John Denver at the PMRC Hearings, 1985

The Parents Music Resource Center (PMRC) also known as the “Washington Wives” was formed in 1985 with the purpose of exerting control (“censorship” some said) over the access children had to violent and explicit music by putting warning labels on albums.

Rap music of the time was thought to be a particular threat, with rapper Ice-T specifically accused by Tipper Gore of inciting increased violence against police in Los Angeles.

On September 19, 1985 three musicians stepped to the microphone to testify. They were Dee Snyder (of Twisted Sister), Frank Zappa and…John Denver, who’d had his own music banned in some cities in the early 70’s.

Many on the PMRC committee expected the folk-pop singer to speak in support of their agenda. But instead Denver articulately stated the case against censorship saying, “That which is denied becomes that which is most desired, and that which is hidden becomes that which is most interesting. Consequently, a great deal of time and energy is spent trying to get at what is being kept from you.” (Spoken like an experienced dad)

(Snyder and Zappa were less conciliatory in tone. And Zappa subsequently responded with his Frank Zappa Meets the Mothers of Prevention album, which featured a parody of the warning label on its cover.)

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“Giving Her Away”: One of the Best Student-Produced Short Films You’ll Ever Watch

This blog will rarely stray from music-related topics, but I consider this a must watch. “Giving Her Away” is a student-produced 9-minute film that won awards in multiple film festivals in 2006. Enjoy, and have a tissue or two nearby.

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Songs You May Have Missed #197

Carmel: “It’s All in the Game” (1987)

After gold record certifications for the soundtracks he scored for John Hughes coming-of-age films The Breakfast Club and Pretty in Pink, Stewart Copeland made the less-than-obvious choice of assembling music by such British acts as Kate Bush, Kirsty MacColl, Everything But the Girl and Manchester jazz-soul act Carmel for the soundtrack to She’s Having a Baby, a tale about a suburban Chicago couple.

And it came off spectacularly.

Carmel’s cover of the Tommy Edwards standard “It’s All in the Game” plays over the opening credits of this overlooked and underrated film.

The soundtrack is a classic. Copeland had a knack for choosing some of the best work these artists had to offer, as is certainly the case with Carmel’s contribution; the track is a standout in their catalogue.

Songs You May Have Missed #196

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Lady Danville: “Sophie Roux” (2012)

The Los Angeles indie pop band Lady Danville don’t usually sing in French. “Sophie Roux” is a nice little one-off.

Songs You May Have Missed #195

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The Smithereens: “Strangers When We Meet” (1986)

New Jersey’s Smithereens were on a short list of artists (Marshall Crenshaw, Dwight Twilley, Greg Kihn and a few others) who kept the power pop thread alive in pop music into the “skinny tie” 80’s. They never really saw much chart success. In fact, “Strangers When We Meet” never charted as a single. But it might be their best song.

The 30 Richest Drummers in the World

    

(Source: MSN Entertainment)

Celebrity Net Worth recently published a list of the 30 richest drummers in the world. And maybe it’s not surprising that Ringo Starr could buy and sell all of us several times over, or that many of the richest drummers are people who figured out ways to stop being drummers (Dave Grohl, Phil Collins). But how in the hell is Aerosmith’s Joey Kramer worth $100 million? Check out the full head-spinning list below.

1. Ringo Starr (The Beatles, $300 million)

2. Phil Collins (Solo/Genesis, $250 million)

3. Dave Grohl (Nirvana/Foo Fighters, $225 million)

4. Don Henley (The Eagles, $200 million)

5. Lars Ulrich (Metallica, $175 million)

6. Charlie Watts (The Rolling Stones, $160 million)

7. Larry Mullen Jr. (U2, $150 million)

8. Roger Taylor (Queen, $105 million)

9. Joey Kramer (Aerosmith, $100 million)

10. Chad Smith (Red Hot Chili Peppers, $90 million)

11. Travis Barker (blink-182, $85 million)

12. Stewart Copeland (The Police, $80 million)

13. Alex Van Halen (Van Halen, $75 million)

14. Nick Mason (Pink Floyd, $75 million)

15. Tommy Lee (Motley Crue, $70 million)

16. Bill Ward (Black Sabbath, $65 million)

17. Jon Fishman (Phish, $60 million)

18. Carter Beauford (Dave Matthews Band, $55 million)

19. Rick Allen (Def Leppard, $50 million)

20. Tre Cool (Green Day, $45 million)

21. Danny Carey (Tool, $40 million)

22. Tico Torres (Bon Jovi, $40 million)

23. Max Weinberg (Bruce Springsteen and the E Street Band/”Conan O’Brien,” $35 million)

24. Mickey Hart (The Grateful Dead, $30 million)

25. Bill Kreutzmann (The Grateful Dead, $25 million)

26. Neil Peart (Rush, $22 million)

27. Taylor Hawkins (Foo Fighters, $20 million)

28. ?uestlove (The Roots, $16 million)

29. Steven Adler (Guns N’ Roses, $15 million)

30. Mick Fleetwood (Fleetwood Mac, $8.5 million)

Let’s just take a minute for the fact that Steven Adler played on one and a half Guns N’ Roses albums, that he’s been generally unfamous and making the “Celebrity Rehab” rounds for the past two decades, and that he’s still worth $15 million.

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