The Sad, Gradual Decline of the Fade-Out in Popular Music

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(Via Slate Music)

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The once-ubiquitous, but tragically underappreciated fade-out in music appears to be near its end. And like a classic example of itself, the decline has been long, gradual, and barely noticed.

The fade-out—the technique of ending a song with a slow decrease in volume over its last few seconds—became common in the 1950s and ruled for three decades. Among the year-end top 10 songs for 1985, there’s not one cold ending. But it’s been on the downturn since the ’90s, and the past few years have been particularly unkind. The year-end top 10 lists for 2011, 2012, and 2013 yield a total of one fade-out, Robin Thicke’s purposely retro “Blurred Lines.” Not since the ’50s have we had such a paucity of fade-out songs.

Read more: http://www.slate.com/articles/arts/music_box/2014/09/the_fade_out_in_pop_music_why_don_t_modern_pop_songs_end_by_slowly_reducing.html

Video of the Week: Misheard Song Lyrics–2000’s Edition

Club House: ‘Do It Again/Billie Jean’

http://www.youtube.com/watch?v=OZjvlTCHPC8

Perhaps you’re unfortunate enough to remember this ill-advised musical pairing from 1983. Italian disco studio group Club House hit number 75 on the American pop charts with this Steely Dan-Michael Jackson mashup/medley.

What else could we expect from the decade which brought us inferior versions of “(There’s) Always Something There to Remind Me”, “Lean On Me”, “Bang a Gong (Get it On)”, “Baby I Love Your Way”, “I Think We’re Alone Now” and even “Funkytown”?

Video of the Week: Folsom Pinball Blues

Bill Kirchen, formerly of Commander Cody and the Lost Planet Airmen, cleverly mashing up Johnny Cash’s “Folsom Prison Blues” with The Who’s “Pinball Wizard”.

Video of the Week: Joe Walsh Tears Up ‘Funk #49’

Songs You May Have Missed #517

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Dan Wilson: “Love Without Fear” (2014)

Semisonic front man and main songwriter Dan Wilson’s creative and commercial peak may be a couple decades in the rear view at this point, but he can still turn an appealing melody and lyric phrase. Actually, his writing always seemed a bit “mature” for the grunge-influenced era of Semisonic’s peak anyway, so it fits nicely into the AOR slot which will inevitably be the market for his latest solo LP.

His too-infrequent releases always find welcome where melodic, coherent and heartfelt music is still appreciated.

Do check out the other recommendations below. Semisonic’s Great Divide is truly one of the most unjustly overlooked albums of the 1990’s.

See also: https://edcyphers.com/2013/08/09/songs-you-may-have-missed-457/

See also: https://edcyphers.com/2013/06/23/recommended-albums-50/

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