Songs You May Have Missed #223

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Utah Phillips: “Moose Turd Pie” (1973)

Bruce U. Utah Phillips combined the folk balladry of Woody Guthrie, the pro-union activism of Pete Seeger and the storytelling gift of Mark Twain. His songs about railroads and hobos were sparsely adorned but always entertaining.

I was exposed to little folk music as a youngster, unless you count my dad’s record collection, which offered the safe, sanitized version: The New Christy Minstrels (who were pointedly lampooned as the “New Main Street Singers” in A Mighty Wind) and the Serendipity Singers (ditto). Not that I have a problem with The New Christy Minstrels, who happen to have recorded my favorite Christmas album of all time.

But true folk music made it into my life in a limited way, so what I heard was bound to carry a lot of weight in my assessment of the genre. I’m grateful to have been exposed, by my oldest brother, to Utah Phillips and to “Moose Turd Pie” in particular. It helped broaden my world a little, even if I had few (or no) friends at the time who cared to have their horizons similarly broadened.

I’d like to think that whatever your musical persuasions you’ll appreciate “Moose Turd Pie.” Give it a taste.

Songs You May Have Missed #222

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Honeycut: “Shadows” (2006)

I offer this into evidence in the case of Bart Davenport vs every musical style imaginable. Bart was last heard perfectly channelling Crosby, Stills & Nash in the previous post. Here (as mentioned there) he fronts a trio that also includes drum programmer Tony Sevener and keyboardist/arranger RV Salters and trades the breezy 70’s folk rock sound for something akin to the retrosoul of Gnarls Barkley.

Exhibit B is this (low quality–sorry) video wherein Bart gets in touch with his inner Mick Jagger. This guy is about as multifaceted as anyone I can think of.

Songs You May Have Missed #221

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Bart Davenport: “Bar-Code Trees” (2003)

Bart Davenport was a little ahead of indie pop’s retroist curve, blending easy-going early 70’s pop sounds since 2002. “Bar-Code Trees” might make you think of CSN–a compliment indeed.

But this is just his “CSN song”. Listening to a Davenport album is a true “spot the influence” exercise as he evokes in turns Al Stewart, Van Morrison, America, Boz Scaggs, Delfonics-style Philly soul and more. He even, as vocalist of retrofunk three-piece Honeycut, nailed the Gnarls Barkley sound–although since both bands released their debuts in 2006 it’s hard to say if one influenced the other. Or vice versa.

Songs You May Have Missed #220

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Velvet Crush: “#10” (1994)

Velvet Crush’s second album, Teenage Symphonies to God, was named for Brian Wilson’s description of his aborted-then-resurrected Smile album. It’s an apt title, as the band shows a keen Beach Boys influence. Big Star is another name that comes to mind for comparison.

This ballad is the album’s most mellow and melodic moment.

See also: Songs You May Have Missed #673 | Every Moment Has A Song (edcyphers.com)

Songs You May Have Missed #219

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Jimmy Beaumont and The Skyliners: “Where Have They Gone” (1974)

And that reminds me of another Pittsburgh hit, this one released in 1974 and hitting its national chart peak of #100 in March of 1975. In the ‘Burgh however it was in heavy rotation that year.

Jimmy Beaumont and The Skyliners of course were best-known for the Doo Wop classic “Since I Don’t Have You” from back in 1959. It’s been said that Beaumont had the greatest voice of any singer in the early era of Rock ‘n Roll.

He wasn’t going for the high notes on “Where Have They Gone”, but its wistful lyric is beautifully rendered, and it’s one of my absolute favorite songs of the 70’s.

Video

Songs You May Have Missed #218

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Cellarful of Noise: “Samantha” (1988)

 

Here’s a nearly forgotten song that was quite a big local hit in Pittsburgh, though it only charted nationally at #69. It was written and sung by Mark Avsec, who was a member not only of Donnie Iris’ Cruisers but also of Wild Cherry (“Play That Funky Music”).

cellarIf this one sounds like a Donnie Iris song, there’s good reason: Avsec co-wrote all of Iris’ biggest hits, including “My Girl”, “Love Is Like a Rock” and “Ah! Leah!”. His other band, Cellarful of Noise, released two albums.

“Samantha” is in my opinion the second-best pop song about an abortion, number one being ELO’s “Livin’ Thing”. (I’d rank Ben Folds’ “Brick” third, ’cause I have to–it’s the only other one I know.)

See also: https://edcyphers.com/2020/03/14/songs-you-may-have-missed-656/

See also: https://edcyphers.com/2026/07/15/songs-you-may-have-missed-853/

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