Quora: How did The Rolling Stones lose their edge?

(Answered by Gary Peterson)

Two weeks ago, I saw Los Lobos. I have been following them since ’83 and have seen them live over a dozen times, but it’s been a few years.

The show happened in an outdoor venue, and I had a pretty good but obscured view seat. What I had a great view of was the band heading to the stage. The band looked old and graying. Conrad, the bassist, had a limp from what looked like a bad hip. David Hidalgo had taken a fall earlier in the tour, breaking his nose and left orbital bone. Even worse, he hurt ligaments in his wrist, requiring the use of a stand-in guitarist and guest organist.

So, Conrad sat part of the time, and David sang, and Los Lobos, well they did what Los Lobos does, they kicked ass.

One of the concert attendants noticed I was trying to see around the obstruction and asked me if I would like to change seats. Oh, please, I said. So, she came back and led all four of us to the front row center. Serious, maybe 20ft away.

Me, I am 70 years old and have been seeing shows for over five decades, and I experienced one of my top ten rock and roll shows of all time. Los Lobos jammed on a series of oldies taken from their new album, and they lifted the place off the fucking ground.

And they are old like me, and we grew old together, built lives, and did work that mattered. And we danced.

So, what’s an edge? We were all out at the edge that night, but it is not the same edge anymore. It is not the wild years, the crazy excess and madness anymore. That’s gone, or we wouldn’t be here.

No, we come from the hardest edge of all, mortality. We look back at our lives, knowing there ain’t that much left. So many are gone, and we will be too, but for now, we dance, make music, and inhabit the farthest edge of all.

The Rolling Stones, yeah, they are at that edge as well. And you know what, we are all still rocking, all still loving the music, and blessed to make it far enough down the road to get some real perspective.

Video of the Week: Jethro Tull Fish ‘n Sheep & Rock ‘n Roll (1986 Documentary)

The William Shatner Album That Is Actually Really Good

(via CultureSonar) by Scott Freiman

An album by William Shatner? You mean Captain Kirk? T.J. Hooker? The Priceline guy? Yes. That William Shatner. You may remember Shatner’s overly dramatic spoken-word readings of classics like “Mr. Tambourine Man” from 1968’s The Transformed Man. George Clooney said that he would bring this album to a desert island since it would force him to “hollow out [his] leg and make a canoe out of it to get [away].” Shatner’s rendition of “Lucy in the Sky with Diamonds” was voted the worst Beatles cover of all time by Music Choice. Why would Shatner want to make another album? And why would we want to listen to it?

Read more: https://www.culturesonar.com/shatner-album/

See also: https://edcyphers.com/2013/08/25/recommended-albums-54/

On a Lighter Note…

Video of the Week: Electric Light Orchestra–‘Strange Magic’ & ‘Livin’ Thing’

When you see your favorite artist perform live, you could get a faithful rendering or something that barely resembles what they committed to record. Generally it depends on the artist’s intent.

Bob Dylan insists his music is a living thing, and recoils at the very idea of a “definitive” recorded version. And so he tries to breathe new life into songs every time he plays them. And concert-goers might barely recognize their favorite songs. This works for Bob I guess. Many of his fans beg to differ.

Jeff Lynne is the opposite. His records were made with incredible sonic craftsmanship and attention to detail. And he seems to know that’s what fans want to see replicated live.

And that’s exactly what he gives them: perfection.

See also: https://edcyphers.com/2023/03/26/video-of-the-week-vocal-analysis-of-electric-light-orchestras-telephone-line/

Video of the Week: Zebra “Don’t Walk Away” Live 1983

Released the same year as debuts by R.E.M. and Marillion, Zebra’s 1983 eponymous first album was one of Atlantic Records’ fastest-selling debut albums.

But somehow its brilliance–like the stellar skills, on electric and 12-string acoustic guitar, of lead slinger and singer Randy Jackson– remained somewhat overlooked in a decade dominated by New Wave and synths.

If you’re not familiar with the trio, Canadian threesome Triumph is a fair point of reference. Jackson’s vocals reach stratospheric heights that evoke Geddy Lee, Robert Plant or Nektar’s Roye Albrighton.

This encore from an October, 1983 performance at the Summit in Houston features a frantic Jackson guitar solo that leads into set closer “Don’t Walk Away”.

The more I hear this guitar solo (the one midway through the song, not the one that precedes it) the more convinced I am that compositionally it’s one of the greatest I’ve ever heard–a scintillating blend of long, emotive notes and rapid-fire shards of shred. This mixture was Eddie Van Halen’s calling card, and is the very thing that separates the true Guitar Hero from the all-speed-no-soul hack.

THIS is how a guitar solo is properly, expertly done.

See also: https://edcyphers.com/2023/12/22/recommended-albums-88/

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