Steely Dan’s “Aja”: Eight Minutes of Genius

(Reprinted from CultureSonar)

steely danSteely Dan is known for jazz-influenced arrangements, quirky lyrics, and pristine production.  Even non-fans recognize the brilliance of their 1977 album, Aja. For many music lovers, it’s their first choice for a late night listen accompanied by iced Manhattans. Audiophiles use it to audition high end stereo speakers. Jazz purists discuss its intricacies with classic rock veterans.

Donald Fagen and Walter Becker had formed Steely Dan as a band in the early seventies, serving as the group’s principal songwriters. They combined their love of rhythm and blues with their deep appreciation of jazz. They weren’t a rock band with horns or a jazz fusion band. Steely Dan was something different and unique — a rock band that used jazz harmonies.

By the time of Aja, Fagen and Becker were the only permanent band members (although original guitarist Denny Dias often appeared as a guest). They supplemented their instruments with the best session players in New York and Los Angeles. Their jazz rock sound, with hardly a traditional major or minor chord in sight, was recorded with the utmost care thanks to the work of producer Gary Katz and engineer Roger Nichols…

Read more: http://culturesonar.com/steely-dans-aja-eight-minutes-genius/

GET YOUR ASHES PRESSED INTO VINYL WHEN YOU DIE

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(Reprinted from The International Society of Music Snobs & Elitists)

It is the most that a vinyl obsessed person can do;  die and have his remains pressed into vinyl.  It is, in fact, the obsession becoming complete, when the obsessee becomes the obsessed.

The company And Vinyly is offering this dream come true for vinyl enthusiasts.  They actually will take your ashes and press them into vinyl so you can actually become a record.  They offer a few different packages and, like an album, you get two sides to get your message across, albeit each side is only 12 minutes long…

Read more: http://www.intlmusicsnobs.com/post/56526679881/get-your-ashes-pressed-into-vinyl-when-you-die

How Pop Was Born In West Africa

(Reprinted from Culture Sonar) by Ken Hymes

(Everything I am about to tell you is boiled down. Exceptions abound, I can’t tell the whole story in a few hundred words, and music is so big and complex that it wouldn’t be hard to find another angle on this. But I want to point out the way our ideas about music were deeply shaped by African culture, beyond rhythms and “blues scales.”)

If you love blues, classic rock, jazz, or modern pop, you owe a debt to West African stringed instruments. Here’s why…

Read more: http://culturesonar.com/pop-born-in-west-africa/

10 Hidden Images on Album Covers

(via mental floss)

by Rudie Obias

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4. Def Leppard // Retro Active

Def Leppard’s Retro Active features a 19th century woman sitting at a dressing table staring at a mirror. If you look at the cover at a distance, you can see a skull made up of the woman and her reflection. Artist Charles Allan Gilbert’s 1892 painting All is Vanity was Def Leppard’s inspiration for the album cover.

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8. Harry Nilsson & John Lennon // Pussy Cats

Recording artist Harry Nilsson teamed up with John Lennon to produce Pussy Cats in 1974. The album cover features a rug under a table with two block letters—”D” and “S”—flanking it.  If you sound out the puzzle, it reads, “D-rug-S” or specifically, “Drugs under the table.” This was an inside joke during Lennon’s “Lost Weekend” era, a drunken and drug-fueled 18 month period between 1973 and 1975.

Read more: http://mentalfloss.com/article/58886/10-hidden-images-album-covers

That awesome time in 1975 when there was a giant Alice Cooper balloon

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(via Dangerous Minds)

http://dangerousminds.net/comments/that_awesome_time_in_1975_when_there_was_a_giant_alice_cooper_balloon

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Also…

Love it to death: Alice Cooper’s original guillotine ‘headed’ to auction

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http://dangerousminds.net/comments/love_it_to_death_alice_coopers_original_guillotine_headed_to_auction

10 Hours that Changed EVERYTHING

(via CultureSonar)

It was a slow song, in the style of a plaintive Roy Orbison ballad. The band started to record it; but the producer wasn’t feeling it. He advised the band to pick up the tempo, and to add a hooky instrumental bit at the beginning.

Fortunately, the band listened to the grownup in the room.

John Lennon grabbed his harmonica. Ringo kicked up the tempo. “Please Please Me,” The Beatles’ first #1 single (in the UK) was born – and a bond between the band and George Martin was forged.

What would have happened if the lads insisted on doing it their way?

Read more: http://culturesonar.com/10-hours-that-changed-everything/

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