Quora: What is something a Pink Floyd fan may find surprising about Syd Barrett?

(Answered by Nick Ford)

This is the famous picture of Syd, taken when he walked into the Abbey Road studios while Pink Floyd were recording “Wish You Were Here”. Bloated, with shaven head and eyebrows, for a time he was unrecognized by his old bandmates only 6 or so years after leaving the band. Syd himself had ceased to make any sort of recorded music after 1974.

During and after this unfortunate encounter, Syd lived in a succession of London hotels, spending money on anything and everything, and often gifting his acquisitions to the staff.

Syd found communication with the band and his old life to be too upsetting and emotionally disturbing. He had a chance 1977 encounter with Roger Waters in the exclusive department store Harrods, as Roger recalled – “but we didn’t speak – he sort of scuttled away.” Apparently, Syd would buy sweets (candy) there, and this wordless meeting was disturbing enough for him to drop his purchases and flee.

When eventually the money ran out, he gave away all his possessions, leaving only a bag of dirty laundry, and walked the 50 miles back to his home town of Cambridge to live with his mother. He dropped “Syd” and returned to using his original name, Roger.

He would slam the door in the face of anyone looking for “Syd”.

Even though they never talked or met again after mid 1975, David Gilmour quietly made sure that his old friend Syd’s financial needs were taken care of until the day he died. As well as ensuring that royalties were getting paid, he would also insist on a Syd song being included on any PF compilation to ensure an income stream.

Syd lived out the rest of his life in a modest Cambridge house, decorated in a highly eccentric style, enjoying painting and DIY (as you can see in the video, with rather mixed results). His siblings kept a reasonably close eye on him until his death from pancreatic cancer in 2006. His last years were plagued with health issues- diabetes and stomach ulcers.

He watched a BBC documentary on himself, but didn’t like it. His sister reported that “He came to watch it with me. He didn’t enjoy it. He didn’t like it – he didn’t quite know what was going on, I don’t think. He just said, ‘It’s very noisy. The music’s very noisy.’”

Despite refusing all contact with most people from his past, and anyone associated with the music industry in general, in 2002, he surprisingly agreed to sign 320 copies of Mick Rock’s book of photographs called “Psychedelic Renegades”. As he no longer used the name Syd, he simply signed them “Barrett”.

His family always denied he had any form of mental illness, insisting that he lived his life as he saw fit, and didn’t feel the need to conform to others’ expectations.

Songs You May Have Missed #741

King Tuff: “Pebbles in a Stream” (2023)

The power pop/punk sound Vermont’s Kyle Thomas (aka King Tuff) formerly embraced has given way of late to a quieter, more reflective style, and never more so than on 2023’s Smalltown Stardust.

Thanks to the songwriting and production touches contributed by Sasami Ashworth, gentle keys and strings bring perfectly suited ornamentation to tender, emotive tunes on a record that explores nostalgic themes of youth and new love.

Sasami’s harmony vocals also add immeasurably to the album as a whole, though not this particular track.

“Pebbles in a Stream” is a sentimental standout, and reflects a glint of warm sunlight.

On a Lighter Note…

Video of the Week: Kevin Meaney does “We Are the World”

Quora: Why Was ‘Frampton Comes Alive’ So Popular?

Why was ‘Frampton Comes Alive‘ so Popular?

(answered by Don Stuart)

Well I was there, a junior in high school (and a bass player) around the time Frampton hit it big. Here’s how I remember it going down.

KISS had been kind of a cult rock band until they released KISS ALIVE in September of ‘75, just as we were heading back to school. Rock and Roll All Night and Party Every Day was basically the motto of many mid-70’s high school kids in the US (see the film Dazed and Confused, it’s deadly accurate). So KISS had an AM radio hit on a double live album, kind of setting the stage for Frampton’s.

Peter’s band started appearing on a Friday night show called Midnight Special on NBC in the fall. There was no MTV in those days, not much rock to watch on TV at all, and us kids watched that show in droves because it came on after we had to be home (by midnight, right?).

The guy looked good and there was definite buzz among girls like my younger sisters who had watched him on TV. Plus he’d been killing on tour all year and some of the cool older girls had seen him in concert. They were the evangelists.

Frampton Comes Alive is released in January 1976, to little fanfare but a single off the album, Show Me The Way, breaks on AM pop radio rotation in February. Where I lived, Baby I Love Your Way broke on the radio first because girls were requesting it.

The girls have had to put up with KISS ALIVE and Ted Nugent (also released in Sept. ‘75) at our parties and in our cars for months now. Around Spring Break, they whip out Frampton. Us guys are like, “Okay, chicks dig it and he doesn’t completely suck.” Peter played great lead guitar, which was essential for 70’s rockers.

Turns out the album had brilliant song-order mastering, too. It definitely has a trajectory, peaks and valleys and a big finish with Do You Feel Like We Do. We used 8-track tapes in those days to do the audio at our outdoor keggers. Frampton Live was the soundtrack for the spring and summer party season in ‘76. That’s the niche it filled.

Nearly every year has an big record like this — one that epitomizes the party season. It has a hit song or two and sells like gangbusters. Frampton scored, and we scored with Frampton. I mean, we choreographed our makeout sessions to that album.

We smoked a lot of low-THC giggle weed and mashed with a bunch of mildly stoned girls who were happy that they could listen to music with us that wasn’t the absurd 70’s cock and prog rock that guys were usually blasting. Thanks Peter!

Bob Seger’s Live Bullet came out in the spring of ’76 too, so we had two new live albums to party with. The thing about live albums was they kind of blended and amplified the atmosphere and cacophony of the party scene.

In the Fall of ’76 came Boston’s mega-album, then the Eagles’ Hotel California and McCartney’s live album in December, followed by Fleetwood Mac’s Rumours in February ‘77.

Oh, and this happened, too. Rod Stewart’s “Tonight’s The Night (Gonna Be Alright)” The longest-running Billboard #1 since Hey Jude. The Stairway to Heaven of car-radio date songs.

Frampton got crushed, but it didn’t really matter.

Because Saturday Night Fever rolled in and ruined the party for all of us. When rock resurrected with Van Halen it was different, and an era was in the past.

Video of the Week: Dee Snider’s Defiant Anthem “We’re Not Gonna Take It”, Reworked for Children’s Cancer Charity

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