Winchester Strikes a Major Chord

Major Charles Winchester: Don’t you see? Your hand may be stilled; but your gift cannot be silenced if you refuse to let it be.

Private David Sheridan: Gift? You keep talking about this damn gift. I had a gift, and I exchanged it for some mortar fragments, remember?

Major Charles Winchester: Wrong! Because the gift does not lie in your hands.

[David huffs in frustration]

Major Charles Winchester: I have hands, David. Hands that can make a scalpel sing! More than anything in my life… I wanted to play. But I do not have the gift! I can play the notes; but I cannot make the music. You’ve performed Liszt, Rachmaninoff, Chopin! Even if you never do so again, you’ve already known a joy that I will never know as long as I live! Because the true gift is in your head, and in your heart, and in your soul. Now you can shut it off forever, or you can find new ways to share your gift with the world – through the baton, the classroom, the pen. As to these works, they’re for you! Because you and the piano will always be as one.

Video of the Week: How to Fake Piano Skills

Video of the Week: How Steely Dan Finally Made their Perfect Album

The Gallagher Who Was Actually a Musical Genius

Rory Gallagher in 1972 – Getty

(via The Telegraph) by Neil McCormick

Long before Noel and Liam Gallagher of Oasis sent the nation into a Britpop frenzy, there was only one rock and roll Gallagher that mattered. His name was Rory, and nearly 30 years after his untimely death, there’s plenty who would consider the Irish guitar slinger the only Gallagher worthy of being acclaimed a genuine musical genius.

On October 17, Bonhams auction house in London will host a sale of Rory Gallagher’s guitar collection, along with amps and accessories from his career. Amongst the items is Rory’s original 1961 Fender Stratocaster, bought second hand from Crowley’s Music Store in Cork in 1963. Gallagher was just 15 but already a professional working musician, playing covers on the Irish showband circuit. He paid £100 on credit for the guitar, persuading his parents that it would ultimately save money because he could play rhythm and lead at the same time, so wouldn’t need a second guitarist in his band. Today, it’s value is estimated at up to a million pounds.

It is a beautiful, battered looking instrument that Gallagher played all his life, as he rose to become Ireland’s first rock star. It is the instrument he would have been playing when his original power trio Taste supported Cream for their final concert at the Royal Albert Hall in 1968. Eric Clapton later credited Rory for “getting me back into the blues.” Before he formed Queen, Brian May was a huge Gallagher fan, attending many shows at the Marquee in London. “He could make his guitar do anything,” according to May. “It seemed to be magic. I remember looking at his battered Stratocaster thinking ‘how does that come out of there?’”

Read more: https://www.msn.com/en-us/music/news/the-gallagher-who-was-actually-a-musical-genius/ar-AA1pYIJn?ocid=entnewsntp&pc=DCTS&cvid=8de382b08bd345ffb76534a8ad13cf1e&ei=50#

Video of the Week: French Beatboxer/Singer MB14 is Like Nothing You’ve Heard Before

Quora: What killed rock music?

(via Quora) Answered by Sean Morrison

What killed rock music?

Success, basically.

For a short period, in the late sixties and early seventies, the recording industry lost control of the music for the first time in history. They literally had NO IDEA what would or wouldn’t sell, and they were dealing with musicians who hadn’t come up through the club circuit, so they didn’t follow the script of previous generations of musicians.

Also, a lot of them wrote their own songs! The Beatles opened the doors to bands and performers having the ability (if they were savvy enough) to control their money, though most got outfoxed on that score.

But for a brief period, performers had a level of power and control that had never existed before. The recording industry was literally throwing money at EVERYBODY and letting them do whatever they wanted, because they had no idea what would or wouldn’t succeed.

So you had an explosion of unfettered creativity. Helped that there was probably the greatest collection of talent that had ever existed in popular music just doing whatever the hell they wanted.

But the first generation got rich, got lazy, got egotistical, and gradually started either running out of ideas or actually dying.

Meanwhile, the industry was starting to figure things out. And you started to see, in the late 70s and early 80s, the evolution of bands specifically designed to fit into the industry’s boxes. The whole concept of “commercial” rock became first a possibility, then a standard. New bands were willing to play the game according to the industry’s rules, and the older acts started opting for commercial success over music as an art form.

And let’s face it…after a decade, the fans started growing up and getting more boring. As Greg Allman of the Allman brothers put it, the same people who had dropped acid in the 60s and wanted an hour of Whipping Post all started doing cocaine in the 80s and wanted all the songs under five minutes!

And once the industry sussed it out, every attempt to bring rock back to its radical roots was quickly quashed and made “acceptable.” So punk quickly went from Television to Blondie. “Alternative” quickly found IT’S way “commercially viable” and so on.

So it goes. At least SOME of us got to live through it and watch it die. Those were good times.

Previous Older Entries Next Newer Entries