signals, wires, and diodes…

Read more: http://www.theatlantic.com/technology/archive/2015/03/what-makes-an-electric-guitar-sound-like-an-electric-guitar/386441/?single_page=true

Middle Eastern Album Covers Photoshopped for Modesty

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perry

See more: http://www.pleated-jeans.com/2015/03/19/middle-eastern-album-covers-photoshopped-for-modesty/#more-121771

 

Video of the Week: The Story Behind ‘Killing Me Softly’

See also: https://edcyphers.com/2013/04/26/songs-you-may-have-missed-399/

Hate “Blurred Lines”? You Still Should be Upset Robin Thicke Lost his Copyright Lawsuit

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(via LA Weekly)

by Andy Hermann

It was bad enough when Robin Thicke and Pharrell Williams tried to ruin the summer of 2013 with their smug turd of a pop tune, “Blurred Lines.” But that was just one summer, and it was somewhat redeemed by Pharrell’s other big 2013 collab, “Get Lucky.” Within a few months, we forgot what rhymes with “Hug me” and moved on.

But this time, they’ve really gone and done it. By losing in the “Blurred Lines” versus “Got to Give It Up” copyright lawsuit, Thicke and Pharrell are going to jack up the entire music industry, opening the floodgates to all sorts of frivolous plagiarism claims that will take years to sort out.

Read more: http://www.laweekly.com/music/great-now-blurred-lines-has-ruined-the-entire-music-industry-5427407

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