‘I Had the Stroke, and It Was All Over’: Matthew Sweet’s Road to Recovery

(via msn) by David Browne

When one of his eyes doesn’t feel as if it’s wobbling up and down, or he doesn’t feel so depleted that he has to nap, Matthew Sweet still has moments of hope. Until last fall, one of the downstairs rooms in his Omaha, Nebraska, home was his music room, filled with guitars, a recording console, and assorted gear. But since he can no longer climb stairs for the foreseeable future, he now spends a good deal of his time in that room on a newly installed king-sized bed. What remains of his musical setup is still visible, reminders of a life and career on pause.

I guess I have a feeling that I will make music with all of it,” Sweet says, in his first interview eight months after he was rushed to a hospital. “In that way, it’s positive. It’s a vision of the time when I’ll be able to use everything. I don’t feel like it’s that far away. I don’t feel like it will be an impossible thing for me to write songs. Then again, I don’t really feel a burning desire to figure that out, because there’s just so much stuff making it difficult right now.”

For Sweet, 2024 was shaping up to be a reset. After several years off the road after the pandemic, the man who almost single-handedly kept power-pop alive had put together a new band and played shows in the spring. He was in the early stages of prepping his first album since 2021. In the fall, he started another round of gigs, this time opening for Hanson, whom he’s known and worked with for more than 20 years, and doing his own separate shows. “I really felt very positive about it,” he says. “I was doing two-hour-long acoustic shows playing songs from all during my career.”

Then, last Oct. 12, Sweet and his crew – his small acoustic band, his road manager – arrived at their hotel in Toronto. His tour with Hanson was into its second week, and Sweet had just driven up from the previous stop in Baltimore. As they were checking in, the singer, who had turned 60 a week before, felt a sensation he’d never experienced before. “The first thing I felt was really cool, like cold sweat,” he says. “And I remember saying to one of my band members, ‘Feel my arm. It’s freezing cold.’ Something wasn’t right.”

Slumping into a chair behind the front desk, Sweet began hearing what he calls “this kind of tinnitus, more like white noise, and that became really, really, really loud, in both my ears. And that’s the last thing I remember until I was in an ambulance and I heard a guy say, ‘Sir, you’ve had a stroke.'”

Read more: https://www.msn.com/en-us/music/news/i-had-the-stroke-and-it-was-all-over-matthew-sweet-s-road-to-recovery/ar-AA1GgSsD?ocid=entnewsntp&pc=DCTS&cvid=72d8308180d04407912e7af623b65a13&ei=58

See also: https://edcyphers.com/2025/03/17/songs-you-may-have-missed-768/

See also: https://edcyphers.com/2013/10/11/songs-you-may-have-missed-488/

See also: https://edcyphers.com/2013/06/20/songs-you-may-have-missed-430/

Songs You May Have Missed #768

Matthew Sweet: “If Time Permits” (1999)

It’s all big reverb, big drums and big emotion as Matthew Sweet closes out the 1990’s by acting like they never happened.

Sweet’s 1999 In Reverse album is an homage to all the things that made 60’s pop great: wall of sound production, backward guitars, psychedelia, overwrought lyrical sensibilities and most of all melody.

Oh, and Carol Kaye, the badass Wrecking Crew ace of bass herself, who’s part of that glorious wall of sound here.

It’s clear Sweet finds inspiration from Brian Wilson, the Beatles, Electric Light Orchestra and other purveyors of pop brilliance. But he also has the chops to make something new of it, something his own.

If more talented songwriters thought in reverse, we could all forget the 90’s happened.

