Don’t Like Pop Music at Baseball Games? Blame the Pirates

(Source: Rolling Stone)

High and Tight: Our Rock & Roll Baseball Experts Take On Pop Music at Ball Parks

Tom Morello, Scott Ian, Ben Gibbard and other rocker fanatics sound off on our national pastime

Seventy-one years ago last week, workers dragged an organ into Wrigley Field  before a Saturday afternoon contest between the Chicago Cubs and the St. Louis  Cardinals, hooked it up to the ballpark’s P.A. system — and for the first time  in major league history, fans were treated to organ music during a ballgame. The  concept quickly caught on throughout the majors, as other teams began hiring  their own organists; by the 1950s, live organ accompaniment had become as  integral to the ballpark experience as the aroma of hot dogs, peanut shells and  spilled beer. But in the late 1970s, contemporary pop music entered the  ballpark, and things got complicated.

Blame it on Sister Sledge — or rather, the Pittsburgh Pirates intern who  began spinning the group’s Nile Rodgers-produced disco hit “We Are Family” at  Three Rivers Stadium after every Bucs victory during the summer of 1979. Since  then, pop recordings have increasingly (and often jarringly) dominated the  soundscape at ballgames.

Read more: http://www.rollingstone.com/music/news/high-and-tight-our-rock-roll-baseball-experts-take-on-pop-music-at-ball-parks-20120502#ixzz1tljSLUCV

Songs You May Have Missed #94

abba

ABBA: “My Love, My Life” (1977)

One of the great album tracks from ABBA’s strongest record, 1977’s Arrival. Never before or since ABBA has the sadness of marital disintegration been related in such bittersweet pop music. The lyric aches, the melody is pure resignation.

“Pop” music can, at its best, be fine art.

See also: https://edcyphers.com/2020/10/28/songs-you-may-have-missed-670/

See also: https://edcyphers.com/2021/11/12/songs-you-may-have-missed-717/

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Songs You May Have Missed #93

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Wes Cunningham: “Not Enough” (1998)

Singer-songwriter Wes Cunningham, born in the Philipines and raised in Texas, makes music that is simultaneously left-of-center and accessible, straddling the border of “alternative” (whatever that is) and power pop. His kitchen sink approach keeps it interesting: he raps in Spanish in one song, goes on a cheesy elevator muzak bossa nova detour on another. “Not Enough”, typically, includes a pseudo-salsa piano break and mariachi horns. It should be a mess, but somehow it works–the song’s unconventional arrangement only lends it greater immediacy.

“Not Enough” is from Wes’ first album, 12 Ways to Win People to Your Way of Thinking. With 2001’s Pollyanna, the angst of the first record was replaced by a newfound blissed-out romantic vibe–clearly the album was inspired by a blossoming love affair. The pop songwriting instincts, though, remained.

I’d love to hear more from Wes, who no longer seems to have major label distribution.

See also: https://edcyphers.com/2013/07/10/songs-you-may-have-missed-445/

Erato’s Unique Arrangement of Robyn’s “Call Your Girlfriend”

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Wedding-As-Amateur-Performance Strikes Again: Roger and Olga

Roger Pagoda surprised his bride Olga (a Carnegie Mellon University graduate) with this song during their wedding ceremony. It has gone viral, thanks to promotion through Justin Bieber’s YouTube channel.

(4/29/2012)
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My two cents? I think as a general rule anything you do at your wedding ceremony that reduces the officiant to an awkward spectator and unwitting YouTube co-star is a bad idea.

What do you think?

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