Dave Edmunds: “Warmed Over Kisses (Left Over Love)” (1982)
While never known for his songwriting–and never prolific in that regard–Dave Edmunds is a preeminent and extremely reverential cover artist.
His stomping bluegrass take on Brian Hyland’s 1962 hit “Warmed Over Kisses (Left Over Love)” is a gem from a guy whose musical career path is littered with them.
It was only when I was in the process of posting this that I found out that Owsley (William Reese Owsley III) died in April of 2010 at age 44 of an apparent suicide. The power pop songwriter and guitarist earned great admiration from fans despite limited recorded output.
Inner Circle (or whomever created this single mix at least) seemed to feel the gravitational pull of pop giants the Backstreet Boys in 1998, sweetening the chorus here with smooth harmonies and blending the reggae sound with mainstream pop instrumentation. Personally, I think they came up with an irresistible reggae-pop one-off. I used this song as a sound check for years, just because I loved it and it seemed ideal for taking the measure of a room’s acoustics. And I have never tired of it.
Note: the more widely-available LP version is a much different mix.
Another mid-70’s country rock gem, with a profoundly simple and relatable chorus:
I ain’t ever seen a woman/Who could love me for a day/I ain’t never seen nobody/Who could take my low-down ways.
Country rock ain’t rocket surgery, and it doesn’t need to be–just has to have a feel.
Sometimes a song’s success is all about timing. This album track nails the same vibe as Marshall Tucker’s massive 1977 breakthrough hit “Heard it in a Love Song”, which was the band’s only song to crack the top twenty. Had “Low Down Ways” come a few years later than it did it might have made a nice follow-up single.
Jellyfish were a short-lived psychedelic-tinged power pop band who only recorded two studio albums but cast a long shadow on the genre. Their McCartneyesque harmonies and sweet melodic pop might have found a wider audience in any era other than the early 1990’s.
Their two highly-regarded albums, 1990’s Bellybutton and 1993’s Spilt Milk are touchstones of ambitious power pop and well worth seeking out for fans of bands like XTC and Crowded House.