Desperate to get their music on the radio at all costs, record labels are employing powerful software to artificially sweeten it, polish it, make it louder— squeezing out the last drops of its individuality
(via Cuepoint)
There was once a little-watched video on Maroon 5’s YouTube channel which documents the tortuous, tedious process of crafting an instantly-forgettable mainstream radio hit.
It’s fourteen minutes of elegantly dishevelled chaps sitting in leather sofas, playing $15,000 vintage guitars next to $200,000 studio consoles, staring at notepads and endlessly discussing how little they like the track (called “Makes Me Wonder”), and how it doesn’t have a chorus. Even edited down, the tedium is mind-boggling as they play the same lame riff over and over and over again. At one point, singer Adam Levine says: “I’m sick of trying to engineer songs to be hits.” But that’s exactly what he proceeds to do.
Read more: https://medium.com/cuepoint/why-do-all-records-sound-the-same-830ba863203