Video of the Week: Lyle Lovett’s Smokin’ “White Freightliner Blues”

Lyle Lovett and his Large Band performed a smokin’, solo-filled four-and-a-half minute version of Townes Van Zandt’s “White Freightliner Blues” on Austin City Limits. The song appears on Lyle’s new covers album, Release Me, which Lost Highway Records did this past Tuesday.

Nice to see the boys in suits and ties. Lyle’s Large Band have always epitomized class and musicianship.

One other thought: This song, true to its title, actually is a “blues”. More often than not an artist will tack the word “Blues” to the end of a song title when the song clearly isn’t.

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Video of the Week: Best Version of Bohemian Rhapsody Ever Played Inside a VW

On the one hand, it’s comic. On the other, it’s no joke–these guys have real chops. And it’s their obvious seriousness about the music that makes it all the more funny. This is one of those vids I feel I could watch every morning, just to get my day off right.

They are award-winning Finnish street band Porkka Playboys. Check out http://www.porkkaplayboys.com/ if you’ve also got a hankering to see Motorhead’s “Ace of Spades” performed in a sauna (naked of course).

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Video of the Week: Led Zep Mashup–The Howl of 80 “Black Dogs”

80 cover versions of Led Zeppelin’s “Black Dog”, stitched together by the Israeli mashup artist known as Kutiman. Individually, probably none would make for scintillating viewing. Together, they are pretty awesome.

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Video of the Week: Tom Waits and Cookie Monster Are Same Person

Tom Waits as the Cookie Monster singing, “God’s Away On Business”

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Video of the Week: Guitarist Randy Bachman Demystifies the Opening Chord of ‘A Hard Day’s Night’

https://www.youtube.com/watch?v=gwfH9oAiPH0

The following is reprinted from the website Open Culture:

You could call it the magical mystery chord. The opening clang of the Beatles’ 1964 hit, “A Hard Day’s Night,” is one of the most famous and distinctive sounds in rock and roll history, and yet for a long time no one could quite figure out what it was.

In this fascinating clip from the CBC radio show, Randy’s Vinyl Tap, the legendary Guess Who and Bachman-Turner Overdrive guitarist Randy Bachman unravels the mystery. The segment is from a special live performance, “Guitarology 101,” taped in front of an audience at the Glenn Gould Studio in Toronto back in January, 2010. As journalist Matthew McAndrew wrote, “the two-and-a-half hour event was as much an educational experience as it was a rock’n’roll concert.”

One highlight of the show was Bachman’s telling of his visit the previous year with Giles Martin, son of Beatles’ producer George Martin, at Abbey Road Studios. The younger Martin, who is now the official custodian of all the Beatles’ recordings, told Bachman he could listen to anything he wanted from the massive archive–anything at all.

Bachman chose to hear each track from the opening of “A Hard Day’s Night.” As it turns out, the sound is actually a combination of chords played simultaneously by George Harrison and John Lennon, along with a bass note by Paul McCartney. Bachman breaks it all down in an entertaining way in the audio clip above.

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Sunscreen Video

http://www.youtube.com/watch?v=Y_cLCkf3XxY&feature=player_detailpage

Quoting Wikipedia:

Wear Sunscreen or Sunscreen are the common names of an article titled “Advice, like youth, probably just wasted on the young” written by Mary Schmich and published in the Chicago Tribune as a column in 1997, but often erroneously attributed to a commencement speech by author Kurt Vonnegut. Both its subject and tone are similar to the 1927 poem “Desiderata”. In her introduction to the column, (Schmich) described it as the commencement speech she would give if she were asked to give one.

The column soon became the subject of an urban legend, in which it was alleged to be an MIT commencement speech given by author Kurt Vonnegut in that same year. Schmich’s column, in time, was well-received by Vonnegut. He told the New York Times, “What she wrote was funny, wise and charming, so I would have been proud had the words been mine.”

The essay was used in its entirety by Australian film director Baz Luhrmann on his 1998 album Something for Everybody, as “Everybody’s Free (To Wear Sunscreen)”. The song sampled Luhrmann’s remixed version of the song “Everybody’s Free (To Feel Good)” by Rozalla. Subsequently released as a single, the song opened with the words “Ladies and Gentlemen of the Class of ’99”.

It went to number 45 on the pop charts in 1999. I just thought it was worth revisiting if you haven’t seen or heard it lately.

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