Did You Ever Realize…

The Beatles Discuss Abbey Road, Let It Be, and the Future of The Beatles in 1969-70 Interviews

An edit of Beatles interviews from 1969 to 1970. Each Beatle generally sounds positive and supportive of each others’ songs and solo projects, but also realistic about the business issues they had been going through.

They also seem surprisingly open to making more Beatles songs and albums in 1970 and beyond.

This audio seems to contradict a central myth of the Beatles that they made Abbey Road thinking it would be their last album.

01 John Lennon (Everett Is Here, September 1969) 0:00

02 Paul McCartney (Scene And Heard, September 1969) 0:31

03 George Harrison (Scene And Heard, October 1969) 11:42

04 John Lennon (Scene And Heard, October 1969) 22:23

05 John Lennon (Scene And Heard, February 1970) 26:55

06 George Harrison (Scene And Heard, March 1970) 30:31

07 Ringo Starr (Scene And Heard, March 1970) 36:23

08 George Harrison (The Beatles Today, March 1970) 38:33

Video of the Week: The Fab Faux Perform a Near-Perfect Abbey Road Side 2

Did You Ever Realize…

On This Day…The Beatles’ ‘Rubber Soul’

(via Thisdayinmusic.com)

Following a well deserved holiday, John, Paul, George and Ringo returned to the studios in mid October 1965, not only to record their next album but also a new single – their first double A-side “Day Tripper” and “We Can Work It Out. ”

During these sessions, The Beatles took a major artistic leap forward, and when Rubber Soul was released in Dec 65, it presented a new, growing Beatles to the world, with a stunning collection of songs which introduced a new direction, sophistication and depth. Talking about the recording many years later Paul McCartney said, “We smoked a bit of pot, the first time we’d ever done that. We normally didn’t smoke when we were working.”

Read more: The Beatles – Rubber Soul | This Day In Music

Quora: Who is Bungalow Bill in that Beatles song?

(via Quora) Answered by Jon Pennington

The real life inspiration for Bungalow Bill was a 27-year-old American man named Richard A. Cooke III (known as “Rik” for short). In 1968, Rik was in Rishikesh visiting his mother, Nancy Cooke de Herrera, a publicist for the Maharishi Mahesh Yogi. As the Maharishi’s publicist, Nancy would also serve as a liaison between the Maharishi and the Beatles, while the Beatles were learning Transcendental Meditation.

The actress Mia Farrow described Nancy’s arrival at the Maharishi’s ashram as follows:

A self-important middle-aged American woman arrived, moving a mountain of luggage into the brand-new private bungalow next to Maharishi’s…People fled this newcomer and no one was sorry when she left the ashram after a short time to go tiger hunting.

I can’t quite get a read on what the original motivation was for the tiger hunt. Some depictions I’ve read portray Nancy and Rik as two socialites who blithely jaunted off to go safari while in the middle of a shallow spiritual quest. Other depictions I’ve read say that an Indian guide, Avi Kohli, encouraged Rik to kill the tiger, because the tiger was endangering some elephants and might have even endangered some villagers too…

Read more: https://www.quora.com/Who-is-Bungalow-Bill-in-that-Beatles-song

Quora: What do you think of McCartney’s bass playing in Harrison’s “Something”? It seems to get mixed reviews.

(via (Quora) Answered by Jake Gerber, Musical Session Player

Put more succinctly : his playing is friggin BRILLIANT !!! I wish I was getting paid for this answer. In any event … I’ll commence with this. Anyone that doesn’t believe Paul put everything he had into Georges songs is mistaken. Paul took great pride in respect to everything he played. He upped the ante on three of George’s songs I can think of, two of which are on Abbey Road, the third on Revolver…

Paul’s playing on “ Something “ could be studied in a music theory class in university level. The first time you hear the song played through a proper playback system ( vinyl ) where you can actually hear the bass, you might think Paul was overplaying, there’s a lot of movement going on, and the songs a ballad which in popular music are rather restrained in respect to the bass lines, if indeed it even actually has a dedicated bass line per se…

Read more: https://www.quora.com/What-do-you-think-of-McCartneys-bass-playing-in-Harrisons-Something-It-seems-to-get-mixed-reviews

Quora: Why do people criticize Paul McCartney for writing the lyric “the movement you need is on your shoulder”?

(via Quora) Answered by Alex Johnston, Guitar & bass, BA Hons in music theory, tech and musicology

I’ll tell you why I do. And it’s a symptom of something which, for me, blemishes a good deal of the Beatles’ later work.

In general, I am very fond of ‘Hey Jude’ and consider it one of the best songs that McCartney ever wrote. I think that the cunning rhyme scheme really works, and the pleasingly laconic but warm-hearted lyric is one of the best the band ever had. And don’t even get me started on the music. It’s a lovely song.

However, when McCartney first played the song to Lennon, he hadn’t yet finished it.

The song has two bridge/middle eight sections, whatever you want to call them, which serve as a kind of alternative verse. The first one goes like this:

And anytime you feel the pain
Hey Jude, refrain
Don’t carry the world upon your shoulders
For well you know that it’s a fool
Who plays it cool
By making his world a little colder…

Read more: https://www.quora.com/Why-do-people-criticize-Paul-McCartney-for-writing-the-lyric-the-movement-you-need-is-on-your-shoulder

Quora: What Beatles song do you think was the pinnacle of their career and why?

(via Quora) Written by Mark Anater

For most bands this is an easy question. It’s their first hit, or their biggest hit, the one that gets the most airplay on radio or the most downloads. If you know that song, you pretty well know the band. For the Rolling Stones it’s Satisfaction. For the Who it’s My Generation. For Led Zeppelin it’s Stairway to Heaven.

But for the Beatles it’s not so easy. Maybe it’s I Want to Hold Your Hand, which started Beatlemania in the US and most of the rest of the world. Maybe it’s Yesterday, the first indication that they had larger artistic ambitions. Maybe it’s Strawberry Fields Forever, startlingly innovative and a huge departure from their previous sound…

Read more: https://www.quora.com/What-Beatles-song-do-you-think-was-the-pinnacle-of-their-career-and-why

 

Quora: Was Bob Dylan jealous of the mass appeal of the Beatles? (Part 2)

(via Quora) Written by Tony Sienzent

While I agree that Dylan was a restless artist following his own muse, there is no denying that he was totally captivated by The Beatles breakthrough hits in America, listening attentively to “I Want To Hold Your Hand” & “She Loves You (Yeah Yeah Yeah).”

Even though most of his purist folkie friends at Gerde’s Folk City club & The Gaslight & similar locations held their noses at this seemingly meaningless teenie-pop, with the exception of Roger McGuinn who went on to form the ‘American Beatles’ band The Byrds, Dylan privately said that The Beatles harmonies were outrageous & their chords made it all valid. He was very attentive & interested in the Beatlemania phenomena & resisted meeting them until Time Magazine gave him a cover, as they did The Beatles previously, so he would be accepted as an equal (and/or better)…

Read more: https://qr.ae/TWGQA4

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