Pitchblack Playback: The World’s Biggest Deep Listening Session

Didn’t know it was possible to fall even more in love with an album”

Pitchblack Playback offers dark room deep listening events in cities around the world.

Bucking the trend of low-quality audio consumed through cheap earbuds, they invite serious listeners to experience classic albums and pre-release premiers at ticked events in dedicated spaces on the best equipment possible.

Check out their website: Pitchblack Playback | immersive album listening sessions in the dark

Pitchblack Playback FAQ:

Why don’t I just listen in the dark at home?

Because unless you’re very lucky, we’re guessing you don’t own a massive cinema sound system. And if you do, we imagine your neighbours probably don’t like you much.

Why ever go to the cinema if you can just download or stream the film to watch at home? Why go to a pub if you can drink at home? Besides, how often do you really put aside the time to just listen without any distractions?

There’s something incredibly special about feeling the bass moving through your body, hearing the sound fill the space around you, and experiencing your favourite music in comfort, silently sharing the experience alongside other people. The combination of volume, the physicality of the low end and the darkness brings about a sort of meditative state.

Basically, don’t knock it until you’ve tried it.

Are your events really held in complete darkness?

We’ve allowed ourselves a tiny bit of poetic license here (we love alliteration). We turn out all the house lights at our events to get the room as dark as possible, but fire safety regulations mean we have to keep fire exit lights on. So, at most of our events, you’ll also receive a Pitchblack Playback eye mask in case you want to completely immerse yourself.

What happens at your events?

You grab a drink if you want one (although a few of our venues do not have bars), take your seat, kick back and relax. Before we start, we ask everyone to turn their phones to silent, to keep their phones in their pockets at all times, and to refrain from talking, whispering or singing.

We turn the lights out, play the album loud, in full, in the dark. And that’s it. Food is  available at some of our venues before and after the playback.

How do you play your music?

We play 16-bit or 24-bit uncompressed files. We NEVER play compressed lossy formats or streams (basically, we play the highest definition files we can find which give the most detailed and full sound). We use 24-bit files wherever possible at the highest available sample rate.

Aside from events where the album is available in a Dolby Atmos or 5.1 version (which we advertise as such), we ‘upmix’ stereo files to surround sound to make full use of the venue’s sound system and to create an immersive sound field. We love the effect that this creates as it means the music is coming from all around you rather than just from the front. It’s a different way to listen to music.

Songs You May Have Missed #830

No Te Va Gustar and Julieta Venegas: “Chau” (Live) (2019)

No Te Va Gustar (“You Won’t Like It”) might be the best band name of all time.

On the occasion of the Uruguayan band’s 25th anniversary they released Otras Canciones, an intimate, acoustic-leaning live performance album remixing their past material with help from plenty of guest stars.

“Chau”, featuring Latin pop legend Julieta Venegas, was a single that preceded the album’s release.

Don’t pass up the video. These guys are tight, the arrangement is punchy, and it’s a joy to watch pros like them and Venegas nail this live performance.

You will like it.

Lyric translation:

We were both looking at the sea
When the afternoon died
How our thing died I swear I didn’t know

I looked to my right
I saw you disappear
I screamed with all my might
And I noticed you couldn’t hear me

I stayed all night in the sand
I tried to make something worthwhile
I can’t get, change, or correct
What runs in my veins

Heart
Today don’t stop beating
You walked away one day
Now, you decided to come

It’s been more than a year and you’re not there
I would have given my life and so much more
Just to see you again

I couldn’t afford
to give in to your crying
I’m not going to open the wounds
Of having loved you so much

I listened, but I let it go
I remembered, how free I was
I can’t get, change, or correct
What runs in my veins

Heart
Today don’t stop beating
You walked away one day
Now, you decided to come

Heart
Today don’t stop beating
You walked away one day
And now, you decided to come

Heart
You walked away one day
Heart
You walked away one day
Heart

Bye

See also: Recommended Albums #101 | Every Moment Has A Song

See also: Songs You May Have Missed #755 | Every Moment Has A Song

See also: Songs You May Have Missed #842 | Every Moment Has A Song

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Recommended Albums #111

Lily Allen: West End Girl (2025)

Lily Allen returns after a seven-year musical hiatus with an emotionally direct–even blunt–breakup record.

In fact it’s so emotionally direct that we’ll make the editorial choice here of sparing you the more bruising (perhaps cringe-inducing) portions of the story, which details the demise of her relationship with American actor David Harbour.

The “palace” she refers to in multiple songs is a fairly accurate description of the house she and Harbour offered a tour of for Architectural Digest.

As a songwriter, Allen is gifted with an arch sense of humor that can mold even the emotional distress of a breakup into worthwhile entertainment, as she’s done on the highlights we include.

The parts of the album one imagines were difficult to write would also be difficult to listen to repeatedly, the pain being almost too real at times. But the musical hooks make the songs irresistible nonetheless.

Listening to the cheekily-titled highlight “4Chan Stan” is like walking in on a marital spat. Allen isn’t one to dress up pain in cliche, generality or indirect reference. The unflinching detail makes it real, immediate. It’s great songwriting, provided you have the stomach for it.

Allen has experienced tragedy and trauma of many types in her life, and it seems much of her best work was made as a response to it.

Here’s hoping there’s lots of great music ahead–informed by happier times rather than chaos.

Listen to: “4Chan Stan”

Listen to: “Nonmonogamummy”

Listen to: “Just Enough”

Listen to: “Dallas Major”

Listen to: “Fruityloop”

See also: Songs You May Have Missed #641 | Every Moment Has A Song

See also: Songs You May Have Missed #167 | Every Moment Has A Song

See also: Songs You May Have Missed #505 | Every Moment Has A Song

Songs You May Have Missed #829

Pet Shop Boys: “I Get Along” (2002)

One may speculate that the title of Pet Shop Boys’ 2002 Release album is a reference to letting go of hipness for maturity.

Certainly their electronic disco pop sound–the one that made them seem like trend setters across the two previous decades–is muted here.

And the record’s lyrics generally reflect a more experienced, worldly point of view.

Where their previous album or two had seen them growing a bit stale, Release shows them reinventing themselves a bit for a new decade. And as it turns out, some of their best work was ahead of them.

See also: Songs You May Have Missed #636 | Every Moment Has A Song

See also: Recommended Albums #12 | Every Moment Has A Song

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