A band perhaps known as much for notable alumni (Sandy Denny, Richard Thompson) as for their actual recorded legacy, Fairport Convention nevertheless are among the most prominent of the bands who helped preserve England’s traditional folk song and expose new generations to it by melding it with contemporary rock.
By 1995 Fairport were almost thirty years into a career rife with lineup changes and fluctuations in quality of musical output. But Jewel in the Crown is a jewel indeed–a highlight of their later output.
The samples below represent Fairport’s typical mix of new contemporary writing and more traditional-sounding pastoral English folk, from the political (the smackdown of British colonization in the title track) to the traditional (“Kind Fortune”), to the newly-written tune that sounds like a traditional (“London Danny”) to the instrumental (the beautifully-rendered Ric Sanders fiddle tune, “Summer in December”).
It makes for a great introduction to the band, not to mention the genre. If it whets an appetite for British folk, you could do worse than to check out Steeleye Span’s All Around My Hat next.
Elton John has more famous songs than just about any other man on the planet, but somehow his very first hit, “Your Song,” has proved to be his most enduring composition. The song exploded onto radio in 1970 and really hasn’t left. “I wrote it when I was 17, hence the extraordinary virginal sentiments,” Bernie Taupin said. “It’s a gem. It’s like a good dog, always there . . . I’ve heard it sung a million times.”
He’s exaggerating only slightly. Elton has performed “Your Song” at nearly every one of his concerts over the past 43 years. It’s often the final encore, though he opens many of his solo acoustic shows with it. Setlist.FM says he’s played it 1,861 times, but the real number is surely well over 2,000. Assuming it’s only 2,000 times, that means he’s spent five and a half days of his life singing “Your Song.”
Here’s an incredible video montage of Elton performing the song from 1970 through the late 1990s. It’s great fun to watch his hair begin to thin, get covered up by hats, go gray, and then magically come back fuller and browner than ever. The costumes become more and more elaborate, until they disappear completely in the Nineties. His voice also deepens, particular after major throat problems in 1986, but he never half-asses the performance.
Texas indie poppers Spoon brightened and biggened up their sound for 2007’s Ga Ga Ga Ga Ga, a breakthrough album that cracked the US top ten. Cautionary anthem “The Underdog” lead the charge in terms of airplay.
The seemingly random key modulations here might be initially off-putting, but they’re just another hook after a listen or two. Certainly makes you wonder what was inside the mind of the writer at the time, though…
And for the whitest version ever of a James Brown song–or any other song–the award goes to…
1990’s Brooklyn duo Drink Me created some of the most endearingly quirky and humorous folk music I’ve ever had the pleasure to come across. But a look beneath the layer of quirk always revealed a genius for a remarkably economical brand of song craftsmanship not seen perhaps since Roger Miller.
They covered other artists rarely, but in this case they picked the perfect song to demonstrate how strikingly un-mainstream an act they were. In a great way.
If Roger Daltrey’s hair-raising scream in “Won’t Get Fooled Again” is one of rock’s great moments, the pitiful yelp that falls at the end of this song is its perfect antithesis–an equally definitive moment. Of some sort.