11 Problems Music Can Solve

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(via mental floss)

by Jessica Hullinger

Music is a splendid thing. It can cheer you up when you’re sad, make you dance like a fool, and allow you to drown out the world when you need to. But music has its scientific uses, too. The documentary Alive Inside details how dementia patients react positively when given iPods filled with their old favorite songs. The music seems to help them “come alive” again. While listening to familiar songs, many of the documentary’s patients can sing along, answer questions about their past, and even carry on brief conversations with others.

“Music imprints itself on the brain deeper than any other human experience,” says neurologist Oliver Sacks, who appears in the film. “Music evokes emotion, and emotion can bring with it memory.”

The documentary follows recent studies showing that music can improve the memories of dementia patients, and even help them develop new memories.

Here, a look at some other things music has been known to “cure”:

1. Low Birth Weight

Babies born too early often require extended stays in the hospital to help them gain weight and strength. To help facilitate this process, many hospitals turn to music. A team of Canadian researchers found that playing music to preemies reduced their pain levels and encouraged better feeding habits, which in turn helped with weight-gain. Hospitals use musical instruments to mimic the sounds of a mother’s heartbeat and womb to lull premature babies to sleep. Researchers also say that playing calming Mozart to premature infants significantly reduces the amount of energy they expend, which allows them gain weight.

It “makes you wonder whether neonatal intensive care units should consider music exposure as standard practice for at-risk infants,” says Dr. Nestor Lopez-Duran at child-psych.org.

2. Droopy Plants

If music helps babies grow, can it do the same thing for plants? Dorothy Retallack says yes. She wrote a book in 1973 called The Sound of Music and Plants, which detailed the effects of music on plant growth. Retallack played rock music to one group of plants and easy listening music to another, identical group. At the end of the study, the ‘easy listening’ plants were uniform in size, full and green, and were even leaning toward the source of the music. The rock music plants had grown tall, but they were droopy, with faded leaves, and were leaning away from the radio.

Read more: http://mentalfloss.com/article/30649/11-problems-music-can-solve

Three Partridge Family Mini-Documentaries

“I Think I Love You” outsold the Beatles’ “Let it Be” and Simon & Garfunkel’s “Bridge Over Troubled Water” in 1970 for a very good reason: it too was a great song.

The Partridge Family brought not only high-quality bubblegum music into American households in the early 70’s, but plenty of moral lessons (“You can’t expect to go through life having things given to you, you have to work for what you really want”, “We never quite outgrow making mistakes”, “Almost everything we know is learned by trial an error”, “Tracy, don’t put that drumstick up your nose!”)

Enjoy the stories of the hits, the misses (that kid who played Chris for one season) the bloopers, the singers behind the singers, and the family behind the family.

There was nothing better than being together–until the network puts you in a Saturday evening time slot opposite All in the Family and chokes out your ratings…

Elements of Great Songwriting: Know When to Start with the Chorus

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When the Average White Band moved from the MCA record label to Atlantic in the early 70’s, they brought with them the master tapes of their second album, which MCA had opted not to release.

Jerry Wexler was eager to sign the band to Atlantic, but thought the rejected album needed a tweak before he released it on his label. The band and producer Arif Mardin replaced a couple tunes with stronger ones. They also re-worked other tracks to bolster commercial appeal.

One of these was “Got the Love”, and its two versions make the perfect case for why a song which starts with a chorus can often draw a listener in more effectively.

Listen to the earlier version of the song:

Despite a relatively irresistible white-boys-on-funk intro, the song takes about 1:12 to get to its chorus hook.

The re-recorded version, released on their #1 AWB album in 1974, gets to that hook within 20 seconds, and by 1:12 you’re hearing it for a second time.

A good songwriter–or producer–will know when and when not to come out of the gate with a chorus instead of setting it up with a verse or two. Once you start listening for such songs, you’ll find that there are plenty of examples in all genres. Here are a few that come to mind:

A Portrait of Michael Jackson at 50: A Sad and Ruined Life Nearing its End

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The above image is thought to be what Michael Jackson would have looked like at age 50 without surgery, extrapolated by experts using childhood photos.

The below article appeared on the UK Daily Mail site on August 28, 2008, less than a year prior to Michael Jackson’s death. It carries additional impact with the perspective of subsequent events (i.e. Jackson was preparing his This is It comeback concert series at the time of his death).

In one sense, Jackson wasn’t quite finished as a performer after all. In another, he was closer to the end than even the writer imagined.

by J Randy Taraborrelli for MailOnline

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A middle-aged man wearing pyjamas is being pushed in a wheelchair down a sidewalk by an assistant. He is gaunt and frail-looking. His skin seems to be peeling. His fingernails are a sickening shade of yellow-brown.

Beneath a red Marines baseball cap a surgical mask is visible, covering the bottom half of his face. A pair of large sunglasses shield the top.

Three children walk ahead – two boys and a girl. All seem happy and look adorable in colourful clothing. Their baseball caps do not seem a deliberate attempt to shield their faces.

