Songs You May Have Missed #792

The Decemberists: “O Valencia!” (2007)

“Hyper-literate” is an adjective often applied to songwriter Colin Meloy of the Decemberists. And his eclectic influences include British murder ballads, 70’s power-chord prog rock, the Civil War, sea shanties, Japanese folk tales and much more in between.

Meloy definitely favors the “archaic” entries in his well-thumbed thesaurus, giving his ambitious writing a distinct sepia tint beyond the linguistic reach of most writers. But it’s the ability to make all this accessible to the pop music ear that is the true genius of the man.

His hyperliteracy fuses with hyper-catchy pop sensibilities here as Meloy threatens to “burn this whole city down”–in the most appealing pop rock way.

Songs You May Have Missed #791

Mick Flannery & Susan O’Neill: “Baby Talk” (2021)

Irish singer and songwriter Mick Flannery’s successful collaboration with Susan O’Neill (herself an up-and-coming Irish songwriter) on this song grew into a full album of duets between the two.

Flannery’s rootsy sound and sorrowful songwriting find a sympathetic match in O’Neill’s vocals, which approximate a wounded Stevie Nicks vibe here.

No less than three of Flannery’s albums have reached number one in his native Ireland, where he’s one of that country’s most acclaimed songwriters.

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Songs You May Have Missed #790

Stackridge: “Do the Stanley” (1973)

If Monty Python’s Flying Circus had been a progressive folk-rock band…

Meet southwest England’s Stackridge, the band who had the distinction of being both the opening and closing act at the first Glastonbury Festival in September of 1970.

Their singular, quirky stylings sound a bit like a musical bridge between the Kinks’ more lighthearted fare and 10cc.

Their songs–full of odd twists, unexpected instrumentation and crackbrain vocal extemporizing–are the musical equivalent of an untidy rummage sale.

A fun one.

The one-off single “Do the Stanley” could have been a UK hit. But it wasn’t.

Seems the BBC, uptight about a lyrical reference to the Queen, restricted airplay for “Stanley”.

In any case, one can’t quite imagine hearing it (or any other Stackridge tune, actually) alongside “Take it Easy” and “25 or 6 to 4” on American radio in 2025 or 1973.

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