Songs You May Have Missed #245

Satellite: “I Want You to Know” (2009)

Polish neo-prog band Satellite make a tidy, polished-sounding (if you will) brand of reflective rock–contemplation being something a lot of the better prog can induce in its listener.

The band’s first three albums could be seen as a loose trilogy dealing with day, evening and night. They were a little more challenging musically than 2009’s Nostalgia, which seems to aim at a more mainstream, commercial sound. It’s a move in a good direction in my opinion; it doesn’t matter what you have to say or how great the musicianship you display in saying it unless you make your listener want to press the “repeat” button.

“I Want You to Know” touches on the album’s overall theme of nostalgia, the seductive yearnings of “empty rooms left too soon” and things “gone with a tide”, then gives you a few minutes’ instrumental passage to dwell on it before summing up with the sentiment “just have to stop believing in yesterday”. This isn’t life-altering, groundbreaking, mind-blowing prog. Just the competent and very appealing kind.

Songs You May Have Missed #244

Trombo Combo: “Min Mor Sa Till Mig” (2006)

Sweden’s Trombo Combo issued one album, Swedish Sound Deluxe, a breezy collection of covers with a 50’s-60’s lounge vibe and a smooth bossa nova/easy listening sound. Some of the songs (Bowie’s “Let’s Dance”, Britney’s “…Baby One More Time”, Europe’s “The Final Countdown”) were hits in America. Others, like “Min Mor Sa Till Mig” were covers of Swedish hits.

So, while to a Swedish audience this probably sounds like a cool (or cheesy) re-working in the mode of Max Raabe, to American ears it’s just a cool (or cheesy) easy listening bossa nova.

Songs You May Have Missed #243

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Grand Archives: “Orange Juice” (2008)

Matt Brooke split from Band of Horses in 2006 and formed Seattle band Grand Archives. “Orange Juice” is a short, sweet postscript from their first album.

Songs You May Have Missed #242

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Jethro Tull: “Moths” (1978)

From one of the least talked-about Jethro Tull albums, 1978’s Heavy Horses, comes this little gem. Fresh off the masterpiece that was Songs From the Wood, Ian Anderson brought that album’s folk leanings to another pastoral set of songs with the English countryside as its focus.

“Moths” is both an ode to making love on a May evening and a reminder of the fleeting nature of life’s ecstatic moments.

See also: https://edcyphers.com/2013/02/24/songs-you-may-have-missed-340/

See also: https://edcyphers.com/2025/03/30/songs-you-may-have-missed-772/

See also: https://edcyphers.com/2025/07/12/recommended-albums-100/

Songs You May Have Missed #241

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Fleet Foxes: “Mykonos” (2008)

Seattle’s Fleet Foxes love to dip their baroque pop into a vat of thick reverb to give it a portentous sound that imitates sacred music, then coat it with rich harmonies. The results can be gorgeous and otherworldly. Another hallmark of the band is songs that veer off in unexpected directions as this one does.

“Mykonos” is from their first release, the Sun Giant EP. Although it was seen as a mere run-up to their full-length debut, and their third release topped the album chart in 2011, this enchanting track is, to my ears, their high-water mark thus far.

This song, along with others I’ve posted about by Tyler Ramsey and My Morning Jacket (below) evoke Neil Young’s most mystical and beguiling work.

Tyler Ramsey: “Stay Gone”:

My Morning Jacket: “Golden”:

Songs You May Have Missed #240

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Doug Powell: “This Lion’s Lamb” (1996)

From Powell’s debut Ballad of the Tin Men album, his first and last on a major label (due to some weird machinations, he’d actually been with three different majors by the time his debut even got released). Of course, being an appealing melodist with a lyrical quirkiness and a jangle pop sound that leaned toward Jellyfish or Chris Von Sneidern, Powell was a better fit on power pop haven Not Lame Records, where he eventually ended up for a time.

It always amazes me that though there was never much room on the radio for artists and bands who patterned their sound after the Byrds, Beatles, Hollies, etc. it didn’t stop them from making their entire career an homage to those greats of past decades. Placing a track on a medium-profile tribute album to an idol like McCartney or Jeff Lynne might be a career highlight. Clearly the music of artists like this is made for the love of their craft–few guys like this get rich in the biz.

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