‘Slow down,’ the man commands in a hoarse whisper, but the children ignore him and quickly cross the street to stand in front of a bookshop.

When the man in the wheelchair finally catches up, one of the children dutifully holds the door open as he is wheeled inside.

‘Thank you,’ he mutters weakly. All seems calm, but then – just as the children are about to follow the man into the shop – a stranger approaches the smallest of them.

‘Was that…?’ she begins to ask. The boy is about to answer, when a large man steps between them.

‘No. That was not,’ he says, taking the boy by the hand and rushing him inside. But, just before the door swings closed, the young boy turns to his inquisitor, smiles broadly and mouths just two words: Michael Jackson.

Welcome to the very sad world of Wacko Jacko. The scene I’ve just described is typical of what goes on in his life almost every day in Las Vegas, Nevada, where he now resides…

Read more: http://www.dailymail.co.uk/tvshowbiz/article-1050082/As-turns-50-Michael-Jackson-really-look-like.html#ixzz3wiawnoQX

The Deservedly Short Pop Career of Ricky Gervais

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Ricky Gervais, host of this year’s Golden Globe Awards, is the comedic writer and actor who created, among other stellar TV shows, the original British The Office documentary-style sitcom, which in turn spawned 9 seasons of an American cash in adaptation.

But few fans on this side of the pond (or probably on the other, for that matter) realize he was a failed 80’s would-be pop star.

seonaIn 1983, while attending University College of London Gervais and friend Bill Macrae formed Bowie-esque synth duo Seona Dancing and released two singles on London Records.

The group split in 1984 after neither “More to Lose” or “Bitter Heart” cracked the British top 40.

But then something weird happened. According to Wikipedia:

In 1985, DWRT-FM (then known as 99.5 RT, now 99.5 Play FM), a radio station in Metro Manila, Philippines, started playing a song billed as “Fade” by Medium (also billed as “Medium” by Fade). DWRT-FM deliberately misnamed the artist and song title to prevent anyone from finding the record and playing it themselves. Additionally, to stop other radio stations from recording it and playing it, DWRT-FM inserted a station ID midway through the track. A year later, another radio station, DWXB-102, revealed the true identity of the song as “More to Lose” by Seona Dancing.[1]

The song, which utilises an opening piano riff to convey the sound of falling teardrops, became a major radio and club hit as well as a favourite at high-school dances during the 1980s and beyond. AllMusic critic Michael Sutton wrote that the track was “the theme song of angst-ridden New Wave youths in the Philippines” and “an ’80s anthem as ubiquitous as Peter Gabriel’s ‘In Your Eyes’, but with the eternal hipster cool of Joy Division’s ‘Love Will Tear Us Apart’.”

And as for “Bitter Heart”, despite its poor showing as a pop single it too had a second life of sorts.

Fans of the original Office may remember David Brent’s ridiculous dance, when he “sort of fused Flashdance with MC Hammer shit”. But the accompaniment seems to be the riff from none other than “Bitter Heart”.

After the demise of Seona Dancing, Gervais managed other pop bands in the late 80’s for a spell before landing on London’s alternative XFM radio station, where he met and hosted a Saturday afternoon radio show with Stephen Merchant, with whom he co-wrote and directed the work for which he’s best known, The Office, which has been remade in  Sweden, France, Germany, Quebec, Brazil and, of course, the United States.

But if you’ve never seen the original with Gervais himself playing the part of obnoxious and delusional boss David Brent, do check it out.

Seona Dancing comes slighly less recommended.

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The Time John Fogerty Was Sued for Ripping Off John Fogerty

fogerty

(via mental floss)

by Ethan Trex)

In 1993, former Creedence Clearwater Revival singer John Fogerty found himself at the center of a case being argued before the United States Supreme Court. The country’s highest court wasn’t debating whether Bayou Country or Green River was the superior CCR album. Instead, Fogerty was in the middle of an important, somewhat obscure corner of copyright law.

The seeds for Fogerty’s day in court traced back 23 years to 1970. That April, CCR released the Fogerty-penned “Run Through the Jungle” as a single that would eventually be certified gold by the RIAA.

“Run Through the Jungle” is a solid tune, but it didn’t really grab headlines until 1985 when Fogerty released a solo track called “The Old Man Down the Road.”

“The Old Man Down the Road” is a pretty nice song, too; it even cracked the top 10 on the singles charts. One person wasn’t a fan, though. Saul Zaentz, who owned CCR’s old label Fantasy Records, also owned the copyright to “Run Through the Jungle.” Zaentz felt that “The Old Man Down the Road” was simply “Run Through the Jungle” with different words. In other words, John Fogerty had plagiarized a John Fogerty song to which he didn’t own the copyright.

Zaentz felt he had a case, so he sued Forgerty in federal court for copyright infringement…

Read more: http://mentalfloss.com/article/27501/time-john-fogerty-was-sued-ripping-john-fogerty

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