Play Ball! Songs For the Start of Baseball Season

A few tunes to get you in the mood for baseball:

The Baseball Project: “Past Time”

From this baseball-loving supergroup’s first album, Frozen Ropes and Dying Quails:

Chuck Brodsky: “Letters in the Dirt”

About being a kid and believing in baseball heroes. The last couple lines might put a lump in your throat.

The Baseball Project: “Harvey Haddix”

A tribute to the Pirate who threw 12 perfect innings, only to lose the game in the 13th.

Chuck Brodsky: “Bonehead Merkle”

Amazing story of how the Giants lost the pennant in the strangest of ways in 1908.

The Baseball Project: “Don’t Call Them Twinkies”

Every baseball franchise should have an anthem this great written in its honor.

We don’t buy our titles/But we still won two World Series…

Pat Donohue: “Touch ‘Em All”

An homage to Kirby Puckett from Minnesotan Pat Donohue.

The Baseball Project: “Chin Music”

Like an old time counterculture sing-along, but with a valid point about wimpy modern baseball.

We’re gonna get high and inside

Bonus  Spoken Word Cuts:

Dan St. Paul: “The First Baseball Game”

Comedy bit from the Bob & Tom radio show.

Paul Schersten: “Ballpark Names Fail to Impress”

(from NPR’s All Things Considered)

Frank DeFord: “Aren’t We Tired of Watching the Pitch Count?”

(from NPR’s Morning Edition)

David Maraniss: Clemente: The Story of a True Baseball Hero

(from NPR’s Weekend Edition Sunday)

Don’t Like Pop Music at Baseball Games? Blame the Pirates

(Source: Rolling Stone)

High and Tight: Our Rock & Roll Baseball Experts Take On Pop Music at Ball Parks

Tom Morello, Scott Ian, Ben Gibbard and other rocker fanatics sound off on our national pastime

Seventy-one years ago last week, workers dragged an organ into Wrigley Field  before a Saturday afternoon contest between the Chicago Cubs and the St. Louis  Cardinals, hooked it up to the ballpark’s P.A. system — and for the first time  in major league history, fans were treated to organ music during a ballgame. The  concept quickly caught on throughout the majors, as other teams began hiring  their own organists; by the 1950s, live organ accompaniment had become as  integral to the ballpark experience as the aroma of hot dogs, peanut shells and  spilled beer. But in the late 1970s, contemporary pop music entered the  ballpark, and things got complicated.

Blame it on Sister Sledge — or rather, the Pittsburgh Pirates intern who  began spinning the group’s Nile Rodgers-produced disco hit “We Are Family” at  Three Rivers Stadium after every Bucs victory during the summer of 1979. Since  then, pop recordings have increasingly (and often jarringly) dominated the  soundscape at ballgames.

Read more: http://www.rollingstone.com/music/news/high-and-tight-our-rock-roll-baseball-experts-take-on-pop-music-at-ball-parks-20120502#ixzz1tljSLUCV