Songs You May Have Missed #838

Carla Morrison: “Diamantes” (2022)

Mexican-born Carla Morrison is a gifted singer-songwriter and sought-after collaborator who won Latin Grammys for Best Alternative Music Album and Best Alternative Song (twice).

Her El Renacimiento LP marked a 2022 return from musical hiatus and was her first LP in 6 years.

Morrison’s list of collaborative partners reads like a Who’s Who of Latin legends, including Ricky Martin, Karol G, Natalia Lafourcade, Juan Gabriel, Kenia Os and J Balvin.

Lyric translation:

Diamantes (Diamonds)

Despertar junto a ti To wake up next to you

Es ya no tener miedo Is not to fear anymore

A tanto desconsuelo All that grief

Que una vez tuve en mí Once I had in me

Soñar junto a ti To dream next to you

Es volver a creer Is to believe again

Lo que sueños prometen In what dreams promise

Ahora que estás aquí Now that you are here

Y no puedo ocultar And I can´t hide

Como me haces brillar How you make me shine

Floto y puedo volar I float and can fly

(y ahora que estás aquí) (and now that you are here)

Ahora puedo entender Now I can understand

Que en tu esencia encontré That in your essence I found

El sentido a mi caminar The meaning of my journey

(y ahora que estás aquí) (and now that you are here)

Que rico es encontrarte How rich is to find you

Son tus besos, diamantes Your kisses are diamonds

Que cuelgan en mi cuello, radiante That hang from my neck, radiant

Me veo con tanto amor I see myself with so much love

Que tú me regalaste That you gave me

Sentarme junto a ti To sit next to you

Es toda una proeza It’s such an achievement

Mis versos manifiestan My verses manifest

Deleitas tanto en mí You delight so much in me

Dormir junto a ti To sleep next to you

Es aceptar que si muero Is to accept that if I die

Seré feliz sabiendo I will be happy knowing

Que sí te conocí That I did know you

Y no puedo ocultar And I cannot hide

Como me haces brillar How you make me shine

Floto y puedo volar I float and I can fly

(y ahora que estás aquí) (and now that you are here)

Que ya puedo entender That now I can understand

Que es amar y perder What it is to love and lose

Y en tus ojos veo eternidad And in your eyes I see eternity

(y ahora que estás aquí) (and now that you are here)

Que rico es encontrarte How rich is to find you

Son tus besos, diamantes Your kisses are diamonds

Que cuelgan en mi cuello, radiante That hang from my neck, radiant

Me veo con tanto amor I see myself with so much love

Que tú me regalaste That you gave me

Me devolviste la flor You gave back to me the flower

Que alguien un día me robó That once someone stole away from me

Contigo todo es mejor With you everything is better

Cada sonrisa, cada emoción Every smile, every emotion

(y ahora que estás aquí) (and now that you are here)

Que rico es encontrarte How rich is to find you

Son tus besos, diamantes Your kisses are diamonds

Que cuelgan en mi cuello, radiante That hang from my neck, radiant

Me veo con tanto amor I see myself with so much love

Que tú me regalaste That you gave me

Que rico es encontrarte How rich is to find you

Son tus besos, diamantes Your kisses are diamonds

Que cuelgan en mi cuello, radiante That hang from my neck, radiant

Me veo con tanto amor I see myself with so much love

Que tú me regalaste That you gave me

Video of the Week: Elvis Costello & The Attractions–“Pump it Up” Live in ’78

Musical genius met punk rock energy in Elvis Costello & The Attractions.

Behind the blistering recordings and brutal performances was songwriting as clever and calculated as anyone’s.

“Thinking man’s punk”.

Video of the Week: The Ten Most Disappointing Albums Ever

Songs You May Have Missed #837

Herman’s Hermits: “Sleepy Joe” (1968)

I’ve been meaning to tell you about a very special song. It’s very old, very obscure, and very English. It was cherished by my dad and, three generations later, a favorite of my granddaughter.

When I was about four years old, my dad’s 45 collection contained my two favorite songs. Unfortunately, my small but growing assortment of singles and LP’s did not.

Christmas day, with a new 45 record case from Santa

My dad, who preferred putting a stack of albums on the turntable (yeah, I know–but everybody did it back then) did not regularly want to break out the 45’s, which obviously required more frequent attention.

