Mika has clearly assimilated the work of the masters when it comes to crafting unapologetically infectious pop music. Here he displays ABBA-esque aptitude for stitching a rather sad lyric into a tapestry of bright, bouncy handclap-punctuated and harmony-drenched ear candy.
You may have trouble getting this one out of your head. In a good way.
Though it’s easy to discern something in Keren Ann’s delivery to identify her as a non-American, it’s more difficult to pin down just where in the world the singer hails from.
Perhaps it’s because her father is Russian-Israeli, her mother is Japanese-Dutch, while she herself was raised in Paris and speaks French as a first language.
Eric Hutchinson is irresistibly attracted to a girl who finds him totally resistible, and he weaves the tale of his frustrated infatuation around the type of melody that hooks you on first listen. Fun stuff.
Mark Erelli’s “Same For Someone” would make a great father-daughter wedding song for someone who prefers a more eyes-wide-open sentiment and would rather save the syrup for their waffles.
How can I look you in the eye Tell you everything will be alright When I know everything could change tomorrow How can I promise you right now That I’m never gonna let you down I know you won’t remain a stranger to sorrow
Oh it’s a hard world My child Oh, it’s such a hard world My child So I’ll let go and let you run And love who you become Someday you’ll learn to do the same for someone
Hearts will break, one will be yours Don’t bother keeping score Learn instead how to forgive and be forgiven Lift up your voice while you still can For the measure of a man Is how he sings when he thinks no one is listening
Some will claim to know the truth But none can give you proof It’s up to you to decide who to confide in And though it may not seem enough All you’ll ever need is love Anyone who tells you differently is lying
Another slice of smooth funk from criminally overlooked funk/soul outfit Con Funk Shun. Not all R&B acts of the era were self-contained musically or contributed to the songwriting credits as these guys did. And they could–and can–deliver the goods live, considering all the elements that make this song sound like a classic tune–the scratch guitar, tasty horns and Philip Bailey-style falsetto vocals–are performed not by hired guns but by the band members themselves.
Con Funk Shun have reunited with lead vocalist Michael Cooper (who had gone on to a solo career) to release a brand new album in 2015.
This 1978 album title track was never released as a single.
You could be forgiven for thinking you were listening to the early work of Talking Heads or something by 10cc on your first hearing of this 1980 album track by the Police.
It clocks in at just under two and a half minutes and serves as a reminder that not all the work of the “classic rock” bands needed to be epic and ponderous–or contain a flashy guitar solo for that matter. The lyric here is merely a sketch. It could very well have ended up un the Zenyatta Mondatta cutting room floor as an idea that needed more fleshing out.
Thankfully the band instead let it stand as what it is: a couple minutes’ worth of catchy, idiosyncratic pop rock.