Songs You May Have Missed #755

Julieta Venegas: “Lento” (2003)

Imagine pulling a 20-year-old CD from your collection that somehow went in one ear and out the other on first listen but now completely blows your pop-leaning musical mind.

Imagine lamenting, at age 60, that all the music you love most was that which you discovered before you turned 16, and that you may never again be touched that deeply by something new–only to have a woman who sings in a language you don’t even know crash into the circle of your most revered and hallowed handful of artists.

Imagine falling in love with a voice, a melody, a clever confection of an arrangement, only to translate a Spanish lyric into English out of curiosity and fall ever deeper in love, over and over and over again, song after song after amazing song.

For me over the past year or so, the unimaginable happened.

Mexican singer-songwriter Julieta Venegas produces Spanish language pop rock that, while touching on traditional Latin and Mexican musical styles here and there, basically falls between categories.

This lack of genre identification seems to free up Venegas to let the lyric, message or mood of a song determine its sound. Sometimes the vibe is indie pop, sometimes it’s rap-infused and bass-heavy, and sometimes it’s pure sugary pop. At times it’s uptempo and bouncy, at others it’s spare and brooding.

But it’s always thoughtfully arranged with co-producers Cachorro López and Coti Sorokin deserving credit (Sorokin also has co-writing credits on many cuts).

The more of Julieta Venegas’ songs you hear, and the more times you hear them, the more her undeniable songwriting talent impresses. Her gifts are on par with far better-known songwriters, the kind whose songs have received millions of plays over four or five decades in this country.

The production adds another layer of listening bliss. Check out the subtle 4-chord progression on guitar at the 27-second mark. It’s the kind of musical frosting on the cake you may only hear on the tenth listen.

So many times I’ve thought “it wouldn’t have been as good if the bass didn’t come in right there” or “it’s just a bit tastier with the handclaps on top of the percussion” or “nice touch to kill the vocal reverb and go with drier vocals on that bit for emphasis”.

Venegas has won 9 Grammy and Latin Grammy awards, received a Master of Latin Music Award from Berklee College, and has been recognized as a major influence on a generation of Latino songwriters.

She’s proficient on 17 different instruments and is a bit of a badass on accordion.

“Lento” is hardly the last thing you’ll see or hear from her on this site. And although the above version of is definitive, it’s the MTV Unplugged version–with Venegas seated at the piano, a sympathetic string arrangement and backup vocals–that truly gets to the heart of the song.

(If the video below has been removed by the time you read this, do yourself the favor of finding it on YouTube.)

I actually choke up every time I hear the crowd burst into spontaneous applause after each chorus, as if to thank Venegas for the gift of the beautiful sentiment of the song.

It’s one of the most affecting musical moments I’ve ever witnessed.

Lento (Slow)

Si quieres un poco de mí If you want a little of me
Me deberías esperar You should wait for me
Y caminar a paso lento And walk at a slow pace
Muy lento Very slow

Y poco a poco olvidar And little by little forget
El tiempo y su velocidad Time and its speed
Frenar el ritmo Slowing down the pace
Ir muy lento, más lento Go very slow, more slowly


Se delicado y espera Be gentle and wait
Dame tiempo para darte Give me time to give you
Todo lo que tengo Everything I’ve got

Si quieres un poco de mí If you want a little of me
Dame paciencia y verás Give me patience and you’ll see
Será mejor que andar corriendo It’ll be better than running
Levantar vuelo Taking flight

Y poco a poco olvidar And little by little forget
El tiempo y su velocidad Time and its speed
Frenar el ritmo Slowing down the pace
Ir muy lento, cada vez más lento Going very slow, slower and slower

Se delicado y espera Be gentle and wait
Dame tiempo para darte Give me time to give you
Todo lo que tengo Everything I’ve got

Si me hablas de amor If you talk to me about love
Si suavizas mi vida If you soften my life
No estaré más tiempo I won’t be around any longer
Sin saber que siento Without knowing what I feel

Se delicado y espera Be gentle and wait
Dame tiempo para darte Give me time to give you
Todo lo que tengo Everything I’ve got

See also: https://edcyphers.com/2025/11/15/recommended-albums-101/

Songs You May Have Missed #754

Rory Gallagher: “Follow Me” (1979)

After the previous year’s Photo Finish LP and the successful US tour that followed, Chrysalis Records pushed Rory Gallagher to get a follow-up out quickly, telling him they’d make it a top priority to promote it.

Hence the title of his next album in 1979, a relentless blast of sweaty rock pretty much from start to finish, with the record’s first track “Follow Me” setting the tone.

Songs You May Have Missed #753

Nellie McKay: “Unknown Reggae” (2010)

Eatin’ that burger
All you, all Americans
Eatin’ that murder
Give the chef my compliments

Whatever you want to say about the immensely talented (and vegan) songwriter Nellie McKay, the woman has guts.

She just may not want them on her plate.

Asked to sum up her life philosophy in a sentence, Nellie responds: “Just try to be more like a dog.”

What a good girl.

See also: https://edcyphers.com/2012/12/19/songs-you-may-have-missed-262/

See also: https://edcyphers.com/2013/08/11/songs-you-may-have-missed-459/

Songs You May Have Missed #752

La India: “Seduceme” (2002)

Puerto Rican salsa singer Linda Bell Viera Caballero (La India) had her first number one hit on the Latin charts with this romantic salsa/ballad (it was released in two versions).

The ballad is included below for comparison. I do prefer the uptempo arrangement myself.

My only gripe is that, released as it was at the height of music’s compression-mad “loudness wars”, there’s not a lot of subtlety in the dynamic mix.

But La India’s vocals are perfection.

Songs You May Have Missed #751

Roger Klug: “Baby On Her Mind” (1997)

When we last looked in on jocular power pop songwriter Roger Klug he was regaling us on the topic of his easily-distracted daughter.

This time it’s the wife who seems preoccupied. Domestic tranquility may elude Klug. But not a tuneful yarn.

See also: https://edcyphers.com/2013/02/11/songs-you-may-have-missed-327/

Songs You May Have Missed #750

The Proclaimers: “Dentures Out” (2022)

Scottish duo the Proclaimers will seemingly never lose the knack for punchy, pointed, succinct, quasi-political musical manifestos like “Dentures Out”.

From 2022’s LP of the same name, which the Reid brothers describe as an “anti-nostalgia album”, a reflection on the terminal decline of Britain. Says brother Craig, “I don’t think anybody could seriously argue that Britain is a stronger, better or happier society now than it was 10 years ago. The decline seems to be accelerating, which is part of the feeling behind.”

Still, strictly from a musical point of view, it’s like listening to ABBA sing about their own marital disintegration in addictively catchy numbers like “SOS” and “Knowing Me, Knowing You”. No one made the demise of a relationship sound so sublime.

The Proclaimers are the political equivalent. No one makes cultural malaise sound so miraculously joyous.

See also: https://edcyphers.com/2016/11/26/songs-you-may-have-missed-600/

See also: https://edcyphers.com/2022/03/13/ten-great-proclaimers-songs-that-arent-im-gonna-be-500-miles/

Previous Older Entries Next Newer Entries