So I nagged him with regularity to hear the Cowsills’ “Indian Lake” and Herman’s Hermits’ “Sleepy Joe”.

And once in a while he relented and busted out the little records with the big holes.

“Sleepy Joe” is just the type of song that was about to go out of style in ’68, and perhaps had already done so in the US.

Despite reaching #4 in New Zealand, #9 in Canada and Ireland, #10 in Norway, #12 in the UK, #17 in Sweden et cetera, the song only peaked at #61 in the US, and was the last of the band’s songs to even reach the top 100 here.

So in June of 2023 when I took my musically eclectic, oldies-informed 5-year-old granddaughter to see Peter Noone and (a version of) Herman’s Hermits, I let her know up front we’d probably not hear “Sleepy Joe”. She was not pleased. She loved the song as much as I had at her age.

Peter Noone sang all the other hits of course, and even gave us unexpected cover versions of songs like “Daydream Believer”, which was one of our favorite car trip sing-alongs.

It was a terrific show and my granddaughter’s joy as she sang along, her face lit up at seeing a live performance by the guy she’d only seen in YouTube videos, was exceeded only by my own.

Peter Noone is the consummate entertainer, and always recognizes his younger fans at his shows. And he actually paused his performance to give a certain starstruck young fan an autographed t-shirt and CD:

Then at a post-concert meet and greet in the lobby, of course my granddaughter wanted to join the line.

Despite it being well past her bedtime with a long drive home ahead, she insisted on speaking with her musical hero. She had a question for the gregarious Hermit.

“Why no ‘Sleepy Joe’?”, she asked.

Peter gave the response I expected, which is to say he didn’t believe many people in America knew that song.

But learning it was a favorite of hers, he offered to sing an impromptu a cappella verse of the song for her there in the lobby while a line of fans watched, not seeming to mind a bit.

Amazing. Unforgettable.

There are lots of reasons why Peter Noone still has a large, loyal following 60 years after his group’s songs were hits–why he still headlines shows rather than simply being part of a nostalgia package tour with four other acts.

I’d submit one reason is that Herman’s Hermits had a lot more hits than most realize. And Noone’s shows bring back one feel-good memory after another.

It’s the wide-eyed innocence of songs like “I’m Into Something Good”, “Can’t You Hear My Heartbeat” and “There’s a Kind of Hush”. It’s the cheeky British charm of “I’m Henry the VIII, I Am” and the Mancunian “Mrs. Brown You’ve Got a Lovely Daughter”.

And the pathos of a ballad like “No Milk Today”, written by Graham Gouldman, with arrangement by John Paul Jones–a minor pop masterpiece.

But as much as anything, the concert venues still fill for Peter Noone because he knows how to make his fans–especially the youngest ones–feel special.

Whether it’s a 5-year-old in 1969 or a 5-year-old in 2023.

See also: Songs You May Have Missed #728 | Every Moment Has A Song

Songs You May Have Missed #836

Pictures and Sound: “Every War” (2008)

From 2008 but this Luke Reynolds tune, with Willie guesting, literally could have been written yesterday. Or tomorrow.

See also: Songs You May Have Missed #145 | Every Moment Has A Song

See also: Songs You May Have Missed #12 | Every Moment Has A Song

Songs You May Have Missed #835

Maddy Prior: “Salisbury Plain” (2003)

Maddy Prior, revered and decorated lead lady of stalwart folk rock icons Steeleye Span, has compiled an impressive legacy as a solo artist as well.

Having previously explored Arthurian history, myth and legend with her 2001 Arthur the King LP, in 2003 Prior offered up Lionhearts, a song cycle set in the time of Richard I and Eleanor of Aquitaine.

“Salisbury Plain” is just the kind of tale she’s regaled fans of Britfolk with since 1969 or so.

In Prior’s words, it’s “a timeless story of a young man who believes he has to have money to keep his young lady happy”.

Troy Donockley’s low whistle adds an appropriate accent of mournful melancholy.

The Lord have mercy on his poor soul/For I think I hear the death bell toll

See also: Songs You May Have Missed #785 | Every Moment Has A Song

See also: Songs You May Have Missed #718 | Every Moment Has A Song

See also: Songs You May Have Missed #200 | Every Moment Has A Song

See also: Recommended Albums #47 | Every Moment Has A Song

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