See also: https://edcyphers.com/2013/10/11/songs-you-may-have-missed-488/

See also: https://edcyphers.com/2013/06/20/songs-you-may-have-missed-430/

Songs You May Have Missed #488

sweet 2

Matthew Sweet: “Time Capsule” (1993)

In his excellent and devastatingly funny piece Give Me Centrism or Give Me Death! (reprinted here) Chuck Klosterman examines the most accurately rated artists in music. His evaluation of Mathhew Sweet is as follows:

Every Matthew Sweet album has only one good song, and this good song is inevitably the first single, and this single is always utterly perfect (“Sick of Myself” off 100% Fun, “Where You Get Love” off Blue Sky on Mars, “Girlfriend” off Girlfriend, etc.). He sells enough albums to live comfortably, and that seems reasonable.

Funny, and not so far from my opinion of Sweet. “Time Capsule” is most certainly the highlight of 1993’s Altered Beast. Sweet is an artist to compile a homemade compilation of; the highlights may not come as often as you’d like, but they certainly make it worth checking out each new release.

See also: https://edcyphers.com/2013/06/20/songs-you-may-have-missed-430/

See also: https://edcyphers.com/2025/03/17/songs-you-may-have-missed-768/

Songs You May Have Missed #430

sweet

Matthew Sweet: “So Far” (2000)

The aptly-named Sweet breaks off a thick slab of tuneful power pop. If music were food, this would be dessert.

See also: https://edcyphers.com/2013/10/11/songs-you-may-have-missed-488/

See also: https://edcyphers.com/2025/03/17/songs-you-may-have-missed-768/

Recommended Albums #36

what the man saidcoming up

Various Artists: Listen to What the Man Said–Popular Artists Pay Tribute to the Music of Paul McCartney (2001)

Various Artists: Coming Up–Independent Artists Pay Tribute to the Music of Paul McCartney (2001)

These were the tribute albums that, more than any other, changed my mind about tribute albums. My thinking as a music consumer had been: if you really love an artist, why would you waste time listening to other artists cover that artist? And other than those made for a charitable cause, why would such albums be worth the money? Aren’t they just a poor man’s version of the original? I mean, the Beatles never recorded trib– oh wait. They kinda did. What were “A Taste of Honey”, “Anna”, “Twist and Shout”, or Lennon’s Rock and Roll album but tributes to artists they admired?

Anyway, I’ve come around about enjoying a reverent–or even an imaginatively different–version of a song I love. But basically it took an extraordinary tribute album–actually a pair of them–to begin that change for me.

Listen to What the Man Said is supposedly “popular” artists’ musical tributes to McCartney. It’s actually a mix of household names (Matthew Sweet, The Finn Brothers) and lesser-knowns (Owsley, The Merrymakers).

Coming Up, described as “independent” artists, is where it gets truly indie, with Kyf Brewer, Cliff Hillis, Phil Keaggy and others, most of whom I’d never heard of before owning this CD. If you’d assume the volume featuring the “popular” artists would be the only one worth having, you’d be wrong. Matthew Sweet and company do a fine job, but the indies are mostly unsung power pop heroes, and imitating the Beatles is what they do. Their hearts are in the project, and they turn in some great performances.

Best example: Cliff Hillis’ take on “This One”, a Flowers in the Dirt album track that, frankly, McCartney didn’t maximize the potential of. It’s rare to hear anyone improve on a Beatle’s version of his own song, but Hillis does so here. In other cases, it’s a fresh energy (Michael Carpenter’s “Getting Closer”) or added harmony layers (Linus of Hollywood’s “Warm and Beautiful”) or meatier guitars (“Maybe I’m Amazed” by Virgos Merlot) or a female lead vocal (“With a Little Luck” by The Masticators) that enable you to hear McCartney’s greatness with fresh ears.

These two CDs are out of print, but still to be found. If you’re a real fan of McCartney’s work, this is music worth owning.

Listen to: “Every Night” (Matthew Sweet)

Listen to: “Band On the Run” (Owsley)

Listen to: “This One” (Cliff Hillis)

Listen to: “Maybe I’m Amazed” (Virgos Merlot)

Listen to: “Getting Closer” (Michael Carpenter)

Listen to: “Somedays” (Phil Keaggy)