Songs You May Have Missed #761

Tudor Lodge: “Forest” (1971)

There’s a reason collectors will pay steep prices for reissues of now-obscure British folk from the late ’60’s and early ’70’s. And there’s a reason specialty labels strive to keep it in print.

Seldom does contemporary pop offer a whiff of this rustic, pastoral style of music of bygone days. There haven’t been enough Belle & Sebastians to scratch this particular itch.

But if the frantic pace, economic uncertainty and political chaos of the 21st century have you seeking respite in the sound of simpler times and greener, quieter places, then this trio of John Stannard, Lyndon Green and Ann Steuart may offer the antidote you need.

Evoking early Strawbs, Heron, The Sallyangie, or Donovan, circa 1967–and continuing in some form well into the current century like most of those acts–Tudor Lodge sing songs that evoke idyllic summer scenes from other centuries.

While the American folkies were protesting war, their English counterparts simply escaped into the past.

Tudor Lodge welcomes you, road-weary guest. And this blog offers many other ancient winding paths to explore:

Heron

The Sallyangie

Hunter Muskett

Fairport Convention

Donovan

Linda Thompson

Tir Na Nog

Sally Oldfield

Lindisfarne

Gorky’s Zygotic Mynci

Jethro Tull

Steeleye Span

Amazing Blondel

Video of the Week: HARRY NILSSON Son Of Schmilsson AUDIO/VISUAL TOUR

WARNING: EXPLICIT LANGUAGE

Songs You May Have Missed #760

Manu Chao: “Me Llaman Calle” (2007)

If you don’t know how to pronounce the name of French-born Spanish musician Manu Chao, you can just call him by his birth name, José Manuel Tomás Arturo Chao Ortega, which is nearly as long as the list of languages he sings in–French, Spanish, English, Italian, Arabic, Catalan, Galician, Portuguese, and Greek.

His multicultural musical mix swings between party, politics and protest. But even when the song is sad, the music celebrates.

Translation:

They Call Me Street

They call me street/stepping on the concrete/the rebellious and so lost girl

they call me street/street of the night/street of the day

they call me street/I’m going so tiredly/I’m going so vacantly/like a little machine for the grand city

they call me street/I get into your car/they call me street/I should be happy

tired street, empty street/of so much love

I’m going to the street below/I’m going to the street above/I wont back down/not even for life

they call me street/and that is my pride/I know one day I’ll arrive/I know one day my luck will come

one day it’ll look for me/at the exit a good man/giving his life without paying/my heart isn’t for rent

they call me street(2x)

suffering street/depressed street/from so much love

they call me street/most quiet street/they call me street without a future/they call me street without an exit/they call me street/most quiet street

for the women of life/rise below/sink above/like a little machine for the grand city

they call me street (2x)

suffered street/depressed street/from so much love

they call me street/most quiet street/they always call me/no matter what the hour

they call me beautiful/always at the wrong time/they call me bitch/and princess

they call me street/it’s my nobility/they call me street/suffered street, lost street/of so much love

Songs You May Have Missed #759

Billy Strings: “Gild the Lily” (2024)

On his sprawling, 20-track double album Highway Prayers Billy Strings stretches the boundaries of traditional music in appealing fashion, mixing fast-picked bluegrass workouts with more laid-back fare such as the reflective “Gild the Lily”.

Jimmy Longhi Remembers Woody Guthrie

In 1996 Smithsonian Folkways Recordings released That’s Why We’re Marching, a collection, mostly, of folk songs dating from the first half of the 1940’s.

Among the album’s trove of rare and seldom heard songs of both pro- and anti-war sentiment is one memorable spoken-word track: a story by Vincent “Jimmy” Longhi about his friend, a folk singer by the name of Woodrow Wilson Guthrie–better known to the world as Woody.

Attorney, playwright and author Longhi’s story is also recounted in his book Woody, Cisco, and Me: Seamen Three in the Merchant Marine, which chronicles his time traveling with convoys of troops during the Battle of the Atlantic with Guthrie and folk singer Cisco Houston.

The Guthrie song referenced in the story in its entirety:

…and another reminiscence from Longhi about the time their ship struck a mine in the Mediterranean, killing one person aboard:

On a Lighter Note…

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